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3 Tips for Hanging a Painting

So, you’ve just fallen in love with a piece of art you’ve seen in your local art gallery. You know that it would be the PERFECT addition to your home, so you pass through and buy it. The gallery director puts a little red sticker on it, signifying that this particular piece is spoken for; its dance card is full. Now comes the hard part: waiting for the exhibition to be over, so you can proudly display your new cherished treasure. But how should one display art? There must be rules to follow or a guideline? Sort of. Below are Twist Gallery’s 3 Tips for Hanging a Painting. Enjoy!

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 3 TIPS FOR HANGING A PAINTING

🎨 Hang a painting by its focal point.

Every piece of art is exceptional and different. Art tells unique stories, boasts diverse triumphs and impacts viewers individually. Therefore, it’s your job; nay your duty, scratch that; your privilege to decide where the art’s focal point is located. Essentially, the focal point, is where the viewer’s eye is naturally drawn. Often times, this is the centre of the painting, however many artists play with asymmetry in space and varying scale. So, what does that mean? It’s up to you! You fell in love with this painting for a reason. Where does your eye naturally fall on the canvas? This part of the painting should be hung level with your eye. 

For instance, check out this vivid piece by Sandra Di Leo below.

Figure 1 “Rebel” by Sandra Di Leo; 30 X 40 acrylic on canvas; $2,100

Figure 1 “Rebel” by Sandra Di Leo; 30 X 40 acrylic on canvas; $2,100

At Twist, we’ve been debating where one’s eye instinctively falls on Di Leo’s work. Some follow the curves of the powerful black lines reaching rest inside the circular shapes. However, other eyes tend to focus on the bright colours, especially the electrifying greens and glowing pinks. Wherever you decide the focal point is located, it should be hung close to eye level. 

 

🎨 Carefully think about lighting the artwork. 

 

Lighting can be tricky, especially if you don’t have track mounted lights at your home. You want to avoid direct sunlight because it can be very damaging to surfaces. Try to mount the art in a room with lots of natural indirect light. Also, you’ll want to give your artwork even light. This is why many gallery’s mount works on walls with numerous light sources to ensure an even amount of light bathing the canvas. Lastly, consider the type of light (if not natural light). Fluorescent light is awful for dramatic art.  You’d be wise to stick with bulbs and light sources that replicate soft daylight. For example, take a glance at Courtney Senior’s “Where the Magic Happens”.

Figure 2 “Where the Magic Happens” by Courtney Senior; 48 x 48 acrylic on canvas; $2,000

Figure 2 “Where the Magic Happens” by Courtney Senior; 48 x 48 acrylic on canvas; $2,000

As the bright colours shatter and splinter apart revealing the strong dark tones of the background, Senior’s expression is fully realized. A robust piece such as this requires a room full of indirect light. Any direct sunshine or incandescent light would overwhelm the already strong colour pallet presented. 

 

🎨 Group pieces of art together for dramatic effect.

When you are decorating a space, consider how several paintings can work together. Perhaps the canvas’ were created by the same artist and represent similar thematic elements or feelings? Conversely, this can work when the paintings are dissimilar. Imagine the contrast and complication to viewers by pairing pieces that clash or challenge each other. Can you think of a time when artistic elements clashed so strongly that the effect was incredibly profound and memorable? After all, art is about expression and creativity. Ultimately, it's up to you. Consider the work of Elena Dinissuk featured next.

Figure 3 “Beach Tranquility” by Elena Dinissuk; 24 x 24 acrylic on wood; $500

Figure 3 “Beach Tranquility” by Elena Dinissuk; 24 x 24 acrylic on wood; $500

Figure 4 “Flying Over the Ocean” by Elena Dinissuk; 24 x 24 acrylic on wood; $500

Figure 4 “Flying Over the Ocean” by Elena Dinissuk; 24 x 24 acrylic on wood; $500

These two pieces compliment and accent each other. The wild and energetic ocean waters of the first painting is referenced by the same blue hues in the second. Furthermore, viewers regard the land and sky embodied with oranges and pale blues in the second painting. This only highlights the lack of land in the first painting. As viewers begin to consider both paintings simultaneously, they see elements that are repeated and elements that exists individually. Dinissuk’s work instigates an exciting story of the majestic mighty ocean and our beautiful planet.

 

We hope you’ve enjoyed reading our 3 tips for hanging a painting. And if you think we’ve missed anything, please comment below and let us know your tips. We’d also love to hear from anyone who has purchased from Twist Gallery in the past. How did you hang your art? Share a picture on Instagram and remember to tag us! @twistgalley 

 

And since you’re here, why not check out the other artists in our Artist Showcase? CLICK HERE.

To see what’s Upcoming at Twist Gallery CLICK HERE.

Keep us in your focal point by following us @Twistgallery and @TwistGallery!





150 Years of Canadian Art

Written By: Simran Birk

Canada is short of its 150th birthday in a few weeks. Over a century of development and progress has ranked Canada among the highest in international measurements of government transparency, civil liberties, quality of life, economic freedom, and education. However, Canada’s progress and flourishment in cultural and artistic movements should also be acknowledged and recognized.  Let us recount Canada’s finest artists from the past century and half.

It is important to start this article with recognizing and celebrating indigenous art. Indigenous art is an important part of Canadian art as it describes a history and culture that has been established in Canada for centuries. It should also be acknowledged that the word ‘Canada’ is believed to originates from the St. Lawrence Iroquoian word kanata, meaning "village" or "settlement". Bill Reid is a renowned Haida artist who specializes in jewelry, sculpture, screen-printing, and paintings. His work has can be found in various galleries and museums across Canada. An important accomplishment of Reid’s is that two of his sculptures, Raven and the First Men and Spirit of Haida Gwaii, are prominently featured on the $20 Canadian note from 2004 to 2012.

Bill Reid,  Spirit of Haida Gwaii, 1986

Bill Reid, Spirit of Haida Gwaii, 1986

Another aboriginal artist that deserve recognition for their artistic work is Rebecca Belmore. Belmore specializes in installations and performance pieces. Belmore is especially important as her piece’s addresses history, voice and voice-lessness, place, and identity. Belmore work incorporates art, history, and politics to create a truly impactful piece of work. Some of Belmore accomplishments include the 2013 Governors General Awards as well as being the first aboriginal woman representing Canada at the Venice Biennale in 2005.

Rebecca Belmore

Rebecca Belmore

Moving on to other artists who have influenced the Canadian art scene, the Group of Seven is a name that is known by many Canadians. The Group of Seven is a group of artists who specialized in painting Canadian landscape during the early 20th century. The group originally consisted of Franklin Carmichael, Lawren Harris, A. Y. Jackson, Frank Johnston, Arthur Lismer, J. E. H. MacDonald, and Frederick Varley. The Group of Seven is best known for initiating a national art movement in Canadian art. The Group traveled across Canada, depicting its varying landscapes in a new perspective, that gained popularity among Canadian society.

Emily Carr is name that is often associated with the group of Seven and Canadian artists. Although Carr was not officially member of the group, she was closely associated. Carr is known for being one of the first artist to adopt a Modernist and Post-Impressionist painting style. Initially, Carr’s work is focused on indigenous culture and art. However, there is an evident shift to landscape paintings later in her life, when she became involved with the Group of Seven. Carr is an important figure in Canadian art history as she broke and changed the customary representational form of landscape paintings by painting the landscape and spirit of Canada in a modern style. Carr’s life and work is recognized through the many Canadian art institutions named in her honor and the various galleries and museums that hold her work.

Emily Carr,  The Indian Church,  1929

Emily Carr, The Indian Church, 1929

The late 20th century and early 21st century art scene has also been impacted with various artists from different movements and mediums. One group that should be mentioned is the media based artists, General Idea. General Idea was an active art group from 1967 to 1994, that is made up of artists Felix Partz, Jorge Zontal and AA Bronson. General Idea’s work specialized in the twisting forms of popular mass media culture, such as beauty pageants, television talk shows and trade fair pavilions into unconventional media forms. These forms would include postcards, posters, balloons etc. General Idea’s later work addresses the AIDS crisis’s, spreading awareness of this disease through various projects. General Idea’s accomplishments include being featured in the Museum of Modern Art and the National Gallery of Canada.

A.Y. Jackson,  Red Maple,  1914

A.Y. Jackson, Red Maple, 1914

General Idea,  AIDS,  1988

General Idea, AIDS, 1988

Canada’s art scene is much like the country; incredibly diverse with passion and culture. The artists in this article are a few of the many who contribute to Canadian art.  However, it is important to understand that art in Canada is influential and impactful in various ways; whether its making a statement about politics or bringing awareness to a disease, art always has a purpose. With Canada’s 150th birthday coming up, it is important to not only celebrate the birth of this great nation but also to recognize it many accomplishments throughout the years, whether it be in science, culture or art.

Priceless Art; Five Most Expensive Artworks Ever Sold.

Written by Simran Birk

It is an ironic statement, priceless art; when in fact most Van Gogh’s or Picasso's pieces are sold in the millions. So how can be art be referred as priceless if there is often a selling price. The idea that famous works of art are considered priceless, is the result of the inflating value of the artwork overtime. When a museum or private buyer acquire the infamous artworks of Warhol or Da Vinci, there is no reason to sell the work for it will always be considered valuable. With time, these pieces will be worth more than what was invested. Therefore, essentially they are considered priceless due to its exponentially increasing worth.

What classifies a ‘priceless’ work of art. The title of the most expensive artwork is shared between, Willem de Kooning, Interchange and Paul Gauguin Nafea Faa Ipoipo (When Will You Marry?). Each were purchased at 303 million and now inhabit a museum or the collections of private buyer.

Paul Gauguin,  Nafea Faa Ipoipo (When Will You Marry?) , 1892

Paul Gauguin, Nafea Faa Ipoipo (When Will You Marry?), 1892

Willem de Kooning,  Interchange, 1955

Willem de Kooning, Interchange, 1955

Paul Cézanne, The Card Players is the third most expensive piece of art. It was sold at a 256 million to the Royal Family of Qatar. The fourth most expensive piece of art sold is Jackson Pollock, Number 17A which sold at 202 million to a private buyer.

Paul Cézanne,  The Card Players , 1894–1895

Paul Cézanne, The Card Players, 1894–1895

Jackson Pollock,  Number 17A , 1948

Jackson Pollock, Number 17A, 1948

Finally, the fifth most expensive piece of artwork ever sold is No. 6 (Violet, Green and Red) by Mark Rothko. It was purchased by Dmitry Rybolovlev in a private sale for 188 million.

Mark Rothko,  No. 6 (Violet, Green and Red) , 1951

Mark Rothko, No. 6 (Violet, Green and Red), 1951

The value of art is a subjective matter; as cliché as it sounds, one mans garbage is another’s treasure. It is believed that Van Gogh had only sold one painting in his whole life; however, he is now considered a prominent figure in the world of art and his work is worth millions. This demonstrates that the value of art is ever changing. However, it is evident that the most valuable art is one whose intensity and expression has the power to impact the emotions of another. That is truly priceless art.