"WANDERING" GET TO KNOW THE ARTISTS

Twist Gallery is excited to present WANDERING, an engaging abstract exhibition featuring the works of eight local artists. Each artist offers a distinct perspective on movement, exploration, and the unknown. With bold colors, textures, and fluid shapes, the exhibit explores themes of curiosity, transformation, and the spirit of wandering beyond the material world. WANDERING invites viewers to dive into the art, uncovering emotional and imaginative layers with every piece.

adi zur

1. You use newspaper headlines in your paintings. What makes a headline stand out to you when choosing one for your work?

The newspaper headlines that I gravitate towards when making selections for my artwork are those that grab the attention of the heart rather than the mind. When there is a headline that is personal and emotional, as well as symbolic and metaphorical, it resonates with me and becomes a compelling candidate for my canvas. 

2. How do you feel your paintings bring a sense of calm in a world full of media and noise?

My artwork is often described as deeply layered — both literally and figuratively. In a similar vein, the sense of calm that my paintings bring to viewers is also layered. On the surface are, most often, calm colours, and the very act of touring the painting with one’s eyes is a meditative experience. Beyond that, the content and messages embedded in the artwork mirrors life itself and as such validates the observer’s own very human experience — leaving one with the calming and reassuring notion that they are not alone.

3. Your background in philosophy and teaching seems unique. How do those experiences influence your art today?

Having a background in both philosophy and teaching influences my art in my efforts to awaken reflexivity and thoughtful contemplation in the viewer — especially in the realm of the abstract. That said, even before I explored philosophy and teaching, I was rooted in expressing the intangible. Rather than choosing to pursue figurative or landscape art, abstract was what spoke to me — even as a child. In fact, when I was in art class in kindergarten a little classmate of mine was dumbfounded by my choice of artistic expression. I painted God, while the rest of my class chose flowers, and family, and pets.

4. You talk about a lost connection to ancient knowledge. How do you hope your art helps people reconnect to that?

Ancient knowledge is replete with those aspects of ourselves that evolved over hundreds of thousands of years: the instinctive, the emotional. Recently, in our modern times, we have moved away from developing those core features of self.  By gluing headlines to canvas my artwork grounds us in the contemporary and reminds us that we are severed from the connection to our ancient pasts.

robin potter

1. Where does your story stem from? Have you grown around art or did your passion start as you grow? Is there a certain age you knew for sure this is something you’d want to be doing for the rest of your life – possibly on its own or alongside other things?

I’ve always had a connection to art. It began with an avid interest in literature, dance, and the visual arts. When I was younger I learned classical ballet and pursued degrees in literature, with a strong focus on modernist and contemporary texts and theory. During this time, I also pursued a passion in painting and still have artwork I completed in my teens. Art has always informed my life and similarly my life has informed my artist practice. While I did take a hiatus from painting while pursuing my career and raising a family, I began devoting more time and attention to painting about seven years ago and am now exploring thematic streams.

2.You’ve mentioned that your art explores themes of gravity, organic transformation, and modern life. Why are these themes so central to your work? Is there a personal experience or event that sparked your interest in these concepts?

I was raised in semi-rural Quebec and had an intense connection with nature because that was all that was around me. At the same time, I had an awareness of the progress of civilizations and cultures which I gained early on through literature and more recently through news media. I began to explore the apparent disconnection between technologies and the experience of the natural world through my art by juxtaposing natural, organic forms that are in nascent stages against backgrounds representing constructed environments. Through these paintings I hope to express my deep concern or sense of gravity for the imminent perils brought about by our focus on technologies.

3.Your work often contrasts natural, organic forms with structured, geometric backgrounds. How do you approach this balance in your process, and what do you think it reveals about the intersection of nature and the human-made world?

Most of us work and play with technologies, which are constructs of our modern personal and work lives; they in fact consume much of our attention. When I paint, I feel released from the constraints of computer worlds, and feel that I enter a playground of sorts where I can create and recreate ecological spaces using a variety of materials— human-made and natural. The process of applying materials on the canvas, designing shapes, exploring the themes and currents of weight, sadness, consternation, balance, weightlessness, precariousness, and emergence helps me to feel that somehow I can the defy the gravity that surrounds us.

4.Your work has been showcased in diverse spaces—from the Ontario Legislature to the AGO. How does the setting or context of each exhibition influence the way you present your art and why Twist Gallery?

The setting of each exhibition offers opportunities to create resonances with the art pieces that augment their meanings and sometimes take their significance in different direction. Not only does the space affect how an artwork “glows” but every person who views the work brings with them their own rich interpretation and sentiment. Twist is a beautiful space set in Toronto’s urban landscape. It’s open space gives room for the artwork to breathe, and in the company of the work of other artists, it can create resonances that are at once coincidental and unexpected.

markus moos

1.Your art blends influences from pop-art, surrealism, and graffiti. How do you decide which elements to combine in your pieces?

This is very much an instinctive process. My art rarely starts with a specific plan. I begin by combining colours and shapes which then take me in a particular direction. I let the art guide me in terms of what seems to come together. Each piece has a unique story in terms of its evolution. I am guided by what seems to work visually. There is a lot of trial and error in my work. I think that's critical to the creative process, trying things out and seeing where they lead. I do often look for visual contrast and find ways in which I can use colours and shapes to create patterns that evoke interest by way of contrast.

2. You explore themes like mental illness, identity, and nature in your work. How do these personal experiences shape the way you create art?

My art is deeply personal, and always a reflection of me and my thought patterns, emotions, and so on. I also find the process of creating art very restorative and calming so it's helpful to make art in terms of grounding me during difficult times. Some of my art draws directly on personal experiences for inspiration, other pieces are more indirectly shaped by my own unique circumstances. I also hope my pieces instil a sense of hope through the use of colour and natural images. I live with OCD and social anxiety disorder, and part of the reason I make largely abstract and “messy” art is to overcome perfectionism that can come with these disorders. There is also a lot of emphasis on neurodiversity, non-binary ways of looking at the world, and the importance of rest and contemplation in my art. I like to convey a sense of hope through my work, hope that we are capable of working through difficult times and help each other feel like we all belong. Most of my pieces include many layers, and as such each piece conveys several parts of my own lived experience in some form.

3. How do you know when a piece of art is finished? Is there a specific moment or feeling that tells you it’s done?

There is definitely a feeling that tells me when a piece is done. It's difficult to describe. I can 'just tell' when a piece feels finished. When done, the colours, shapes, and overall composition come together in a way that instills a sense of completion. When a piece is complete, I feel a sense of joy about having brought shapes and colours together in a way that communicates something. My pieces never feel done until they communicate some sort of message that I can get behind. Some pieces are finished relatively quickly but most come about over a longer period of time, working on them in many sessions. Because I work with digital art, there is also flexibility to combine previously unfinished and finished pieces into new ones.

4. As a self-taught artist and urban planning professor, how do your two worlds influence each other? Does your background in planning impact how you approach your art?

The two worlds definitely shape each other. At first, it was my interest in visuals and communication in urban planning that brought out my art. Some of my art is directly shaped by academic research projects, for instance on the changing nature of cities, the importance of high-quality public space, and the role of high-rises in our communities. Art also shapes my academic work in that it has given me a greater appreciation for unstructured processes. I tend to be much more goal oriented in my academic work whereas I am more inclined to let my art evolve on its own. There is a healthy tension between these two worlds, I think, that continues to allow me to move forward and grow but not in an overly deterministic way. Ultimately urban planning is about how to shape our communities and my art tries to capture various parts of our natural and built forms in new ways.

Briggite Boulay

1.Your work draws inspiration from the idea of wandering through the forest and seeking a deeper connection with nature. What personal experiences or memories from your own life have influenced this theme?

I have always felt a deep connection with nature and animals. I was born sensitive to the environment around me and learned to seek peaceful places from a young age. The world can be a very noisy place! Nature and the arts have been consistent interests in my life, which help me stay grounded. Some notable experiences in nature include gardening with my grandmother, canoeing through Algonquin Park, swimming with turtles in the Caribbean, jumping off a cliff in Jamaica, and taking in all the colourful flowers and natural scenery during my travels in Europe & Canada.

2.You mention the powerful impact Chris McCandless’ story had on you, especially with Eddie Vedder’s soundtrack. How does music play a role in your creative process, and do you have other pieces that have been influenced by music in a similar way?

For as long as I can remember, music has been an integral part of my life. Coming from a family of professional musicians, I've been exposed to a wide array of styles and instruments. When beautiful poetry is set to music, the words come alive, breathing into your soul and touching something deep inside. Being naturally sensitive, I feel the power of music profoundly. An artist's work, from their lyrics to the instruments they choose, creates something so special that it resonates within me, inspiring me to create in their honour. For instance, my piece entitled "Jeremy" was created for Jeremy Dutcher, a classically trained Canadian Indigenous tenor, composer, musicologist, performer and activist. He honored his people with his angelic voice and incredible compositions, transforming something sacred into an extraordinary musical experience.

3.In your artist statement, you talk about escaping to discover who you really are. How does creating art allow you to explore and express that deeper sense of self?

When you create, you are engaging in a deeply sensory experience. You must delve into not just the intricate details, but what inspired you to create. While knowing the artistic rules and guidelines is important, what truly makes art resonate is capturing that elusive feeling – that unique place only you know and have now shared with the world. It involves embracing what takes your breath away, both the good and the bad. Through art, I am communicating from my soul and discovering what drives my creative expressions. From the beauty of flowers and trees to activism and the continuous expansion of my artistic styles, I am growing and speaking to you through these experiences.

4.Your professional journey includes formal education, workshops, and private lessons. How have these different learning experiences shaped the way you approach your art today?

If you look closely, you’ll notice elements of folk art, palette knife techniques, brush work, fabric sculpting, paper arts, and more. As a little girl, my mother would take me along on her many artistic adventures. Since then, it's been a continuous journey of nurturing my artistic curiosity. I took my first painting classes with my mom when I was 11 years old. I believe that each piece I create embodies a part of everything I’ve learned, all stored in my creative reservoir.

Robert Ross

1.Your art is all about the movement and interaction of colours. Can you explain the process you use to create these effects and what draws you to this approach?

Executing this process requires careful control to keep the colours on the canvas. Achieving a thick, viscous consistency of paint is crucial to create elaborate lines and edges. Imagine the canvas laid flat, an arrangement of colours poised to mix, as the pigments move and converge by way of gravity, intricate details are created almost organically. The delicate threads of colour positioned side by side and other details make each piece impossible to replicate by hand. They will always remain genuinely unique. Additionally because these works are genuine abstractions that don’t represent any specific form, they can have lasting impact. Each day, a viewer may observe new details, keeping the experience of the artwork fresh and captivating for years to come.

2.You’ve been experimenting with your style since 1998. How has your work evolved over the years, and what keeps you inspired to refine your technique?

The pursuit of perfection is a significant motivating factor for me. I aim to create an iconic looking piece that resonates with viewers. My work has evolved through adding colours, experimenting with various colour combinations, and learning to maintain control of the free-moving paint.

3.One viewer described your artwork as "looking at God.” How do you feel when people have such deep, personal reactions to your work?

I believe these works can enhance any empty wall but I am always amazed and flattered when someone expresses interest in acquiring one.

4.Each piece has a unique title like "Requite" and "Myopia." Can you share the stories or ideas behind some of these names and how they relate to the artwork?

The titles are chosen based on the beauty of the arranged letters — not their meaning, but their visual appeal. Similarly, the paintings focus on the beauty of the paint itself, rather than trying to convey an impression of something else.

Roxana Bahrami

1.Your work focuses on the resilience and adaptability of natural ecosystems. How do you personally relate to these themes, and how do they shape the way you approach your art?

For me, resilience and flexibility are essential not just in nature but also in art and life. As a self-taught artist, I’ve learned to embrace challenges, adapt, and grow through experimentation. My journey with pointillism has been one of patience and persistence — building intricate dot by dot mirrors the steady resilience found in nature. Just as water carves its path over time or forests regenerate, my creative process requires trust, adaptability, and an openness to change. Fluidity reflects these values, reminding me that both in art and in life, we thrive when we allow ourselves to evolve with our surroundings.

2.Pointillism requires incredible patience and precision. What is it about the process of building an image one dot at a time that resonates with you, and how does it reflect your approach to life or mindfulness?

Pointillism has taught me patience, presence, and the beauty of intentional slow creation. Each dot requires focus, yet the full image only emerges over time — just like in life, where small, consistent actions lead to meaningful outcomes. This approach extends beyond my art; it shapes how I navigate challenges, embracing the process rather than rushing to the result. Mindfulness is at the heart of my practice, as placing each dot becomes a meditative act, grounding me in the present moment. Through my workshops, I encourage others to experience this mindful rhythm, using art as a tool for relaxation, self-expression, and inner balance."

3.In your "Fluidity" series, you explore the interconnectedness of environmental elements. Can you share how you translate the complex dynamics of nature into the textured, detailed style of pointillism?

I hope when viewers experience Fluidity and my dot painting pieces, they feel a sense of calm, curiosity, and connection. The intricate details and layered textures invite them to slow down, observe, and immerse themselves in the rhythm of the artwork — much like nature itself encourages us to pause and reflect. Through Fluidity’s movements I want to evoke a feeling of balance and harmony, reminding viewers of the quiet resilience and beauty found in natural ecosystems. Many have shared that my work brings them a meditative or even therapeutic experience, which resonates deeply with my belief that art can be a form of mindfulness. Ultimately, I hope my pieces inspire a greater appreciation for both art and the natural world, encouraging a moment of stillness in our fast-paced lives."

Kareen Hague

1. Your art mixes realism and impressionism. How do you decide when to use one style over the other?

I like to have the viewer look at the painting and imagine what they see. What they see will come from their life experiences. My hope is that the painting will remind them of a place that they have been or remind them of a feeling they had at some point in time. I want the paintings to have a realistic feel with an impressionistic blend of colour. When you get up close and really look at the marks of the painting, it is hard to imagine what it is until you step back and the image reveals itself.

2. Nature is a big inspiration for you. What is it about birch trees, lakes, and wildflowers that draws you in?

I love birch trees because they are a symbol of new beginnings and they have an amazing ability to renew. I started painting my signature birch trees at a time of new beginnings. They provide me with hope for the future.

The tree is known to carry ancient wisdom and yet appears forever young. I love this! I also love water and just sitting and listening and watching the sparkle. You can see so many colours. The water can be calm or raging waves, it is always peaceful. And wildflowers are just beautiful. I can sit and watch them sway in the wind for hours. I like to represent them abstractly in my landscape paintings or paint them so that the viewer feels that they are sitting right in the field.

3. You use a mix of tools in your work. Is there one tool or technique you love most for creating texture?

 I use many different items to add random marks and colour to the paintings. Scraps of plastic, cardboard, old worn out brushes, rollers, plastic bags. I find that the unusual marks really help to allow the under layers of colour to show through because of the textural background. My favourite might be adding marks with the side of an old worn out brush.

4. You talk about seeing beyond the surface in nature. What do you hope people notice when they look at your art?

Seeing beyond the surface really is what the viewer experiences from the painting. What field or view or time of their life does it remind them of, beyond the visual view of the painting. When I am walking in nature, I find you can look directly beside you or you can look through the foliage and imagine what is deep in the woods or far beyond the field in view. 

Shawn-Paul Thompson

1.Your journey from corporate life to pursuing art is inspiring. How did that transition unfold for you, and what challenges did you face in shifting from a structured environment to the freedom of creative expression?

The transition to a more art inspired focus is ongoing, as a balance a full-time role in Film Distribution, and pursue my art career. Since I work in the entertainment industry, there are creative components which compliment my work in art, and give me the skills I need to market, submit and present my art in a professional, yet creative and artistic way.

2.You describe your work as having a sense of movement and resilience. How do you translate those feelings of motion and transformation into your abstract pieces, and do they evolve as you work on them?

I use the words movement & resilience, because I am always building and removing components to find the abstract story.  I have the luxury of a home studio, so I can work on my art whenever I am inspired. There are lots of circles and movement in my pieces. I like a story that is moving towards my next adventure in life, and on the canvas.  I know when a painting is done; I feel it.  Sometimes the story reveals itself early, sometimes the process takes months.

3.As an artist who's embraced both solo shows and online platforms, how do you feel about the intersection of traditional gallery exhibitions and the digital art world? How has building an e-commerce platform influenced the way you connect with your audience?

My signature shows are solo ones, and in a non-traditional environment, that opens art to a larger audience. Making art approachable is key to expanding your buyer or client. E-commerce and digital platforms, magazines, and galleries expand your audience internationally. More eyes on your work, and your name. As an artist, I want to meet my client and for us to have a connection.  A part of me will be in their home or office, so it is nice to have a personal connection with the artist and their work.  As a marketing tool, digital arenas expand your reach, they can't duplicate a gallery, or a physical connection to the art.

Visit our WANDERING exhibit from February 1st - April 27th, 2025. Meet all of the above artists in person at our opening reception for the exhibit on Feb. 27th from 6-9pm.

In Depth with The Evergreen Artists

We had the opportunity to chat with the nine artists featured in the Evergreen Exhibition this fall! They opened up to us and allowed us to understand their artistic process and what inspired them to paint. Keep reading to learn more about these amazing artists and gain insights into what drives them to keep creating.

The Evergreen artists at Opening Reception!

Ewa Stryjnik

Ewa Stryjnik is a familiar face here at Twist Gallery, Evergreen is the third exhibition she has participated in. Many of Ewa’s paintings are influenced by the vast and uninhabited regions of Northern Canada. Ewa feels it is a privilege to live in one of the most beautiful countries of the world where one can still experience the pristine, natural territories. With her landscape paintings, Ewa invites the viewer to walk through the lands she’s visited and experience the topography; the natural and physical features of the area, as well as, the moods of the weather. 

Labrador 3 (Battle Harbour) | 54" x 48" | $3500 | by Ewa Stryjnik

Over the years, Ewa has adapted her creative practice. For years, she loved to apply multiple layers on the canvas. Allowing for the colours and shapes to peak through, in order to create the complexity of the surface. Lately, she simplifies the layers, opening up bigger fields to bring calmness and clarity to her paintings. Ewa’s paintings project happy and positive energy, which she achieves with bright, saturated colours. 

Theo McLaren

Theo McLaren has been drawing and painting for over 40 years. Recently, Theo has adopted monoprinting; she enjoys this technique because it is a more spontaneous and intuitive method of mark-making. 

Her favourite piece from the Evergreen is “River Flow.” It is a piece inspired by watching the tide in New Brunswick. She was fascinated by the patterns the water was leaving behind in the sand. 

River Flow | 20" x 14" | $400 | by Theo McLaren

Theo’s current artwork is about a memory of a place, traveling through the Canadian landscape. When you are alone in the forest or in the vast hills you think about where you have been or where you are going next. Or sometimes you pass by without really looking - but that image stays in your mind and resurfaces later.

Monique Parlevliet

Monique Parlevliet started working primarily with oil paint in 2021, after painting with acrylic for years prior. She finds the motivation to create in the hopes that those around her will enjoy it. When she finishes a painting, Monique always makes sure to share it with her family because she knows it will put a smile on their faces. 

When creating, Monique tries to not spend a load of time on one painting. It is easy for her to get caught up in “small details”, which you can tell from her beautifully detailed work. She likes to keep her paintings on the impressionist side, which she can easily end up overthinking and overworking if she spends too long on it. 

Beaver Valley | 16"x 20" | $1100 | by Monique Parlevliet

Monique finds inspiration from seemingly plain but scenic views of trails, fields and lakes in places she travels to. Growing up in a small farm town, she is influenced by her love of fields, which is something that some people might see every day but never fully appreciate. Monique used to think that landscapes had to be beautiful and one of a kind to be worth painting, like giant mountains or a crystal clear lake. She has since come to appreciate the beauty in more common scenes

Nerso

For Nerso, Evergreen is his first group exhibit and that makes it very dear to his heart. It is a new experience, meeting other artists, and gaining new perspectives. Overall,  Nerso is very excited to take part in the exhibit. 

As an introvert, Nerso is accustomed to painting in the nook of his basement. He still manages to create even when natural lighting is scarce. Out of Nerso’s whole Evergreen collection “Pink Parasol '' is his favourite painting. 

The Pink Parasol | 24" x 24" | $1100 | by Nerso

 Family is very important to him. The branches symbolize the protecting arms of a family and the pink parasol itself represents the bonds within a family, characterized by deep affection, respect, loyalty, and unconditional love. What viewers can take away from his art is a state of being calm, peaceful, and untroubled.

Michael Brennan 

Michael Brennan’s motivation to paint fulfills the need to practice creativity and freedom. After years of making art for other people commercially, it feels good to have the freedom to make his own choices and make something for himself. Michael is endlessly experimenting with materials, paints, brushes, and surfaces. Constantly trying out new things or painting at new locations to keep him stimulated every day. As an artist, Michael finds he is learning something new about art, so he can't get enough.

Sunrise Sunflower Farm | 18" x 24" | $900 | by Michael Brennan

The hardest part of creating a painting for Micheal is making it look fresh and spontaneous. He finds it easier to get the look he’s after when working from life, but there are times it just doesn't work out and it is better to just start over instead of reworking. That is one of the reasons why he enjoys painting with oil. He can wipe and start over. 

For Evergreen, Michael shares his space in the gallery with his aunt Maria Grazia. They come from a creative family, so he finds it nice to have a collaboration where they can showcase work together. We couldn’t agree more!

Maria Grazia 

For Maria Grazia, painting is equivalent to a type of meditation. Her focal point is what inspires and moves her the most in life and that’s why most of her subjects include the natural world, whether it's the sky, water, trees, or flowers. 

Maria has learned over the years that ALL paintings go through an “ugly” or not-so-desirable stage. Back when she was first learning to paint she threw away a lot of paper and painted over a lot of canvases because she would not like something she painted and just give up. Now Maria knows that it's only a natural part of the process and if she keeps at it, the piece transforms right in front of her eyes. 

Quiet Is The Night | 11” x 14” | $240 | by Maria Grazia

The paintings Maria features in Evergreen specifically highlight the sky. Maria loves the sky and that’s why she paints it. She lives on the 20th floor of a condo and it faces the West, so almost every night of the week she is treated to a beautiful light show of various stunning colours during sunset. Nature is a master artist and it inspires her!

Janet Horne Cozens

Janet Horne Cozens is drawn to painting Canadian landscapes because they were part of her childhood, growing up in Northern Ontario. Even after decades of living in Southern Ontario, she still feels that sense of "home" when traveling north and experiencing the rocks, the trees, the water, and the skies of that area. 

Painting landscapes is a very personal expression of Janet’s life journey. Janet sees herself as an ambassador of the Northern Experience, not only the physical world but also of the culture and spirituality that exists in Northern Ontario. It's hard for her to explain in words but there is a different feeling that you experience when you are outdoors there - a sense of awe at the natural world, a connection to the land that is fostered by the natives, a sense of vastness and separation from others, and a serenity that one cannot find in the hustle and bustle of the big city or urban sprawl. She tries to convey those impressions and experiences to the viewer in my work. 

Reflections (BLACK RIVER) | 30" x 40" | $2000 | by Janet Horne Cozens

Janet’s style of painting is influenced by Canadian artist, Tom Thomas. When Janet studied at Ontario College of Art (now OCAD), she used to spend hours pouring over his small plywood oil sketches that were kept in drawers in the gallery, taking in each brush stroke. Janet’s favourite work of his is Morning, now in the Tom Thomson Gallery in Owen Sound, because of the colours that he uses in it: purples and pinks and mauves. 

Janet loves indigenous art of all styles because at first glance it seems so simple, but as you look at it you become aware of the artist's personality, culture, and personal experiences coming through in the art. 

Heather Munsie

Throughout Heather Munsie’s artistic career, she’s had lots of support and inspiration. Heather and her husband travel to find references for her paintings and her husband’s enthusiasm and support keep her going. 

When she first started painting, living in Calgary, Heather had a mentor who pushed her to deeply analyze a scene and gave her the confidence to pursue painting as a career. Heather is inspired by master painters and her current favorite is William Blaire Bruce (b. 1859) from Hamilton, Ontario. 

Rapids Amphitheater | 22”x 30” | $1000 | by Heather Munsie

Prior to being a painter, Heather was a geologist. Both geology and painting involves looking at the bigger picture and working down to the details. Heather has an appreciation for the complexity of how the terrain was formed and strives to paint accurately to best depict the geology of the landscape. 

When she’s outdoors it’s easy to feel the energy of the scene because it engages all senses. “The trick is to hold onto the energy of the location and bring that into the studio.” Heather will ask herself these questions; “How do I make this scene feel stormy? How do I make this ice feel glassy? What texture is needed to make the water feel frothy?” By paying attention to how something feels, she can vary the texture of the paint and brush strokes to best suit the scene. 

As an artist Heather wants viewers to notice the little things – the glowing ochre tinge on a tree or the vibrant rust color of water when the light hits it. There’s so much variety outdoors and she strives to bring those details onto the canvas so that the viewer can experience what caught her attention.

Danilo Ursini

Danilo Ursini’s inspiration is dictated to represent the intersection of an imaginary line between reality and fantasy. For Danilo painting represents a way of learning himself, representing a subject, with the background with the lights (strengths) and shadows (defects). Danilo likes painting without judgment, he tries to be as objective as possible, like a photo, which stops in a special instant. 

His painting style is inspired by his love of the Group of Seven. Many of his paintings feature trees, they represent an extraordinary being that moves in time and space, like following and changing every season, every year. Danilo’s painting Fall n3 was inspired by reality. It was autumn, Sunday afternoon, and he was sitting on the coast of Lake Algonquin Provincial Park.

FALL n 3 | 15” x 60” | $1250 | by Danilo Ursini

Closing Thoughts…

Each individual artist represents the meaning of Evergreen with their own unique style and creative process behind their paintings. Taking inspiration from the natural world, their artwork is a great reminder of the brilliant landscape across Canada. 

We would like to thank all of these fantastic artists for their dedication to creating beautiful and meaningful art. Of which, our Evergreen exhibition would not have come to life in the way it has. We hope that Evergreen motivates you to explore the Canadian outdoors and to embrace and preserve the beauty of nature for future generations to come. 

Useful Links: Event Space Toronto, wedding venue Toronto, Wedding Reception Toronto

How I Take Care of Myself During Wedding Season

The wedding season is stressful for everyone, but how do you stay in tip-top shape? This article will outline some practical ways to take care of yourself during the wedding season. Do these things, and you'll be on the road to wedding perfection!

Working Out with a Personal Trainer

Working out with a personal trainer during the wedding season is an excellent idea if you are a future bride. Getting fit can be difficult when you are busy with your wedding preparations. However, it is not impossible, as personal trainers can help you shed unwanted pounds and get in shape quickly. In fact, many trainers offer special packages for newlyweds. You can choose a package that incorporates phone calls and in-person sessions, keeping your costs within your budget.

Avoiding Processed Foods

Improving digestion is a major health benefit of avoiding processed foods during the wedding season. Processed foods are packed with sugars and additives that can upset your digestive system and adversely affect your skin's complexion—something you absolutely want to avoid when it comes to wedding photos and videos.

Sugar is a commonly-used ingredient in most processed foods, and it can cause bloating and gas. Instead, choose a more natural sweetener, such as honey, that contains only natural sugars. You can find these sweeteners in natural or organic foods and get a sugar fix from eating natural fruits.

Taking a Nap

While some brides wake up at 4 am to start their hair and makeup, others don't have the luxury of sleeping in until the afternoon. A lack of sleep can drastically affect your physical and emotional state, making it imperative to schedule a nap before the wedding. Taking a nap is the perfect way to rest and rejuvenate after a long day of wedding preparation. Make sure that no one disturbs you while you nap, and delegate the rest of your tasks to trusted assistants or wedding planners.

Avoiding Tanning Booths

There are a few ways to avoid getting too dark at tanning booths, especially during the wedding season. First, book your last appointment at least two days before your wedding. This will allow you time to correct mistakes before the big day and protect your wedding dress from stains.

Fresh spray tans tend to rub off more easily on fabric, so ensure you avoid moisture for eight hours after your appointment. Then, moisturize your body with hydrating lotion.

Taking a Vacation

If you're considering taking a vacation during the wedding season, consider the pros and cons of this season. As the wedding season approaches, prices on airfare and accommodations tend to go up. You'll also want to plan your vacation well in advance to coordinate your plans with friends and family. Luckily, several ways to get the best deal include shopping during holiday sales and signing up for resort newsletters.

One of the Most Unique Toronto Wedding Venues

Twist Gallery is a well-known art gallery but also serves as an event space Toronto relies on for custom celebrations, including birthday parties, weddings and receptions, and corporate events. Get in touch today at (416) 588-2222 or nadia@twistgallery.ca for more information!

Interviewing Our 8 Vibrance Artists

Twist Gallery is very excited to showcase our new exhibit Vibrance, and give you a chance to get to know the 8 talented artists on a deeper level to better understand their artistic process. Vibrance is centred around life’s moments, both in the mundane and the exciting, encouraging our intertwined connectivity of the human experience. We asked our artists some questions about the ‘vibrancy’ of their work. To find out more, keep reading!

Amanda Pistillo

Amanda is a self-taught artist whose work is centred around the feeling of joy, the tranquility of being happy, and extending that to others. She hopes to entice a feeling of inspiration and motivation in others to create their own unique art work. 

• How does the title ‘Vibrance’ connect to you and your art?

"Vibrance" to me and in terms of my art is about the light that radiates within your heart and soul. It is that powerful energy that brings forth happiness and love! Each piece that I create is a one-of-a-kind creation always made with lots of love and with the hope that they bring happiness to others! 

• All of your paintings are centred around John Lennon. What aspects of his life inspired your work? 

John Lennon's empowering mission for a world with peace and love coupled with his never-ending call for inner courage and strength are very inspirational to me. I wanted to try and capture the light and radiance of his heart and soul within my artwork.

• How have you cultivated such a unique style of painting?

I love to create art, it helps to centre me and brings me so much peace. Over time I have learned to exercise a sense of courage when creating my art, just being totally free. I enjoy using a rainbow of colours within my work, along with an edgy/sweet kind of look. I never have an exact plan of how the piece will turn out, I just go with the flow and try to be fearless. I've found that the best process for me when I'm creating my art is to just listen to my heart and let go of any control.

• Do you have any advice for beginner artists who are nervous to explore new mediums and areas of art?

I think it's really important to be yourself and to have a sense of fearlessness when creating your art. There are going to be people who will have opinions about what you have created and want to change your style of art, but always remember how unique you are and to never conform to other people's expectations. Always believe in your art and in who you are. Your art is a reflection of you, and all of your divine creativity and your beautiful soul! Always remember to keep persevering, try new techniques, and always always stay true to yourself!

Daniella Williams

Daniella is keen on expression, keen on capturing the moments that truly make us human. Whether it be alone, with a partner, in a public setting with strangers… she makes sure to grasp deep emotion in a way that makes the viewer feel comfortable and understanding. Daniella focuses on all of the little details that are incredibly important in the final composition of her piece, and will make sure to capture every angle and shadow. 

• How does the title ‘Vibrance’ connect to you and your art? 

I wanted to be a part of Vibrance because I felt that the concept and title of the show was one that reflected the overall essence of my work. My paintings emphasize colour and dynamic imagery of people in mundane scenes. Therefore, when I begin a painting my end vision is a scene where I have pushed the colours and skin tones of the subjects in unexpected ways. I want my paintings to be vibrant and energetic as well as probe the viewer to ask questions about the narratives I develop.

• Why have you explored the themes of intimacy, self-reflection and voyeurism with your Domesticity collection?

My work touches on themes of intimacy, self-reflection and voyeurism because I’ve always been concerned with the idea of being perceived. I want to explore the tension and discomfort that exists in this as an individual but then paint it in a way that feels intimate to the viewer. As curious humans we love to get a look into the psyche and inner experiences of people around us; hence our fixation on social media and consuming images. Similarly, I have struggled with my own body image, and self-perception as a young bi-racial woman in an age of internet and image consumption, so it's always felt important to create paintings about these ideas.

• What is the narrative behind the Domesticity paintings?

The Domesticity series paintings are meant to follow the domestic lives of four young adults who share a home. Their relationship to one another is ambiguous and highlighted by their inherent separateness in each scene. The setting of each painting is clearly a home yet none of the inhabitants ever meet the others gaze or interact. Domesticity was meant to be a look inside a troubled home life, one that looks bright and beautiful at first glance but harbours tension and restlessness at a second glance.

• How do you choose your muse for your paintings? (Are they friends of yours? Models? Strangers?)

The subjects of my paintings really depend on where I am and what I’m feeling inspired by at the time. A lot of my most recent pieces were of friends who I had sit and act out different scenarios and narratives for me. Whereas many of my other paintings are of strangers I capture in passing. For instance, my newest painting “In A Sea Full of Women’ was a collage of several people I observed on different beaches in Italy and Greece. Mainly what I look for in my subject is a sense of mundanity, I want them to look like everyday people and to tell some kind of story in their expressions or body language.

Sandra Lambert

Sandra has a spirit that can be seen directly through her paintings. She focuses on the things that make her happy and takes inspiration from the little parts of life that may be overlooked otherwise. High saturation and crisp lines in her art convey an intense wave of emotion and expression. 

• How does the title ‘Vibrance’ connect to you and your art? 

My first love in painting is colour. I’ve always been attracted to fresh, bright colours - colours that remind me of summer gardens or brightly coloured insects and birds. Loving the colours in nature, I’ve wanted to capture that feeling of freshness and aliveness without limiting myself to representation. So, it’s more of a desire to express the essence of an experience of nature - fields, sunset, fruit, flowers, insects, birds - the vitality that, at our core, we share with the natural world.

• What attracted you to painting utilizing such rich saturated hues?

When I discovered acrylic gouaches- especially the Japanese colours- I fell in love with them. I rarely mix them, instead using them straight from the tube. They convey the intensity of my emotions and my experience of being saturated with the beauty of the world around me - an intensity that is difficult to convey in words, other than poetry, but seems to come more easily in the language of paint.

• What would you say your biggest inspiration has been during your art journey?

I am like a sponge, soaking up visual stimuli- natural and urban landscapes and the work of other artists. I think it was John Berger who talked about the importance of receptivity in the act of painting. That resonates for me- what you take in then moves through you and into the paintings. It’s not that you don’t need to learn techniques and practice a hell of a lot, but I think it’s good to stay open and receptive to the world around you and the impulses of your own soul.

• What drives you to create? How does it impact your personal growth?

I don’t really know what drives me to paint, other than I’m not happy if I’m not making something. And there’s nothing like the feeling of being completely absorbed in making a piece of art; it’s that loss of self-consciousness, that sense of rightness, of doing what I’m supposed to be doing. Also I never get bored- there’s always a new idea and something new to learn and try, and you can never get complacent because you can never really capture what you set out to capture so it’s always in front of you like a breathtaking view that is never reached because it’s always just around the next bend in the road.

• How do you know when to stop, when do you really know when a piece is finished?

I used to overpaint more than I do now. I didn’t trust what I was doing and was trying too hard and worrying about the end product. I do that less now and trust more in the process. It helps to work on 2 or 3 pieces at a time so you don’t get hung up on getting one perfect. Maybe that is something I’m learning from painting- perfection is not where it’s at in art or in life- instead it’s trying, experimenting, failing sometimes and succeeding sometimes, but keeping on working with an open mind and a playful spirit. Also there are happy accidents - ‘mistakes’ that turn out to be wonderful surprises. I’m trying to keep that attitude in regards to other parts of my life - what we hope and expect often do not occur but sometimes what seems ‘wrong’ can turn out to be a gift.

Allen Ford

Allen, a man well versed in our society’s natural fast pace and how our minds can interpret the advertising all around us, excels in collage style art that encourages the viewer to expand their horizons across many places. He uses second-hand bright and colourful advertising materials to create a whole new piece of art, enticing a sense of unusual inspiration from many different things at once.

• How does the title ‘Vibrance’ connect to you and your art? 

Excellent question! I feel vibrancy in my art is found in creating new meaning with the posters. Originally all these posters have a clear meaning and intent.  Take the huge panel with the Andy Warhol poster from the AGO exhibit. Originally that poster had a very clear purpose. But rip it, tear it, and mash it up with other posters, and something new and unexpected is created with its own energy and meaning. To me that is vibrant.

• Your collages reinterpreted old advertising posters from across the city. How do you see advertisements subconsciously affecting our decisions making as consumers?

Advertisements affect our decisions just as all other forms of inspiration do. We are first triggered not by the entirety of something but by one single element of it. It's like being at a club...or an opening night of an art show! You see somebody across the way, you don't know them but the way they wear their hair, or stand, or hold their glass connects with you. Advertising is no different. We see or hear a word, see an image or a colour, and it sticks. And you then want to know more.

• What does your artist process look like?

It looks like a mess! When I am in full creating mode, my apartment...err...studio is literally strewn with posters and panels. I then proceed to mimic a squirrel in a park digging for nuts. I know a specific poster is buried somewhere, I just need to find it! There is usually one core poster fragment I build around. It might feature a word or sentence, or perhaps an image or colour. With that foundation, I simply look to then build around it as I add, shuffle, rotate, and rip other poster fragments in. I rarely have a defined image I am looking to create though. It is very much a process that is about finding the finished image. And when do I know something is finished? When I get a tingle on my arms, a smile on my face, and start nodding. Then I know I have created something!

• What do you hope the viewer draws from engaging with your work?

I like to imagine viewers of my work as a kind of urban archaeologist. This art requires viewers to reconstruct what they see, but also imagine and parse what they can't. I feel viewing my art also asks people to be creative themselves. These posters, once all ripped and torn, all fragmented words and images, ask every viewer to create their own meaning, find their own inspiration.

Eleanor Lowden

Eleanor’s art will take the viewer to a universal happy place - a beautiful garden, which holds the power to be exactly what we need as humans. She makes sure to share her beautiful imaginations in a way that is inviting while also exciting.  

• How does the title ‘Vibrance’ connect to you and your art? 

It’s such a pleasure to be part of the Vibrance Show at Twist Gallery. I think my work often reflects a certain vibrance, the colours and the mood and the settings that inspire me. I’m thrilled to be showcasing my work with this group of artists whose work I admire.

• What inspired you to create your Joyful Garden Series during the pandemic?  

I began my Joyful Garden series during the pandemic in the summer of 2020. I was living in a condo with no garden of my own. During lockdown we were all limited and my outings were mostly to walk my dog. I started noticing gardens and outdoor spaces and gained a new appreciation for them. I began creating my garden series around this time, I felt like I finally had a garden of my own. It was my own form of abstract art that also felt very liberating and fun.

• Do you have a favourite place to create?

I create in my home studio, I love the early morning hours the most. I’m up at 5:30 am and I paint until 7:30 am. when I walk my dog. I then come back and grab a coffee and paint for another few hours. But the early morning hours are still the best.

• Do you ever hit a creative block? How do you overcome it as an artist?

I rarely have a creative block. I am always looking for more time to paint. If I have a day I don’t feel like painting, I always have administrative work to do. My website or my books or my Instagram…..All things that need to be done! 

Phero

Phero’s lust for life and appreciation for all shines through his digital and painted art pieces. His idols, exuberant and talented, bring a sense of inspiration to the viewer for this kind of vibrancy in their own life. He combines mediums to fully grasp expression and emotion in his subjects. 

• How does the title ‘Vibrance’ connect to you and your art? 

Vibrance, to me, means full of life and energy, vibrating at the highest possible power or potential. I feel like my pieces are exactly that they are full of energy, they show movement in their stillness because they are vibrant.

• What inspired you to paint these POC pop culture icons?

I draw my inspiration or choose my “subjects” based on things I believe in or I enjoy. I love hip hop culture which is why a lot of my pieces are so deeply linked to hip hop and the surrounding elements.

• What does your artist process look like?

I usually start it with a mood board or a reference board where I gather pictures of the subject and try to figure out how I can capture them. Then, I start to pencil things in lightly (or outline things digitally), and then I start to drop colour in places and see how the composition comes together, making alterations where I need to.

• What attracted you to painting with and utilizing such rich, saturated hues?

Early on my artist journey when I was trying to develop my unique style, I wanted something where people would be able to easily identify my work immediately. I found the easiest way to do that was to use vibrant colours. It is easy to unify an exhibit when the colours are the same across all pieces.

Rahul Ohja

Rahul’s abstract mind encourages the viewer to step out of their comfort zone and feel the emotions of life that may be previously unexplored. He uses colours and shapes in a way that has an other-worldly effect, a way that will inspire creativity in a vibrant and fun manner. Read for further tips for beginners that Rahul was nice enough to share with us. 

• How does the title ‘Vibrance’ connect to you and your art? 

I believe vibrance is a state of being full of energy and life. My thoughts and variant emotions represent my belief in colours being a central part of all living beings and non-living objects.

I love working with bright sparkling colours & textures in creating bold, vibrant, and colourful abstract art. I try to reinvent myself through my artwork and observe the world with extreme detail — from colour to line, and light to shadow. I do this  because it fulfills me, helps liberate me, enriches me. 

• How have the events in your life influenced your creative process? 

As beings, I believe we are all creators – some masterful with their words, others captivating through their actions and outliers, like myself, through our ability to enthrall with colours on canvas. I have trotted the globe, living and serving in three continents and hence, it is safe to say that my creations transcend cultural and geographic contexts to offer any beholder a sight worth more than what meets the eye. Predominantly through abstract work, I use colours, brushes and strokes as media to explore parts of my own subconscious that have been shaped, ostensibly, by experiences I do not vividly remember.

• What attracted you to painting in the style you have come to adopt?

I do abstract art! I believe every colour has a meaning, it speaks of something, when many colours blend it has a language, a language that has nothing to do with realism or perfectionism... it’s just so powerful… and that is where abstract is born. I direct these colourful, bold, and boundless  abstract language onto canvas and try to connect to people with an aim to sooth, to heal, to energize and help them search for inner peace and tranquility and give life a real meaning!

• Do you have any advice for beginner artists who are nervous to explore new mediums and areas of art?

Abstract art can be a challenge. Beginners may believe that it is very easy, and anyone can do it. For those who have created abstract artworks or have taken a course, know that things can get a little complex. Creating an abstract piece requires certain skill sets.  Don’t let the challenge turn you away. If you are a beginner , there are some tips you can keep in mind to start your journey as an abstract artist. You have to keep the following three main components of abstract artwork in mind: 

1. Composition: While composition plays an important role in all types of artworks, it is especially essential in abstract art. Since abstract art is generally vague, it is important to have a focal point in your painting to capture the viewers’ attention. The shape, size, and placement of the objects on the canvas help create a good composition. 

2. Colour: Since there aren’t any objective rules when it comes to abstract art, it can be easy to get carried away with the colour. However, it is advised to not throw all the colours on your palette onto the canvas before calling it a day. In fact, think about your colour palette before you even pick up the brush. Ideally, choose a limited number of colours and try to get creative with them. Mix these colours on the canvas to create an endless stream of changing shades and colours instead of picking a different tube every two minutes.  

3. Texture: While using the right colors and composition, to ensure that you create an attractive piece of artwork, the texture makes the abstract painting really stand out. You can use various techniques and materials to add texture to your painting. In fact, you can just apply the paint more thickly in places. However, make sure that the texture is consistent throughout the artwork. Even if you have multiple different ideas on how to add texture, leave the rest for your next projects and only use one or two techniques per painting.

Nicole Dimt

Nicole guides you to the future through vivid colours and unique shapes with impeccable attention to detail and design. Her art is limitless, combining a magical imagination with real-world vibrancy that will leave the viewer craving more. 

• How does the title ‘Vibrance’ connect to you and your art? 

Vibrance is the perfect word to describe my art. Every piece I make incorporates multitudes of every colour, which is the main goal of everything I create. In my work, I use the most saturated version of every colour I can, as I want my art to be eye-catching, as well as remind myself, and viewers, of the fascination and the joy that being a child once brought. I use vibrant colours so that my art feels lighthearted, fun, and just a little chaotic.

• The subject in your artwork varies from nature and cityscapes to self-portraits. How do you decide on what subject to focus on? 

My undergrad and the assignments it gave me are what opened me up to exploring many different subject matters within my art. I like to keep a very open-ended and diverse portfolio, and like to play with as many styles as I can. Anything can inspire me. Whenever I see a picture, or another artwork that I like, I get inspired to make something just like it, no matter what it is.

• Do you prefer an abstract or realism style? Why?

It's hard to choose between the two - I often refer to my art as "abstracted reality," because that's exactly what it is. I always start my artworks with a reference of something from real life, such as nature, architecture, or fabric, and edit it digitally to create new wonderlands and worlds, which I then replicate. I would say this is my natural style. Granted, I do love to play with pure realism, and have a few pieces that showcase that in this exhibition. I like to create realism pieces when I find a reference that catches my eye, and I want to test my skill and

• What would you say your biggest inspiration has been during your art journey?

My biggest inspiration throughout my art journey has definitely been all the amazing artists, and friends I met during university. My professors, peers, and mentors are who pushed me to be the artist I am now, and showed me new worlds and possibilities within painting. Many of these people helped me come up with themes and motifs, and really helped me connect with my art and understand it for what it is - something that did not come easily to me. It has been amazing to be around such creative people in my life, and this has continued post-grad into my workplace where I work as a concept artist, surrounded by brilliant minds who are fluent in the digital arts. 

We hope you enjoyed getting to know a little more about the talented artists behind Vibrance! Don’t forget to come check out the exhibit, on from October 4th - 29th.

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Introducing our #Vibrance Artists

Twist Gallery’s October 2022 exhibit #Vibrance, on from October 4th to 30th, is a dynamic, joyful, and effervescent interpretation of what it means to live, to feel, and to dream. Spotlighting eight exceptional artists from Toronto, this exhibit garners the unrestrained power of light, hue, and texture, inviting the viewer on a journey into colour itself. Through a fearless employment of colour and bold brush strokes, these artists open the door of creativity for the public. Don’t miss #Vibrance’s Opening Reception, taking place on October 6th from 6-9pm. Click here to RSVP.

Daniella Williams

Daniella is a local Toronto painter that is centralised around community and relationships, everywhere from friends and the neighbourhood beyond. She prioritizes creating narratives that are expressive in their use of colour, paint handling and subject matter. Daniella strives to push the colour palette of the atmosphere and skin tone of her subjects towards one that comes off as vibrant and imaginative; giving the figures life and vitality. Her paintings are marked by themes of intimacy, self-reflection and voyeurism, but they are most importantly defined by the juxtaposition of the bright vibrant manner which they are painted in. Expressive brush strokes and an imaginative colour palette provides the lens for her work and aligns her paintings with the #Vibrance of life as a human being in this world.

Allen Ford

Allen has chosen collage as a medium because it so beautifully reflects how we experience and remember the things we see, and how advertisements have become such a large part of what we take in. created these collages from advertising posters ripped down, torn from, and peeled off of hoardings and walls in Toronto, Montreal and Ottawa. In their original form, each poster was the result of an intentional creative process directed by marketing and design teams. Decisions were dictated by business goals, creative briefs, target audiences, and budgets. Every element was considered and directed towards a specific outcome. Once these advertisements have been pasted and posted on the streets of cities, their makers have ceded absolute control of their work. Instead, he transforms the specific images, taking them in new directions based on his own experiences and perspectives, inviting the viewer to do the same. 

Eleanor Lowden

Toronto native Eleanor has been painting professionally for about 35 years. Her work is an interpretation of life from a happy point of view. Her style plays with patterns and repetition of forms, it is both illustrative and impressionistic too. She is inspired by many things: country roads, umbrellas, trees, polka dots, mass cultural objects, people, dogs, and most recently, spring flowers. Through these differing subjects, She is continually exploring unique compositions while creating bright, luminous paintings with her own unique colour palette. 

Nicole Dimt

Nicole, a 23-year-old painter from Toronto, got very inspired by futurist architecture and landscape while roaming Downtown Toronto at the start of her third year of university, and integrated these themes into her artwork very quickly. In her art, Nicole reflects on her childhood, projecting feelings of joy, innocence, and wonder. Nicole’s art relies heavily on the use of highly saturated and vibrant colour, as well as line, and shape. Nicole’s artwork, with themes of architecture, nature, and technology, depicts futurist, dystopian, and psychedelic wonderlands full of overwhelming detail, pattern, and fascination. Nicole’s art can be described as “organized chaos.” Nicole’s art also works hand-in-hand with the digital world, collaborating with heavy photo manipulation, colour inversion, and total distortion, adding an unnatural or synthetic quality to her paintings. This added quality to her works speaks upon the narrative of the grasp that the digital world has had on us, and how it has warped our perception of reality.

Amanda Pistillo

Amanda is a self-taught artist with a passion for designing mixed media artwork, exploring the freedom and wonder of art. Her artwork is always created with the sincere hope that they provide happiness to others, as one of the goals in designing her artwork is to encourage others to create in their own unique artistic style. Amanda's heart is at the centre of her design process, always guiding her to create with love. She presents her John Lennon Collection, as she was inspired by his passion to bring love and peace into the world.

Rahul Ojha

Rahul, as a creative by nature, his mind wanders the depths of his innermost self and the ideas and experiences that make up his core. With time, his art has evolved with his personality. While up for interpretation, his work is, in a way, a depiction of his journey through the rollercoaster of life. You can consider Rahul’s work as his life as told on canvas through acrylics and mixed media. Viewers and patrons can find meaning and the rawness of human emotion that stirs the soul. Each piece exudes sensitivity and connection, creating a visual and emotional experience that goes beyond what is in sight.

Phero

Ahmed, artistically Phero from Cairo, Egypt, is a classic 3rd generation kid; exploring a unique balance of the arts, culture & lifestyle of his ancestral origins and his surroundings. Drawing was (and still is) his form of creative expression, it is what grounds him and what helps him move through life. Phero loves all mediums of art and his own style evolved many times throughout the years. He takes great inspiration from superheroes, music, and sports - which is very evident in his works. He combines digital and traditional media in ways that are exuberant and vibrant, inviting the viewer to feel as strongly as he does when he sees his passions come to life.

Sandra Lambert

For Sandra, painting is both a playful and intense experience. Her paintings are containers of emotion. Within their boundaries she feels free to play; to lose (or find!) herself in the pleasure of sensory exploration. She enjoys exploring the use of various techniques and media to express the essence of experience. Her #Vibrance paintings represent three different approaches; three small panels on the left shock the senses with pure, intense colours in flat organic shapes. The two small panels on the right are more spontaneous, loose and lyrical. The two larger panels are dense, layered and lightly textured through the technique of scratching back. All the paintings are pulsing with colour and a sense of power, though contained exuberance. 

#Vibrance ties together the excitement and exhilaration of life and its passions and love. The combination of expression and vibrancy in this exhibit will ensure viewers have a new appreciation for livelihood and the possibilities of exploring your mind. Remember, don’t miss out on #Vibrance’s Opening Reception on Thursday, October 6th, from 6-9pm! 

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