"CAPTURE" GET TO KNOW THE ARTISTS

Step into a world of diverse landscapes at CAPTURE, a photography exhibition featuring the work of 8 talented local artists of the GTA.

This compelling showcase delves into a range of themes, from the peaceful serenity of nature to the vibrant energy of urban life, highlighting the beauty often hidden in everyday scenes. With striking stills of cityscapes, rural vistas, and even the vastness of outer space, CAPTURE offers a unique perspective on both our earthly surroundings and the cosmos beyond.

Raju Alexis

1.How did you land on Photography as a medium, how did your journey as an artist begin?

I bought my first point-and-shoot digital camera in 2003, marking the beginning of my journey into photography. Growing up, I used to indulge in drawing and painting, which perhaps played a role in shaping my understanding of composition, light, and colour. Photography, however, offered a unique advantage—the results were immediate unlike the long process of creating art on a canvas, and this instant gratification sparked a deep enthusiasm for the medium. Over the years, traveling and taking pictures became a way for me to connect with the world, and continue exploring my artistic vision.

2. Are there any challenges in capturing a sense of stillness in a world full of constant motion? How do you overcome them?

Capturing a sense of stillness in a world full of constant motion is one of the defining challenges of long exposure photography, but it’s also what makes the results so rewarding. Scouting the ideal location and a vantage point for the perfect composition is my primary goal. Using neutral density (ND) filters also helps to further extend exposure times, allowing the camera to smooth out chaotic elements. Tripod stability is critical, so I ensure it’s secured to prevent vibrations, even in windy conditions. Patience and flexibility is key and there is a lot of trial and error that goes into creating long exposure images. Post-processing also plays a role in enhancing the desired mood, where distractions are minimized to preserve the serenity I seek to capture.

3. What role does light and atmosphere play in shaping the mood of your photographs?

I shoot only during the blue and golden hours around sunset because they can transform nature into breathtaking compositions with soft, diffused light. The interplay of these natural light conditions not only enhances the textures and colours in my photographs but also allows me to experiment with mood and storytelling. 

4. What was your process in choosing these particular pieces for the capture exhibit?

I wanted to choose images that truly reflected my style of photography. Over time, I have found immense joy and fulfillment in creating long exposure waterscapes, where resulting images exude a sense of calmness and peacefulness. There's something almost meditative about the process - slowing down, and observing the subtle play of light and movement. 

Leanne Hay

1.Some of your work, like “The Sweet Spot” and “The Morning After,” explores unique lighting conditions. What draws you to blue hour and golden hour, and how do you use these moments to convey emotion? 

My favourite thing about this time of day is the anticipation and the surprise of not knowing what you’re greeted with when you get up early and head out in the dark. It can often be the calmest part of the day before the wind whips up and the birds and wildlife are more vocal. With the blues, pinks and mauves that are often present reflecting off the clouds, I like to slow it down and take a longer exposure which smooths out the clouds and water, enhances reflections and intensifies the colours creating a dreamy, serene surprise. I have always liked vibrant colours;from the turquoise of the ocean, to the colour of my car and the clothes I wear.

2. What's the most challenging part of taking photos in a time sensitive window?

The most challenging part of working in a time sensitive manner for me is to calm down and take in the scene. For example, during the various phases of a morning (nautical twilight, blue hour, golden hour, and sunrise) each phase only lasts about 15 minutes. When I see amazing colour starting in blue hour, I get too excited and want to be everywhere at once. I don’t do my best photography when I am running from one place to another. I like to be in the moment and peruse the scene and look for different compositions and perspectives. Are there awesome cloud formations and reflections that would benefit from a longer exposure or is it a pretty golden hour devoid of any clouds with wildlife action requiring a faster shutter speed. I was recently in Botswana during dusk shooting the full moon when a giraffe walked into the scene. I got so overwhelmed with what I was seeing. Before I realized my camera settings were off, he strode out. Most often you have another opportunity to try for the shot, not so with the giraffe.

3. What do you hope viewers experience when they see your work, particularly the pieces featured in CAPTURE?

I hope viewers will experience the awe and joy that I feel when I’m out in nature and be inspired to get out and explore the world for themselves; whether it’s in their own city or travelling further afield. There is so much beauty around us. Going for a walk, taking a weekend drive, or CAPTURING your own sunrise; be present in the moment as you never know what the future

Benjamin Gibson 

1.What does the word capture mean to you personally? Is it about freezing a moment, telling a story, or something else entirely?

Thinking about the word “capture” it’s only the first step in the process. The most important, but the first. To capture something is to secure it in place – a moment in time perhaps. To keep something is an entirely different scenario. Good hunters don’t just shoot to kill. They gather it, skin it, butcher it and treat the meat, they give it attention and make it into a part of their life. With photography the same can be said, there is a moment of capture, but then a time comes for choice, and care in the processing of the photo, which photo to print, what format and what size? How to frame it? There is a whole life around works of art as there is a wild animal in the woods. Instead of nourishing the body, the images nurture the soul. I’m a vegetarian for the record.

2. Your work explores the intersection of grit and beauty. What draws you to this duality, and how do you bring it to life in your urban landscapes and portraits?

The more I ventured into commercial photography and filmmaking the more I tried to fight the grit of reality. That’s a lot of what advertising does. The deeper you go into beauty the more you realize perfection is only an illusion that’s very shortly broken by reality. In this series in particular series authenticity of the photos was very important, so processing was kept to a minimal and no retouching was done. I like to keep the grit in the work because it makes it more real, more believable, and maybe not more palatable, but more closely aligned with our shared reality. Through this series of work I embraced the grit of real work, unfinished roads, large industrial ships, dirt and imperfections that despite being pre-conceived as unattractive are actually central to our world and a necessary and inevitable factor to life. And to Canada, the overall subject of the greater series.

3. Are there specific pieces in this exhibit that you feel best represent your artistic philosophy or style? Can you share their backstories?

Light & Lines (Photo taken in Calgary) does a pretty good job of representing the way I look at the world. It’s momentary. Often because moments pass so quickly. I’m often surprised I had the wherewithal to take a photo at all when life moves so fast. Maybe that’s part of why the concept of Capture is interesting Somethings are not looked at as beautiful until you see them in a new way. In this moment, the sun hitting the concrete was beautiful. A minimal and simple abstract painting happening in nature. This photo was part of a short timelapse, trying to capture the suns movements, but the single image represented what the moment was, more than the video in this case.

4. If there’s one takeaway you want people to have after experiencing your work, what would it be?

If people take anything away from my work, I’m grateful. If I could choose, I would want people to step outside of themselves for a moment when they look at my work. Get lost in a moment that looks at something in a unique perspective. They are now experiencing a thing it in a different way. I would like the viewer to take away the understanding that many perspectives exist and are valid. Be it through the eyes of someone else’s moment or a share moment in time. Moments that will never really exist again. I’d be more interested to learn more about any given viewer, their life, and their loves, than they might realize, for instance. And I of course would love it if they visited my website and followed me on Instagram to keep up with new work.

Anastasiia Khvostyk

1.Your work beautifully showcases bustling urban life and serene natural landscapes. What draws you to explore this duality, and how do you balance these contrasting worlds in your photography?

The duality of urban life and natural landscapes fascinates me because it reflects the diverse experiences that shape our world. Urban scenes offer vibrant energy and dynamic stories, while nature provides a sense of calm and timeless beauty. Balancing the two in my photography lets me explore both sides of life, highlighting the unique character of each—whether it’s the hustle and movement of city life or the tranquility of a quiet forest.

2. How do you adapt your techniques and style when transitioning between photographing urban environments and natural landscapes?

Photographing urban environments often means focusing on compelling angles, creative framing, and capturing fleeting human moments. Nature, on the other hand, is unpredictable—it’s shaped by shifting weather, light changes, and unique moods, like the drama of a sunrise or the softness of a cloudy day. This unpredictability makes every nature shot distinct and pushes me to be patient and adaptable, creating imagery that feels truly connected to the moment.

3. How has living in Toronto influenced your artistic perspective, and what unique opportunities has the city provided for your photography?

Living in Toronto has profoundly shaped my artistic vision, offering a vibrant mix of cultures, architecture, and green spaces to explore. The city has given me incredible opportunities, such as showcasing my work at exhibitions like “Capture” at Twist Gallery. These events not only allow me to share my art but also connect me with like-minded individuals who inspire and support my creative journey, helping me set and achieve new artistic goals.

Alex Christoforou

Image via Alex Chistoforou

1. Can you share more about the transition from your abstract work to architectural photography? How has that evolution influenced your artistic vision?

My past abstract work was largely made up of mirrored objects creating an abstract form.  Soon after I began applying this to architecture, I was inspired to focus solely on the buildings in their original form.  While I have largely moved away from abstract, the mirrored technique can still be found in my recent work including “escalate” which is part of this exhibition.  This gradual change has influenced the way I perceive architecture.  Abstract principles have always encouraged me to look beyond the surface and not take things at face value. 

2. How do you decide which architectural details to highlight in your work, and what draws you to a particular structure?

One of the many aspects I like to focus on is the directionality of lines and light.  I use these two variables in tandem to draw the viewers eye.  This influences my decisions as to what details to highlight.  I’m usually drawn to various forms of architecture including brutalism, neo-futurism, Georgian revival and gothic.  I usually am drawn to a subject for their architecture as well as their surroundings.  Since simplicity is the hallmark of my style, empty skies and buildings standing alone typically catch my attention.

3. What guided your decision in selecting these specific pieces for the Capture exhibit?

I wanted to display my signature style as well as some new concepts I’ve been working on.  As an artist I’m always trying to find new ways to expand my approach, adding more uniformed images to separate from my black collection.  All of the selected works fit my minimalistic style, while still highlighting the immense detail.  I also choose to use metallic paper for all my black images, bringing out more of the silver and gold, while also affecting how light interacts with the physical image.  

4. How do you hope viewers connect with your body  of work?

The balance and simplicity in my work creates an immersive experience, while also offering viewers the space to focus on smaller details in each structure.  There tends to be more scrutiny with minimalist works as the details tend to be emphasized.  My hope is that each person who views these works are able to pick up on how the isolation in each piece affects not only the buildings themselves but the entire composition. 

adam cohen

1. How do you decide which celestial subjects to focus on for your projects?

I decide which celestial subjects to focus on for my projects based on a combination of personal interest and current astronomical events. I keep an eye on planetary alignments, meteor showers, and significant space missions. I also consider the accessibility of certain celestial events from my location and the equipment I have available. Sometimes, inspiration comes from the stories and myths surrounding different celestial bodies, making them intriguing subjects to capture and explore.

2. Can you elaborate on how working with your mentee, an astrophysics graduate, has influenced your creative process?

Working with my mentee, an astrophysics graduate, has greatly influenced my creative process by introducing me to new scientific concepts and perspectives. Their deep understanding of astrophysics challenges me to think beyond the visual aspects and consider the scientific significance of what I am capturing. This collaboration enriches my projects, allowing me to create images that are not only visually striking but also scientifically informative. It's a dynamic exchange of ideas where science meets art, leading to a more comprehensive narrative in my work.

3. How do you think astrophotography contributes to a greater public appreciation for science and the universe?

Astrophotography plays a significant role in fostering public appreciation for science and the universe by making the cosmos more accessible and relatable. Through the lens of a camera, distant galaxies and nebulae become tangible, sparking curiosity and wonder. These images bridge the gap between complex scientific discoveries and the general public, inspiring a sense of connection to the universe. By showcasing the beauty and vastness of space, astrophotography encourages people to explore and learn more about the cosmos, ultimately enhancing public understanding and appreciation of science.

Varad Thalnerkar

1. What drew you to photography as a way to express yourself and connect with others?

As I ventured out to practice and experiment, photography became more than a hobby—it became a way to connect with others. Meeting people who shared my passion was inspiring, and the love and support from this creative community have kept me motivated to grow and bring my best to the table. Photography, for me, isn’t just about capturing images; it’s about building relationships, sharing stories, and expressing emotions that words often can’t convey.

2. How has exploring various types of photography enhanced your creativity and approach to storytelling?

Each genre has taught me something unique. Portraits taught me to capture the essence of a person; street photography honed my ability to find beauty in the everyday; and astrophotography deepened my patience and appreciation for the vastness of the universe. These experiences have not only expanded my creative horizons but also allowed me to use my camera gear to its fullest potential. By embracing diversity in my work, I’ve become a better storyteller, able to weave emotions, light, and perspective into a narrative that resonates with viewers.

3. What advice would you give to aspiring photographers who are exploring different genres of photography?

Consistency is key. Keep capturing moments, experimenting, and learning from your mistakes. Remember, every photograph tells a story, so take the time to understand what you want to say through your work. And most importantly, enjoy the journey. Photography is as much about personal growth as it is about creating art.

Colin Shillingford

Image via Colin Shillingford

1. How did you select the pieces featured in the Capture exhibit, and what themes guided your choices?

I chose images that were all shot at locations along the Toronto waterfront, featuring picturesque views of the skyline. Each piece I’ve chosen communicates a sense of stillness and serenity which I experienced while capturing all of these unique moments in my daily life.

The collection as a whole is vibrant and full of colours that are deeply saturated and harmonious with each other, or complementary with the other selections. All of the compositions combine to create a snapshot of Toronto’s beauty and essence.

2. What kind of response do you hope to evoke in viewers through your body of work?

I hope that viewers feel compelled to meditate on the peaceful energy that exists within the images I create. The feedback I receive about my art often refers to the emotions and moods that are contained in my photographs. 

Blue is the colour that appears most in my photos and I love the way it resonates with others. I try to combine different tones and shades of blue in order to evoke an energy that people associate with tranquility, spirituality, nature, depression, love, sadness and other other similar meanings.

My overall wish is that those who observe my work are left feeling soothed and stimulated to contemplate whatever range of thoughts or feelings that are sparked by their own imaginations.

3. What is your favourite part of the creative process when it comes to capturing photographs, and what aspect of it brings you the most fulfillment?

I typically begin the process of creating my images by taking a camera with me outdoors in search of locations that offer me a combination of picturesque views as well as an opportunity to shoot in solitude. This is why my shots generally do not have crowds of people in them. 

Capturing photos of Toronto that communicate a feeling of ‘loneliness’ (even at times when there are people out and about in the places where I’m shooting) is something I have become more and more drawn to along my journey as a photographer. There’s an aura of mystery and enchantment that I feel when I look back at my images that fuels me to continue further down that path. 

Considering that millions of people live in the city and the downtown area is so densely populated, I feel like the work I do is a testament to the fact that peace and moments of seclusion can be found in urban environments if you make the effort to search for them.

My favourite activity apart from documenting beautiful sunsets (and sunrises) and learning different shooting techniques with my camera has to be the editing process. I get to relive each moment in front of my computer screen and breathe life back into the moment so that the moment can be experienced for an eternity by myself and others. It’s at this stage where I really get to pour my artistic instincts and sensibilities into each picture. Tweaking the colours and lighting, and finding the right balance of saturation and contrast until everything feels right is the most rewarding part of it for me.

To fully immerse yourself into the exhibit, visit Twist Gallery in person at 1100 Queen Street West, Toronto. The exhibit will run from Jan. 3rd to Jan. 27th, 2025. All artwork sizing and pricing is available on Twist’s art for sale page. 

Meet Gloria Blatt!

What inspires your art?

My inspirations come from nature and the natural beauty around us. I’ve always been able to view the world through a lens of colour, shapes, and dimensions, and have the ability to translate this into artistic expression.

“Wings” acrylic on birch (30” x 40”) $1,500

Can you talk about your process? What tools do you use to create?

I begin my creations by imagining abstract renditions of images in my mind that have been formed through my life experiences. At times I even surprise myself when the process seems to take on a life of its own. I take advantage of a variety sources of mediums and continually experiment with innovative techniques. Some of my work is done with conventional paint and brush, and at other times they can involve my fingers and other non-conventional tools.   

Source: www.gloriablatt.com

When did you first discover art? Are you self-taught or did you go to school for it?

For as long as I remember, I have been fascinated by artistic expression. I attended formal study both at York University in the Fine Arts program, and Ontario College of Art and Design. York University provided me with a deep appreciation of art history, while OCAD allowed me the freedom to express myself in an incredibly innovative, fearless manner.

What is your personal goal as an artist?

My goal as an artist is first and foremost to be proud of my creations and share my passion for the craft with as many people as possible. It gives me incredible satisfaction when others are able to derive pleasure from my creations and discover their own life-story in my work.  

“Freeze” acrylic, oil, ink, enamel on birch, wood float frame (30”x 30”) $1,300

How do you title your artworks? 

The process of naming my art is often a reflexive response to the creation. It is always spontaneous and natural as my art always conveys a strong personal message.

Do you have a particular piece that has a special connection to you?

Of all of my paintings, the one that is closest to my heart is one inspired by my children, my greatest creations.

“Dragon” acrylic, ink, oil on birch, wood float frame, (30”x 30”) $1,300

Who are some of your favourite artists?

Having studied art history and having visited many world-famous galleries, I am awe struck and overwhelmed by the works of Picasso, Monet, Modigliani, Chagall, and Miro (although my list could go on).  

What is it like to be an artist in today’s world?

Being an artist is both maddening and transformative, as I serve as my harshest critic.  At the same time, the creative process allows me to escape into a state of inner peace and tranquility.

“Dusty Rose” acrylic on stretched canvas, (42.5”x 51”) $2,500

What are you passionate about?

In today’s troubled world, being an artist affords me the ability to remain optimistic and inspired.

What does “Energy” mean to you?

Energy is the life force that I derive from my family and friends, and that ultimately manifests in my artistic expression in the form of colour and movement.

Energy at Twist

Don’t miss this one Toronto! Be sure to visit us at 1100 Queen Street West and check out our newest artists featured. Our doors are open every Tuesday to Saturday from 11am till 6pm.

You can call us at (416) 588 - 2222 or email your questions and inquiries to info@twistgallery.ca.

 And since you’re here, check out the Twist Artist Showcase? CLICK HERE.

 To see what’s Upcoming at Twist Gallery CLICK HERE.

 Follow us @Twistgalleryand @TwistGallery!

Meet Courtney Senior!

Meet Courtney Senior!

Source: Courtneyseniorart.com

A Bit About Me

“I am a self-taught abstract artist located in Toronto, Canada. 

“Ever since I was little I would immerse myself in creative activities - from colouring and drawing to painting and writing. Despite my passion for the arts, as I got older it took a backseat to sports. 

“While I was in university, I experienced several years of severe anxiety, which led me back to art. It seemed to be the only thing that would ease my angst and bring my mind back to serenity. 

“As my anxiety subsided and as I pursued my career in marketing, painting was pushed to the sidelines again; that is until my late-20’s when I lost my father in a sudden accident and went through very difficult life changes. From that moment on, I spent every free minute I had painting. I used it as an opportunity to put all of the emotions I couldn't express verbally into a form that helped my grieve and ultimately helped me heal. 

“I created so many pieces of artwork that my condo quickly became a studio. At first, selling my work did not seem like an option. I didn't know where to start, it seemed like a scary road of trying to figure out where to sell, how to market myself, pricing, shipping, packaging etc. 

“Whatever Comes Next” acrylic on canvas (48”x 36”) $1,475

“And I wasn't in it for the money. I loved creating and loved sharing it with people. So, I thought why not just give it away? But as a marketer, I knew I should come up with something that made more of an impact, had some longevity could be tracked. 

“I initiated a social project called #ArtandFound. I would neatly package up my work with a note on the outside that read: Hello, I'm an original abstract painting in need of a loving home. FREE ART #ArtandFound.

“I would also leave a note on the inside saying who I was, what the painting was about and contact information for anyone who wanted to follow up with me. I would leave them around different neighbourhoods in the city and hope that someone would pick them up. The response was so incredible that eventually it gave me the confidence to open an Etsy shop. 

“The first day I posted my work, someone purchased a painting! I was overwhelmed with excitement and I haven't looked back since. That was 5 years ago and I still spend every spare minute I have painting and building my business.”

• Courtney Senior

“Where the Magic Happens” acrylic on canvas (48”x 48”) $2,000

“What seems like serendipitous movement is actually a reflection of life – it’s the journey of making bold decisions, connecting with your inner renegade and embracing the highs and the lows and everything in between.”

Courtney

“Forget About the Pretty Things”

“This collection looks beyond first sight. It’s not about the beautiful colours or about matching trendy decor. It’s my introspection of life. Through the lens of synesthesia, I use movement to capture experiences, relationships and moments no matter how profound or mundane. This is my interpretation of life and trying to find beauty, meaning and mindfulness in both the simplicities and complexities of daily life.

“Cosmic Horizon – 03” acrylic on canvas (36”x 48”) $1,475

Thoughts on Energy?

“Energy is the essence of all of my work. The energy I embody from daily experiences, musings, encounters etc. is exactly what I am trying to convey through movement on canvas, no matter what the source.”

• Courtney Senior

Energy at Twist

Don’t miss this wonderful exhibition!

Be sure to visit us at 1100 Queen Street West and check out our newest artists featured. Our doors are open every Tuesday to Saturday from 11am till 6pm.

You can call us at (416) 588 - 2222 or email your questions and inquiries to info@twistgallery.ca.

And since you’re here, why not browse the Twist Artist Showcase? CLICK HERE.

To see what’s Upcoming at Twist Gallery CLICK HERE.

Follow us @Twistgalleryand @TwistGallery!

Meet Elizabeth "Ela" Szymczak!

Our exhibit, Energy, has a special place in Ela’s heart, quite literally. She started painting late last year after suffering a heart attack at 48 years old. This event jolted her onto a new life trajectory that includes a special focus on art. 

Ela’s Heart

She bravely took fear from this traumatic experience and used it to facilitate a new love and appreciation for life. For her, energy translates to life. While inspiration sometimes comes to her in dreams, her paintings always exude pure, raw emotion. 

“Catharsis” acrylic on canvas (30”x 40”) $750

While she hates talking about herself, her art does the speaking for her. Her piece, “Catharsis” illustrates a purge from repressed emotions and the subsequent relief created through this expression. The deep yet bright red oscillating lines seem to call to the lines created on a heart rate monitor. This new heartbeat is painted over the dark background, representing the new life created out of trauma. The thick textures create dimension, making the piece come to life, much like she did. It hangs on the wall with her other works seemingly radiating from it and creates a storyboard on the gallery wall for her experiences.

“Energy to me is life. All my paintings are driven by pure emotion. Some have come to me in dreams. I really don’t know how else to explain it. It’s raw emotion.”

- Elizabeth “Ela” Szymczak

Energy at Twist

Don’t miss this rest of this amazing collection! Be sure to visit Twist at 1100 Queen Street West and check out our newest exhibits. Our doors are open every Tuesday to Saturday from 11am till 6pm.

You can call us at (416) 588 - 2222 or email your questions and inquiries to info@twistgallery.ca.

And since you’re here, why not browse the Twist Artist Showcase? CLICK HERE.

To see what’s Upcoming at Twist Gallery CLICK HERE.

Follow us @Twistgalleryand @TwistGallery!

Meet Elena Dinissuk!

Elena Dinissuk is a painter who works out of her home studio in Mississauga, ON. Elena has always felt like an artistic soul; she took to painting later in life, and is constantly working on perfecting her technique. Elena’s main medium is acrylic. She likes acrylic due to its vibrancy and versatility. She started by painting landscapes inspired by Ontario’s outdoors, and has since branched out to abstract works. This has taken her to a new direction. 

“Sunlight Through a Foggy Forest” acrylic on wood, (12”x 16”) $220

Elena uses acrylic gels and modeling paste to add opaque and transparent layers, as well as texture, to her work. Her style is distinct and memorable, with paintings containing movement, flow and positive energy. Elena enjoys painting by palette knife (pictured below), and teaches her technique to art schools when invited.

A palette knife (source: Pexels)

Elena is proud to say that she’s been participating in art shows and exhibits since 2017. Both her landscapes and abstract works have been featured in juried exhibitions. Elena has twice participated in the prestigious Paint Ontario, at the Lambton Heritage Museum. She later went on to be included in the Impact 2018 Juried Show and Overzealous 2018, both at Neilson Park Creative Centre in Etobicoke. Elena has also been included in group gallery shows in Propeller Gallery, and Artusiasm Gallery. She has also participated in art shows in Mississauga, and in Riverdale Artwalk 2019.

Elena with her work. You can follow her @lenadv_art and #lenadv_art

Elena strives to promote joy and peace through her work, while making people think and feel.

Dinissuk’s latest collection at Twist!

It highlights air, water, and earth elemental energy! The earth energy is warm and grounding, the water energy is rejuvenating, and the air energy is clean and fresh. 

“My paintings are inspired by landscapes. Sometimes I incorporate all three of these elements, sometimes I concentrate on only one.”

-Elena Dinissuk

Energy at Twist

Don’t miss this fantastic exhibition! Be sure to visit us at 1100 Queen Street West and check out our newest artists featured. Our doors are open every Tuesday to Saturday from 11am till 6pm.

You can call us at (416) 588 - 2222 or email your questions and inquiries to info@twistgallery.ca.

And since you’re here, why not browse the Twist Artist Showcase? CLICK HERE.

To see what’s Upcoming at Twist Gallery CLICK HERE.

Follow us @Twistgalleryand @TwistGallery!