Twist Gallery is very excited to showcase our new exhibit Vibrance, and give you a chance to get to know the 8 talented artists on a deeper level to better understand their artistic process. Vibrance is centred around life’s moments, both in the mundane and the exciting, encouraging our intertwined connectivity of the human experience. We asked our artists some questions about the ‘vibrancy’ of their work. To find out more, keep reading!
Amanda Pistillo
Amanda is a self-taught artist whose work is centred around the feeling of joy, the tranquility of being happy, and extending that to others. She hopes to entice a feeling of inspiration and motivation in others to create their own unique art work.
How does the title ‘Vibrance’ connect to you and your art?
"Vibrance" to me and in terms of my art is about the light that radiates within your heart and soul. It is that powerful energy that brings forth happiness and love! Each piece that I create is a one-of-a-kind creation always made with lots of love and with the hope that they bring happiness to others!
All of your paintings are centred around John Lennon. What aspects of his life inspired your work?
John Lennon's empowering mission for a world with peace and love coupled with his never-ending call for inner courage and strength are very inspirational to me. I wanted to try and capture the light and radiance of his heart and soul within my artwork.
How have you cultivated such a unique style of painting?
I love to create art, it helps to centre me and brings me so much peace. Over time I have learned to exercise a sense of courage when creating my art, just being totally free. I enjoy using a rainbow of colours within my work, along with an edgy/sweet kind of look. I never have an exact plan of how the piece will turn out, I just go with the flow and try to be fearless. I've found that the best process for me when I'm creating my art is to just listen to my heart and let go of any control.
Do you have any advice for beginner artists who are nervous to explore new mediums and areas of art?
I think it's really important to be yourself and to have a sense of fearlessness when creating your art. There are going to be people who will have opinions about what you have created and want to change your style of art, but always remember how unique you are and to never conform to other people's expectations. Always believe in your art and in who you are. Your art is a reflection of you, and all of your divine creativity and your beautiful soul! Always remember to keep persevering, try new techniques, and always always stay true to yourself!
Daniella Williams
Daniella is keen on expression, keen on capturing the moments that truly make us human. Whether it be alone, with a partner, in a public setting with strangers… she makes sure to grasp deep emotion in a way that makes the viewer feel comfortable and understanding. Daniella focuses on all of the little details that are incredibly important in the final composition of her piece, and will make sure to capture every angle and shadow.
How does the title ‘Vibrance’ connect to you and your art?
I wanted to be a part of Vibrance because I felt that the concept and title of the show was one that reflected the overall essence of my work. My paintings emphasize colour and dynamic imagery of people in mundane scenes. Therefore, when I begin a painting my end vision is a scene where I have pushed the colours and skin tones of the subjects in unexpected ways. I want my paintings to be vibrant and energetic as well as probe the viewer to ask questions about the narratives I develop.
Why have you explored the themes of intimacy, self-reflection and voyeurism with your Domesticity collection?
My work touches on themes of intimacy, self-reflection and voyeurism because I’ve always been concerned with the idea of being perceived. I want to explore the tension and discomfort that exists in this as an individual but then paint it in a way that feels intimate to the viewer. As curious humans we love to get a look into the psyche and inner experiences of people around us; hence our fixation on social media and consuming images. Similarly, I have struggled with my own body image, and self-perception as a young bi-racial woman in an age of internet and image consumption, so it's always felt important to create paintings about these ideas.
What is the narrative behind the Domesticity paintings?
The Domesticity series paintings are meant to follow the domestic lives of four young adults who share a home. Their relationship to one another is ambiguous and highlighted by their inherent separateness in each scene. The setting of each painting is clearly a home yet none of the inhabitants ever meet the others gaze or interact. Domesticity was meant to be a look inside a troubled home life, one that looks bright and beautiful at first glance but harbours tension and restlessness at a second glance.
How do you choose your muse for your paintings? (Are they friends of yours? Models? Strangers?)
The subjects of my paintings really depend on where I am and what I’m feeling inspired by at the time. A lot of my most recent pieces were of friends who I had sit and act out different scenarios and narratives for me. Whereas many of my other paintings are of strangers I capture in passing. For instance, my newest painting “In A Sea Full of Women’ was a collage of several people I observed on different beaches in Italy and Greece. Mainly what I look for in my subject is a sense of mundanity, I want them to look like everyday people and to tell some kind of story in their expressions or body language.
Sandra Lambert
Sandra has a spirit that can be seen directly through her paintings. She focuses on the things that make her happy and takes inspiration from the little parts of life that may be overlooked otherwise. High saturation and crisp lines in her art convey an intense wave of emotion and expression.
How does the title ‘Vibrance’ connect to you and your art?
My first love in painting is colour. I’ve always been attracted to fresh, bright colours - colours that remind me of summer gardens or brightly coloured insects and birds. Loving the colours in nature, I’ve wanted to capture that feeling of freshness and aliveness without limiting myself to representation. So, it’s more of a desire to express the essence of an experience of nature - fields, sunset, fruit, flowers, insects, birds - the vitality that, at our core, we share with the natural world.
What attracted you to painting utilizing such rich saturated hues?
When I discovered acrylic gouaches- especially the Japanese colours- I fell in love with them. I rarely mix them, instead using them straight from the tube. They convey the intensity of my emotions and my experience of being saturated with the beauty of the world around me - an intensity that is difficult to convey in words, other than poetry, but seems to come more easily in the language of paint.
What would you say your biggest inspiration has been during your art journey?
I am like a sponge, soaking up visual stimuli- natural and urban landscapes and the work of other artists. I think it was John Berger who talked about the importance of receptivity in the act of painting. That resonates for me- what you take in then moves through you and into the paintings. It’s not that you don’t need to learn techniques and practice a hell of a lot, but I think it’s good to stay open and receptive to the world around you and the impulses of your own soul.
What drives you to create? How does it impact your personal growth?
I don’t really know what drives me to paint, other than I’m not happy if I’m not making something. And there’s nothing like the feeling of being completely absorbed in making a piece of art; it’s that loss of self-consciousness, that sense of rightness, of doing what I’m supposed to be doing. Also I never get bored- there’s always a new idea and something new to learn and try, and you can never get complacent because you can never really capture what you set out to capture so it’s always in front of you like a breathtaking view that is never reached because it’s always just around the next bend in the road.
How do you know when to stop, when do you really know when a piece is finished?
I used to overpaint more than I do now. I didn’t trust what I was doing and was trying too hard and worrying about the end product. I do that less now and trust more in the process. It helps to work on 2 or 3 pieces at a time so you don’t get hung up on getting one perfect. Maybe that is something I’m learning from painting- perfection is not where it’s at in art or in life- instead it’s trying, experimenting, failing sometimes and succeeding sometimes, but keeping on working with an open mind and a playful spirit. Also there are happy accidents - ‘mistakes’ that turn out to be wonderful surprises. I’m trying to keep that attitude in regards to other parts of my life - what we hope and expect often do not occur but sometimes what seems ‘wrong’ can turn out to be a gift.
Allen Ford
Allen, a man well versed in our society’s natural fast pace and how our minds can interpret the advertising all around us, excels in collage style art that encourages the viewer to expand their horizons across many places. He uses second-hand bright and colourful advertising materials to create a whole new piece of art, enticing a sense of unusual inspiration from many different things at once.
How does the title ‘Vibrance’ connect to you and your art?
Excellent question! I feel vibrancy in my art is found in creating new meaning with the posters. Originally all these posters have a clear meaning and intent. Take the huge panel with the Andy Warhol poster from the AGO exhibit. Originally that poster had a very clear purpose. But rip it, tear it, and mash it up with other posters, and something new and unexpected is created with its own energy and meaning. To me that is vibrant.
Your collages reinterpreted old advertising posters from across the city. How do you see advertisements subconsciously affecting our decisions making as consumers?
Advertisements affect our decisions just as all other forms of inspiration do. We are first triggered not by the entirety of something but by one single element of it. It's like being at a club...or an opening night of an art show! You see somebody across the way, you don't know them but the way they wear their hair, or stand, or hold their glass connects with you. Advertising is no different. We see or hear a word, see an image or a colour, and it sticks. And you then want to know more.
What does your artist process look like?
It looks like a mess! When I am in full creating mode, my apartment...err...studio is literally strewn with posters and panels. I then proceed to mimic a squirrel in a park digging for nuts. I know a specific poster is buried somewhere, I just need to find it! There is usually one core poster fragment I build around. It might feature a word or sentence, or perhaps an image or colour. With that foundation, I simply look to then build around it as I add, shuffle, rotate, and rip other poster fragments in. I rarely have a defined image I am looking to create though. It is very much a process that is about finding the finished image. And when do I know something is finished? When I get a tingle on my arms, a smile on my face, and start nodding. Then I know I have created something!
What do you hope the viewer draws from engaging with your work?
I like to imagine viewers of my work as a kind of urban archaeologist. This art requires viewers to reconstruct what they see, but also imagine and parse what they can't. I feel viewing my art also asks people to be creative themselves. These posters, once all ripped and torn, all fragmented words and images, ask every viewer to create their own meaning, find their own inspiration.
Eleanor Lowden
Eleanor’s art will take the viewer to a universal happy place - a beautiful garden, which holds the power to be exactly what we need as humans. She makes sure to share her beautiful imaginations in a way that is inviting while also exciting.
How does the title ‘Vibrance’ connect to you and your art?
It’s such a pleasure to be part of the Vibrance Show at Twist Gallery. I think my work often reflects a certain vibrance, the colours and the mood and the settings that inspire me. I’m thrilled to be showcasing my work with this group of artists whose work I admire.
What inspired you to create your Joyful Garden Series during the pandemic?
I began my Joyful Garden series during the pandemic in the summer of 2020. I was living in a condo with no garden of my own. During lockdown we were all limited and my outings were mostly to walk my dog. I started noticing gardens and outdoor spaces and gained a new appreciation for them. I began creating my garden series around this time, I felt like I finally had a garden of my own. It was my own form of abstract art that also felt very liberating and fun.
Do you have a favourite place to create?
I create in my home studio, I love the early morning hours the most. I’m up at 5:30 am and I paint until 7:30 am. when I walk my dog. I then come back and grab a coffee and paint for another few hours. But the early morning hours are still the best.
Do you ever hit a creative block? How do you overcome it as an artist?
I rarely have a creative block. I am always looking for more time to paint. If I have a day I don’t feel like painting, I always have administrative work to do. My website or my books or my Instagram…..All things that need to be done!
Phero
Phero’s lust for life and appreciation for all shines through his digital and painted art pieces. His idols, exuberant and talented, bring a sense of inspiration to the viewer for this kind of vibrancy in their own life. He combines mediums to fully grasp expression and emotion in his subjects.
How does the title ‘Vibrance’ connect to you and your art?
Vibrance, to me, means full of life and energy, vibrating at the highest possible power or potential. I feel like my pieces are exactly that they are full of energy, they show movement in their stillness because they are vibrant.
What inspired you to paint these POC pop culture icons?
I draw my inspiration or choose my “subjects” based on things I believe in or I enjoy. I love hip hop culture which is why a lot of my pieces are so deeply linked to hip hop and the surrounding elements.
What does your artist process look like?
I usually start it with a mood board or a reference board where I gather pictures of the subject and try to figure out how I can capture them. Then, I start to pencil things in lightly (or outline things digitally), and then I start to drop colour in places and see how the composition comes together, making alterations where I need to.
What attracted you to painting with and utilizing such rich, saturated hues?
Early on my artist journey when I was trying to develop my unique style, I wanted something where people would be able to easily identify my work immediately. I found the easiest way to do that was to use vibrant colours. It is easy to unify an exhibit when the colours are the same across all pieces.
Rahul Ohja
Rahul’s abstract mind encourages the viewer to step out of their comfort zone and feel the emotions of life that may be previously unexplored. He uses colours and shapes in a way that has an other-worldly effect, a way that will inspire creativity in a vibrant and fun manner. Read for further tips for beginners that Rahul was nice enough to share with us.
How does the title ‘Vibrance’ connect to you and your art?
I believe vibrance is a state of being full of energy and life. My thoughts and variant emotions represent my belief in colours being a central part of all living beings and non-living objects.
I love working with bright sparkling colours & textures in creating bold, vibrant, and colourful abstract art. I try to reinvent myself through my artwork and observe the world with extreme detail — from colour to line, and light to shadow. I do this because it fulfills me, helps liberate me, enriches me.
How have the events in your life influenced your creative process?
As beings, I believe we are all creators – some masterful with their words, others captivating through their actions and outliers, like myself, through our ability to enthrall with colours on canvas. I have trotted the globe, living and serving in three continents and hence, it is safe to say that my creations transcend cultural and geographic contexts to offer any beholder a sight worth more than what meets the eye. Predominantly through abstract work, I use colours, brushes and strokes as media to explore parts of my own subconscious that have been shaped, ostensibly, by experiences I do not vividly remember.
What attracted you to painting in the style you have come to adopt?
I do abstract art! I believe every colour has a meaning, it speaks of something, when many colours blend it has a language, a language that has nothing to do with realism or perfectionism... it’s just so powerful… and that is where abstract is born. I direct these colourful, bold, and boundless abstract language onto canvas and try to connect to people with an aim to sooth, to heal, to energize and help them search for inner peace and tranquility and give life a real meaning!
Do you have any advice for beginner artists who are nervous to explore new mediums and areas of art?
Abstract art can be a challenge. Beginners may believe that it is very easy, and anyone can do it. For those who have created abstract artworks or have taken a course, know that things can get a little complex. Creating an abstract piece requires certain skill sets. Don’t let the challenge turn you away. If you are a beginner , there are some tips you can keep in mind to start your journey as an abstract artist. You have to keep the following three main components of abstract artwork in mind:
1. Composition: While composition plays an important role in all types of artworks, it is especially essential in abstract art. Since abstract art is generally vague, it is important to have a focal point in your painting to capture the viewers’ attention. The shape, size, and placement of the objects on the canvas help create a good composition.
2. Colour: Since there aren’t any objective rules when it comes to abstract art, it can be easy to get carried away with the colour. However, it is advised to not throw all the colours on your palette onto the canvas before calling it a day. In fact, think about your colour palette before you even pick up the brush. Ideally, choose a limited number of colours and try to get creative with them. Mix these colours on the canvas to create an endless stream of changing shades and colours instead of picking a different tube every two minutes.
3. Texture: While using the right colors and composition, to ensure that you create an attractive piece of artwork, the texture makes the abstract painting really stand out. You can use various techniques and materials to add texture to your painting. In fact, you can just apply the paint more thickly in places. However, make sure that the texture is consistent throughout the artwork. Even if you have multiple different ideas on how to add texture, leave the rest for your next projects and only use one or two techniques per painting.
Nicole Dimt
Nicole guides you to the future through vivid colours and unique shapes with impeccable attention to detail and design. Her art is limitless, combining a magical imagination with real-world vibrancy that will leave the viewer craving more.
How does the title ‘Vibrance’ connect to you and your art?
Vibrance is the perfect word to describe my art. Every piece I make incorporates multitudes of every colour, which is the main goal of everything I create. In my work, I use the most saturated version of every colour I can, as I want my art to be eye-catching, as well as remind myself, and viewers, of the fascination and the joy that being a child once brought. I use vibrant colours so that my art feels lighthearted, fun, and just a little chaotic.
The subject in your artwork varies from nature and cityscapes to self-portraits. How do you decide on what subject to focus on?
My undergrad and the assignments it gave me are what opened me up to exploring many different subject matters within my art. I like to keep a very open-ended and diverse portfolio, and like to play with as many styles as I can. Anything can inspire me. Whenever I see a picture, or another artwork that I like, I get inspired to make something just like it, no matter what it is.
Do you prefer an abstract or realism style? Why?
It's hard to choose between the two - I often refer to my art as "abstracted reality," because that's exactly what it is. I always start my artworks with a reference of something from real life, such as nature, architecture, or fabric, and edit it digitally to create new wonderlands and worlds, which I then replicate. I would say this is my natural style. Granted, I do love to play with pure realism, and have a few pieces that showcase that in this exhibition. I like to create realism pieces when I find a reference that catches my eye, and I want to test my skill and
What would you say your biggest inspiration has been during your art journey?
My biggest inspiration throughout my art journey has definitely been all the amazing artists, and friends I met during university. My professors, peers, and mentors are who pushed me to be the artist I am now, and showed me new worlds and possibilities within painting. Many of these people helped me come up with themes and motifs, and really helped me connect with my art and understand it for what it is - something that did not come easily to me. It has been amazing to be around such creative people in my life, and this has continued post-grad into my workplace where I work as a concept artist, surrounded by brilliant minds who are fluent in the digital arts.
We hope you enjoyed getting to know a little more about the talented artists behind Vibrance! Don’t forget to come check out the exhibit, on from October 4th - 29th.
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