Twist Gallery 12/7/24 Twist Gallery 12/7/24

The Perfect Friends’ Day Out on Queen Street West

Looking for the ideal way to spend a day with your friends this holiday season? Queen Street West has everything you need for a fun-filled outing, from festive shopping and art galleries to cozy cafes and lively bars. It’s been 10 years since West Queen West was voted the world’s second “coolest neighbourhood” by Vogue magazine, but the area still holds up to the title.

Here's your ultimate guide to making the most of a day on West Queen West with your besties!

Breakfast & Coffee

Start your day off right—with coffee of course! Some of our top picks are Cafe 23, Forget Me Not Cafe, Jimmy’s Coffee, and Souk Cafe. Each of these cafes offer their own signature delicious seasonal drinks—from spiced lattes to festive hot chocolates. This selection makes each of them the perfect spot to sip on something cozy during the holidays.

Fuel yourself with some amazing natural ingredients from Forno Cultura. This hot-spot is owned by third generation bakers who strive for the finest tastes of Italy. Their freshly baked bread and pastries are to die for. If you are wanting a heavier meal, their specialty sandwiches like the prosciutto sandwich, is exactly what you need. Get there before lunchtime to make sure your favourite doesn’t sell out.

Morning Activity

You can’t come to Queen Street West without visiting Twist Gallery. Known for its welcoming atmosphere and rotating exhibitions, Twist offers a dynamic space to experience the work of local artists.

Twist is also a popular event space, and was named one of Canada’s Top 4 wedding venues by Narcity. The space is a New York style loft featuring three large French arched windows—the perfect backdrop for any event. Whether you're an art enthusiast or just looking for inspiration, Twist Gallery is the perfect spot to explore creativity in the heart of the neighbourhood.

Lunch

West Queen West is known for its good eats that will satisfy almost every craving you have. Looking for a good wine list to pair with your lunch? Bar Piquette has you covered. Pair a glass of their Lambrusco with the mortadella sandwich—you won’t be left unsatisfied.

Another great choice is Pizzeria Badiali, just off Queen West on Dovercourt Road. There’s always a line outside because it’s simply just that good. If you want to skip the line, plan to eat a little later into the afternoon. Badiali’s is known for quality slices that’s flavourful, crispy, and fluffy all at the same time!

Shopping

Queen Street West is the perfect spot for holiday shopping, offering everything from festive fashion to one-of-a-kind gifts. There are so many must-visit spots to add some sparkle to your season. For clothing, The Latest Scoop, Garb, and The Dressing Room will not disappoint.

Socco Living looks small from the outside, but don’t be fooled. There's so much shopping to be done inside! Looking for a unique gift or new decor for your apartment? Craft Ontario is a not-for-profit, member-driven organization in service of professional craftspeople. Don’t forget to stop by Hanji Gifts for all things stationery and Poppies for seasonal florals. There are so many other amazing shops to choose from!

Afternoon Sweet Treats

You deserve a sweet treat to keep that sweet tooth at bay. Stop by Mabel’s to indulge in some of the best treats in the area. Pies, cakes, brownies, tarts, cookies, and more—Mabel’s has everything you could dream of. The Grand Order of Divine Sweets is also a great option. Stop here if you’re looking for cakes, cupcakes, cookies, and fine chocolates with a lot of personality and a warm, geeky twist.

Dinner

There’s nothing like a girls day out to bring out your appetite. Terroni on Queen West is the flagship location, and has been producing amazing Italian dishes since 1992. We highly recommend the homemade pastas, especially the spaghetti al lemon, tagliatelle alla bolognese, and ravioli ricotta e spinaci. SmoQue N’ Bones is another Queen West staple. The soft brisket is to die for, and the brussels sprouts are one of the best side options. Matty’s Patty’s is arguably one of the best burger joints in the city. They are known for their unbeatable smash and vegetarian burgers.

Drinks & Entertainment

Finish off your day with a visit to one of Queen Street West's vibrant bars. From laid-back vibes to lively spots, there’s something for everyone. For a cozy cocktail, head to Bar Poet, or try something unique at Prequel & Co. Apothecary. Bar Poet is known for great decor, service, drinks, and an all-around good vibe. At this point, if you haven’t been to Bar Poet, you need to get there ASAP.

Prequel & Co. Apothecary takes their cocktails seriously. They have a few choices of absinthe, and will even make an off-menu cocktail depending on your tastes. Reservations are recommended at both places, but you can always try your luck with walking in. If you're feeling festive, Bad Santa is a holiday-themed bar that offers a fun, quirky atmosphere and drinks perfect for celebrating the season with friends.

Queen Street West has everything you need for a memorable day with friends. Every corner of this vibrant neighbourhood offers something special!

Twist Gallery 11/23/24 Twist Gallery 11/23/24

32 Best Holiday Gifts for Newly Engaged Couples

Getting engaged is often a once in a lifetime experience that’s always worth celebrating with loved ones. Gifting the happy couple with a nice present is a great way to celebrate their milestone. Although, finding the perfect gift can be a challenging task, especially if you want to make sure it’s thoughtful and sentimental.

Luckily, the list below explores unique and considerate gifts for couples that are newly engaged. Whether you’re looking for a personalized gift, something they can use on their wedding night, or a household essential, Twist has rounded up some of the greatest engagement gifts of 2024. Any type of the couple would be thrilled to receive any of the gifts below!

Luckily, the list below explores unique and considerate gifts for couples that are newly engaged. Whether you’re looking for a personalized gift, something they can use on their wedding day, or a household essential, Twist has rounded up some of the greatest engagement gifts of 2024. Any couple would be thrilled to receive the holiday gifts below!

1. Personalized candles

If you don’t have the biggest budget, one or two personalized candles can be a big hit. Homesick candles make candles based on the smells of larger cities. If the couple met in or grew up in one of their featured cities, this is the perfect gift. Homesick also makes a champagne scented candle called “Let’s Toast”.

2. Holiday ornaments

For the couple that loves the holidays, a themed ornament or holiday decor piece is the way to go, especially if they got engaged during the winter months. You can go with a generic “first holiday engaged” or a customized ornament with their names and pets or kids featured too.

3. Custom art

Who doesn’t love a cute art piece to add to their home? There are so many talented artists out there that will create an illustrated or watercolor version of the couple, the engagement location, or the engagement moment itself.

4. A custom stationary set

A custom stationary set, or even just a cute “thank you” card set is perfect for when the couple needs to send out cards after the wedding. This engagement gift is thoughtful and will help the happy couple save a little bit of money too.

5. A dance class gift certificate

If the newly engaged couple has talked about wanting (or needing) dance lessons before their wedding, this is a great opportunity to give them exactly that. Many dance studios have gift certificate options. Or if you know what style of dance the couple is looking to learn, you can go ahead and purchase them one (or a few) classes in that style.

6. An engagement photo album

Engagement and wedding photos are very important to most couples, so why not gift something that will help them show their photos off? A photo album is a way to make sure those photos get printed and kept in great condition for years to come! It’s also becoming a unique gift idea for younger generations since photography has become more digital.

7. A plant that symbolizes good luck

If you’re looking for a gift for a couple with a love for plants, a money tree or lucky bamboo is a great way to celebrate them. Lucky bamboo is used as a luck symbol in Asia due to its rapid growth. It is often given as a gift to promote good luck, good fortune, love, health, and growth. A money tree symbolizes wealth, prosperity, and abundance.

8. A personalized keepsake dish

Now that your couple has at least one ring in the mix (soon to be more), they’ll need a ring or keepsake dish in their apartment. A smaller size can be used for rings and jewelry while larger dishes can also be used for keys, watches, and wallets. You can go more generic with a cute phrase that you know the couple will love, or personalize with their names, or date of the engagement. Since a lot of retailers sell more generic themed dishes, this is a great idea if you want to shop local or support an artist.

9. Wedding vow notebooks

Vow notebooks are a great way to give a thoughtful gift while staying under budget. All you need to do is find two notebooks, either matching or personalized to each person. They should be smaller notebooks since the couple may read directly from them at the altar. To add a personal touch, you could write a cute note to each party on the first page to give them some inspiration for their vows.

10. A wine rack

If you don’t want to go with the usual wine or champagne gift, give them a place to put all their full bottles. A nice wine rack is a great piece every wine loving couple needs in their house. The couple can even use the rack as a display piece at their wedding if they want to.

11. A pretty cake stand

This gift is especially significant if one of the people in the newly engaged couple likes to bake. If not, this gift is still useful for their wedding. A sleek cake stand will add the perfect touch to their wedding. If the couple already knows their wedding colours, get one that coordinates! If not, try to find one that is glass, wooden, white, or black.

12. A book of cute date ideas

This gift can easily be bought or homemade so date nights never get forgotten when the couple is busy planning their wedding. A book of date ideas makes it easy for them to simply pick an activity and do it, instead of getting stunted by trying to think of a good idea.

13. A custom memory box

A custom memory box is special, especially if you were a friend involved in the engagement plan or have known the couple for a long time. It can include anything you want it to, from items from the day of the engagement to items from the couple’s past.

14. A wedding planner book

Wedding planning can be one of the most stressful things a couple goes through. A notable gift to make it easier on them is a wedding planner book. The Knot Wedding Binder is the perfect example of this. It includes wedding planning timelines, budget tips and tracking, checklists, event breakdowns, and so much more.

15. A monthly flower subscription

Want to get the happy couple flowers but don’t want them to die in a few days? Prolong the happiness of fresh flowers by signing them up for a monthly flower subscription. Your favourite local florist may be able to help you with this, or find a subscription service online.

16. Gift cards

When it comes to a wedding, gift cards aren’t a thoughtless gift. Everyone knows weddings cost a lot of money, so any couple would be grateful for the gift of purchasing whatever they want. Gift cards to look into include: Costco, LCBO, Sephora, Amazon, AirBnB, Homesense, Home Depot, Canadian Tire, Uber Eats or the couple’s favorite store.

17. A wedding keepsake box

This keepsake box is to make sure the couple saves everything they want to to remember their special day like it was yesterday. They can include dried flowers, invitations, photos, hand written versions of speeches, vows, hair accessories, the groom’s bow tie, cufflinks, etc. During a fast-moving wedding, many of these things can get forgotten about. This keepsake box will help them remember to take a second to smell (and save) the roses.

18. A small indoor garden

If the couple you’re shopping for likes to garden or cook, a small indoor garden might be the way to go. They can grow fresh ingredients for their meals that will stay green throughout all seasons. It’s a great way to keep your green thumb going during the winter months.

19. Wine preserving stoppers

We know they’ll receive wine bottles, but what about a wine preserving stopper? You can’t always finish a full bottle in one go. An aesthetically pleasing or themed wine or champagne bottle stopper is something that not everyone thinks about until you need one.

20. A reusable film camera

Photo by Glenn Carstens-Peters on Unsplash

A reusable film camera is a great way to create memories at the wedding and long after. Make sure you give at least one package of film with the camera so they can start using it right away.

21. A custom welcome mat

If the couple already shares a home, a custom welcome mat is a great gift to add to their place. This could be customized with names or a favorite phrase of the couple.

22. A family recipe book

If you are from either side of the couple’s family, a collective family recipe book is a sweet and thoughtful gesture to officially welcome the fiance to the family. It’s great for your relatives as well, since they’ll have all the recipes they grew up eating.

23. A pizza stone and wooden paddle

If the newly engaged are foodies, a pizza stone and wooden paddle are perfect for a romantic dinner at home. These kitchen accessories will produce the best homemade pizzas.

24. A quality coffee maker

A good coffee machine upgrade is always welcome. If you know how each party takes their coffee, you can find the best machine for their needs. Personally, I highly recommend a Nespresso machine or a French Press if they prefer brewed drip coffee.

25. A smokeless bonfire pit

If your couple has outdoor space, a smokeless bonfire pit is a way to create so many special future memories for them. This also makes a great group gift since it will be on the pricier side, so grab a few of your friends and chip in for this noteworthy gift.

26. A National or Regional park annual pass

Is the couple you’re buying for the outdoorsy type? A National or Regional park pass is a smart gift for people always looking to get out of the city and into nature. It will also give them a reason to plan fun and relaxing trips out of the hectic city without any pressure to make specific dates work for them.

27. A forever rose

A metal or glass rose is a forever gift to show how long their true love will last. Especially if the couple is a fan of Disney, this gift screams Beauty and the Beast (but in the best way).

28. Luggage tags/ passport holder

We all know that after a wedding comes the honeymoon. Support your favorite couple with nice new luggage tags and passport holders so they can be organized wherever they go.

29. Bucket list journals

Photo by That's Her Business on Unsplash

A bucket list journal is an excellent gift for the couple that loves to go out and do activities. This journal will also get both parties on the same page about little and big things they want to do or achieve in their lives.

30. A cake cutting set

Photo by Wedding Photography on Unsplash

A cute cake cutting set is perfect for the couple that enjoys baking. Even if they aren’t bakers, they will need something to cut their wedding cake with! If you want to go the extra mile, you can always get the set engraved with the last name they’ll be taking after the wedding.

31. A decanter

A decanter is a great addition to a wine or liquor enthusiast’s home. A decanter will hold the liquor’s freshness and aroma in style. It will elevate the overall experience of enjoying wine or whiskey, especially on special occasions like a wedding or anniversary.

32. A robot vacuum

We all know how inconvenient chores can be, especially when you have a very busy schedule. Help the happy couple with their chores by gifting them a robot vacuum that will clean the house itself.

Remember that the price of the gift doesn’t amount to how much you care about the couple. Most couples don’t require you to bring a gift in order to attend the engagement party, but it is a suitable gesture. Although, sending a gift around the time of the engagement party is polite if you aren’t able to attend in person.

Twist Gallery 10/16/24 Twist Gallery 10/16/24

12 Best Books to Read for Aspiring Artists

With all of the noise of social media and distractions that come along with it, more and more artists are turning to physical books when they need to log off. This list of 12 must-read inspiring and influential books are by artists for artists (or art lovers).

As an artist you should never stop learning. One of the best ways to stay learning is to build your at-home library with inspirational or technical books. Highlight or bookmark your favourite parts to be able to go back to them in times of need. There is no embarrassment in needing a little motivation from time to time. In fact, many artists get stuck in creative ruts. Some even write about how to get out of them. Who else better to learn from than someone with personal experience?

Color and Light: A Guide for the Realist Painter by James Gurney

James Gurney is a New York Times best-selling author. This book is a deep dive into the study of color and light. Gurney strategically fills the gaps between abstract theory and practical knowledge. Themes in the book include light revealing form, the properties of color and pigments, and the wide variety of atmospheric effects.

2. Figure Drawing: Design and Invention by Michael Hampton

This book is geared towards new and experienced artists looking to learn more about figure drawing. It is instructional with a theme of simplifying figures and anatomy. This book is a must for creating a skill-set in the mechanics of the figure that can be applied to multiple types of media. Hampton focuses on practicality with a step by step process that will help create a working creative process.

3. Alla Prima II: Everything I Know About Painting - and More by Richard Schmid and Katie Swatland

Whether you already consider yourself an artist or are an aspiring art lover, this book has something for you to learn. Schmid offers the insight of traditional education, as well as what he has learned being a painter and teacher throughout his life. Themes of this book include trials of an artist, mysteries of color, and a new view of design. Unlike other art technique books, Schmid gives you pointers on what to do when it seems like everything is going wrong.

4. Big Magic by Elizabeth Gilbert

Elizabeth Gilbert writes about her own creative process as well as passing on her point of view and life lessons learned about the creative world. She dives into how to find motivation and how to create habits to help you live your best life. In this book, Gilbert finds the sweet spot between a self-help book and creative practices.

5. Mastering Composition: techniques and principles to dramatically improve your painting by Ian Roberts

Photo by Victoria Aleksandrova on Unsplash

If you're looking for a book that will give visual instructions including step-by-step presentations on how to paint to the best of your ability, you’ve found it. Roberts created a guide for artists to learn all about composition and designing using the picture plane. He shows readers how to create movement, harmony, narrative, and fluidity in their work. This book will help artists and art lovers understand the basic principles of design while helping build confidence.

6. The Mission of Art by Alex Grey

This book is an art classic and an encouraging piece for art lovers that are looking to find their voice. Grey shares an inspirational message that art is powerful and can create a personal release as well as a spiritual awakening. He uses his wisdom of art history paired with his life experiences as an artist to create a thought provoking book.

7. Art & Fear: Observations On the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland

The themes of this book are the way art gets made, why art doesn’t get made, and obstacles artists face. Since Bayles and Orland are both artists, they bring insider information and insight from the art world. This classic book was written for artists while they discover their creative process. This is a great read if you’re an artist that’s feeling stuck or uninspired.

8. The Art Spirit by Robert Henri

Henri is an innovative artist and teacher who uses this book to teach about his belief in the interactive nature of creativity and inspiration. This book is filled with technical advice and knowledge about the power of art. Themes include the force of creativity, the beauty of art, and critiques the place of art and the artist in an American society.

9. The Artist’s Way: A Spiritual Path to Higher Creativity by Julia Cameron

In this book, Cameron helps readers start their own artistic trek and discover their artistic process and purpose. She includes prompts, exercises, activities, and vital tools to get out of a creative funk. She offers her guidance to readers to follow along with their self-discovery journey.

10. Just Kids by Patti Smith

In this book, Smith recounts her experiences as an artist in the late sixties and early seventies. It is highly rated for being an inspirational and honest book about being a young artist in New York City. It’s a nonfiction story that might just influence your next piece of work.

11. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art by Don Thompson

In this book, Thompson dives into artists, dealers, auction houses, and wealthy collectors of the international contemporary art world. With a focus on economics and psychology, he explores themes of money, lust, and what makes art valuable. He also discusses how marketing and branding can make or break a piece of work. The book includes exclusive interviews with artists, buyers, and executives in the industry.

12. Steal like an artist by Austin Kleon

In this self-help book, Kleon preaches that you don’t need to be a genius, you just have to be yourself. He focuses on the fact that creativity is everywhere, and for everyone. This book will easily put readers in touch with their creative side. It is a quick read that will challenge and motivate readers in unique ways.

Whether you’re an artist, art lover, or looking for a gift for someone that identifies as one, these books are sure to unleash motivation and creativity. Each of the above books were chosen for their unique collection of wisdom and techniques. By settling into your artistic exploration, you are taking one step closer to being the artist of your dreams.

Twist Gallery 10/9/24 Twist Gallery 10/9/24

"FORM & FREEDOM" GET TO KNOW THE ARTISTS!

Form & Freedom will be Twist Gallery’s first 3-month long exhibit running from Oct. 3 to Dec. 16, 2024. Featuring bold abstract works, this collection celebrates the tension between form and fluidity, inviting viewers to experience the beauty of artistic freedom and the power of creative exploration. Twist invites readers to meet the artists and dive into their unique creative processes.

In honour of the theme, Form & Freedom, Twist Gallery is scrapping our usual form of only month long exhibits. Form & Freedom will be Twist’s first 3-month long exhibit running from Oct. 3 to Dec. 16, 2024. This theme explores the dynamic relationship between structure and expression. Featuring bold abstract works, this collection celebrates the tension between form and fluidity, inviting viewers to experience the beauty of artistic freedom and the power of creative exploration.

The vibrant, abstract art exhibit features the dynamic works of eight local artists, showcasing a kaleidoscope of colours, textures, and forms. Each artist brings an unique perspective, blending bold hues and imaginative techniques to create captivating visual experiences. The exhibit celebrates diversity and creativity, offering visitors an immersive journey through contemporary abstract expression, reflecting the rich talent and innovation within the local Toronto art community.

Twist Gallery will be holding the opening reception for the Form & Freedom exhibit on October 24th, 2024 from 6-9pm. Each artist involved in the exhibit has unique perspectives, techniques, and creative processes. Although, they all experience artist intuition in their own ways.

ellee sy lee

9.Ellee SY Lee_The Way Things Are No.24_16x16x1.5 in_acrylic and oil on canvas_2024.jpg

As a Korean-Canadian, Ellee SY Lee is influenced by Eastern and Western cultures which helps her to create art shaped by the dual influences. She’s fascinated by how post-impressionists used colour emotionally and expressively, employing basic shapes and distinct brushstrokes.

“I’m intrigued by the philosophical and spiritual notions rooted in Eastern traditional landscapes, which emphasize simplicity, spontaneity, and naturalness, often expressed through simple lines and shapes,” said Lee.

Lee combines these influences in her work to experiment with new visuality through the interplay of bold colours and simplified shapes and lines. After returning from a decade-long break, Lee aimed to create paintings that evoke positive feelings, offering a “temporary respite from a fatiguing and monotonous world.”

“I had realized art is powerful enough to console frail souls and enrich our lives after spending time away from my artistic practice,” Lee said.

In the past, Lee created abstract painting influenced by abstract expressionism and non-representational art, without reference to anything outside of artwork. Now that she has grown an appreciation for nature and its significance, Lee creates semi-abstract paintings where natural motifs recur, and referential images are often used.

“I see the interplay of colours, lines, shapes, and perspectives as a metaphor for mutual interactions occurring in nature and life, making the world interconnected,” said Lee.

Lee hopes viewers feel a sense of connectivity while experiencing positive energy and expanding their imagination through her art.

colleen todd

Each of Colleen Todd’s paintings has a “one of a kind” identity. Ironically, she doesn’t set out to make each of her paintings unique and one of a kind. It simply happens organically.

According to Todd, each piece is influenced by the mood she’s in the day she starts her painting. From the colours and tools she chooses to use, to the mixed media pieces she decides to incorporate, the end result is always unexpected.

Todd says it’s an amazing feeling when one of her pieces creates a connection with someone. When looking at abstract art, it isn’t a recognizable object or scene and yet it can tap into feelings and emotions that are unexplainable, helping create emotions, intrigue and mood.

Todd believes in art “speaking to you” and hopes her pieces evoke that feeling in others. Her pieces decide when they are finished. Sometimes it happens quickly, sometimes months but it happens when it feels like there’s nothing more to add.

douglas robinson

Before Douglas Robinson returned to painting full-time, he had a successful career in advertising. His desire to get back to his creative roots helped him decide to leave the advertising space.

“As a creative person, I believe painting is one of the purest expressions of creation,” said Robinson. “The creation of art is an individual pursuit, a quest for freedom and self-discovery.”

Robinson has always felt he was meant to paint, draw and design. His paintings are visual stories formed by his life experiences, his journey, and his connections.

“These stories through design, colour, texture, mark making, and sheer abandonment create a connection, evoke emotions and reactions,” said Robinson. “Colours help to connect with moods and desires while contrast is used to convey energy and reactions.”

Robinson uses form to create a journey through each piece. Form helps to create a flow, guiding you through each painting. He uses form in his work like a visual beginning and end through a novel.

“My journey is a creative path with no limitations and the courage to follow my heart,” said Robinson.

Freedom is a concept that Robinson uses in his work to express the type of energy he wants. He uses large spontaneous strokes to create more energy and voice, whereas smaller strokes and mark making create quieter conversations. Robinson sees painting as a journey of self-discovery.

“I’m at a point in my return to painting that I’m beginning to follow the spontaneity within me and the more I do that, the freer I paint,” said Robinson.

His work is constantly evolving everyday that he paints. He is pursuing imperfection and not perfection.

Tina ding

Tina Ding often draws inspiration from the countries she has travelled to, transforming real scenery and objective facts into lyrical and contextual images. Her journeys help allow her to see the world not just as it is, but how it feels, “a synthesis of reality and imagination.”

The experience of immersing herself in such places around the world transforms her artistic perspective. This led Ding to focus on the flow of colours and shapes that reflect her emotional connection to the scene.

One of Ding’s goals is to paint the “joy of living” and bring happiness, peace, and delight to her audience. To convey this she focuses on vibrant colours, dynamic movement, and organic shapes that radiate life and energy.

“Colour is a central element for me,” said Ding. “I use bright, bold hues that can uplift and energize, evoking emotions of happiness and warmth.”

Ding also pays close attention to the flow and rhythm of the composition.

“By creating movement through brushstrokes and abstract shapes, I aim to capture a sense of vitality, a pulse that mirrors the experience of being in the moment and feeling connected to life,” said Ding.

Her goal is to offer her audience a moment of peace, joy, and reflection by immersing viewers in an environment where light, colour, and form come together in harmony, drawing them into a space of serenity and delight.

Balancing the lyrical and contextual elements in her art comes from emerging the emotional impact of a scene with its physical presence. While she begins with real-world inspiration — a landscape, a moment in nature — her focus shifts towards translating the feeling the place evokes, rather than reproducing it.

“The contextual aspect grounds the work, often providing recognizable forms or details, while the lyrical dimension emerges through my use of colour, abstraction, and expressive brush work,” said Ding.

Over the years her painting style has evolved from a more representational approach to one that embraces abstraction and emotional expression. She has increasingly become more focused on how to convey the essence of a scene through colour, movement, and composition rather than depicting it exactly as it appears.

“Ultimately it’s about capturing the essence of a moment, not just its appearance,” said Ding. “By blending the concrete with the poetic, I invite viewers to experience both the beauty of the physical and the deeper emotions it stirs with them.”

Recently, Ding has been experimenting with more vibrant, contrasting colours and looser brushstrokes to capture the energy of nature. Her materials have also shifted towards a mix of thicker acrylics and layered textures to achieve a sense of depth and fluidity. This allows Ding to explore how abstract forms can evoke both visual and emotional qualities of the natural world.

Amy Armstrong

Amy Armstrong uses texture to tell a story with her art. Each layer she paints adds depth and intrigue, each layer building on the one before. Armstrong compares this to life — every year, every lesson, every adventure building off the one before. Each experience, whether bad or good, is important for making a fulfilling life.

“Each layer matters and without the layers that make up the texture in art, it wouldn't be the same or have the depth that I long for — in my art and in life,” said Armstrong.

When viewers look at her artwork in person, the various layers and how each builds on the next is clear. There are pops of colour shining through along with markings, patterns and expressive brush strokes.

Acrylics are her favourite medium for achieving depth, and building on each layer. How thick each layer is depends on what she is trying to achieve. Much of Armstrong’s process is an intuitive response.

“There’s part of me that knows when a certain colour or marking should show through the layers or when much of it should be concealed,” said Armstrong. “This is the part that I love about creating abstract art and letting things truly flow when I’m painting without having too many rules and restrictions.”

The first thing Armstrong thinks of when she hears “Form & Freedom” is organized chaos. The collection that’s currently at Twist Gallery represents having a plan but allowing spontaneity to be included too. The first few layers of her collection represent the freedom part of the exhibit with markings, whimsical and expressive brush strokes, unusual patterns, and various layers.

Form comes in when Armstrong uses unique techniques to create lines that cover the layers but still allow certain parts of the underlayer to be visible in different ways. The lines she uses are vertical and horizontal which adhere to the form part of the exhibit.

“More layers, colours, and markings were all needed to create more depth and tell the full story,” said Armstrong.

Some of the pieces in this collection have so many layers because she felt like the pieces weren’t finished yet. It is an intuitive decision for Armstrong, and she knew some of the piece’s stories weren’t done yet.

helena krolak

Helena Krolak was inspired to transition from a long career in the tech industry to becoming a full-time artist after reaching a tipping point. She says she kept receiving signs that she should return to the art industry but would continuously ignore them. This went on until one day she had enough. Krolak decided that she would invest in herself wholeheartedly and try a different path. She took a chance, and started painting again.

She decided she would commit to three months and go from there. After the first three months, she decided to give herself another three months, and so on.

“It wasn’t easy, but by making that initial choice, I gave myself permission to try regardless of the outcome and that was the pivotal factor,” said Krolak.

Krolak often uses themes of healing, harmony, and authenticity in her work. To her, freedom is achieved when people are most themselves.

“It’s not a place you reach, but a state that you embody; to freely express your truth and authenticity,” said Krolak.

Krolak’s journey then became about reaching that embodiment. In order for her to feel truly free, her journey included healing her limiting beliefs and past trauma. Her journey also included radical acceptance, a deeper understanding of herself, and a willingness to be open to larger internal shifts.

As Krolak worked on healing, she evolved and found more harmony and balance within herself. WIth that inner understanding, she could clearly see the balancing and harmonizing outside of herself which led to freely expressing what was previously unexpressed.

“The fluidity and flow of my work in this exhibit captures the feelings of that healing, evolution, and that ultimate expression of that embodiment of freedom,” said Krolak.

Krolak feels like her creative process continues to evolve. This evolution includes more exploration of various levels of play and doing away with any perceived boundaries. Each evolution, Krolak focuses on various elements and combinations. Whether it’s remembering past skills or trying completely new misting or splatter techniques. As Krolak evolves, by extension, her work evolves too.

“Not only do I feel the shifts internally, but I get to experience them through my art and see them in my finished pieces,” said Krolak.

maylin morales

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Maylin Morales spent over a decade in the technology field as a programmer and data scientist. She uses painting to escape from her analytical mind and enter a state where she allows herself to be playful and free.

“The ego needs to be removed to allow creativity to flow; stepping away from perfectionism and trusting the process,” said Morales.

She also loves the physicality and movement involved in working on a big canvas for hours. Morales’s Cuban heritage is very present in her artistic process. She loves to listen to Cuban music and dance while she is painting a piece.

“It’s a great ingredient that reflects in the vibrancy of my work and I hope others can feel it too,” said Morales. “I am very proud of my Cuban heritage.”

Although the subject of Morales’ work is not directly related to the broader Latina experience, it’s a big part of who she is. Morales sees the theme of Form & Freedom as a paradox. Her experience managing software development projects has been helpful in managing her own art projects and setting goals as an artist.

“I believe being an artist is a balancing act between both [form and freedom],” said Morales. “Experiencing artistic freedom and the structured aspects and discipline required to maintain an art practice in general.”

In the past, Morales has mentioned her process as a journey “from sounds to emotion, from emotion to colours.” Music is essential to her creative process as it has the power to evoke deep emotions in her.

“I intuitively translate those emotions and sounds into colours, so they can also be experienced visually,” said Morales.

When Morales hears drum beats, they make her feel grounded and connected to the earth. She then associates that feeling with red hues and the element of fire. These personal associations allow Morales to create her own language.

kristen stephen

Kristen Stephen’s use of India inks on canvas is central to her creative process. They offer a fluidity that aligns with Stephen’s desire to create paintings where the canvas itself becomes an integral part of the work, not just a passive surface. She was inspired by Helen Frankenthaler’s technique of allowing pigments to soak into the canvas. Stephen embraces the idea that the material should interact with the medium.

“By dyeing the canvas, I create a base that feels organic, as if the painting is growing from within rather than being applied on top,” said Stephen.

This unique approach allows for harmony and spontaneity as she layers inks in a way that feels instinctual, constantly responding to how the inks absorb and flow. When approaching a blank canvas, Stephen relies entirely on her feelings or experiences, letting her instinct guide her. This process is deeply subconscious for Stephen. There’s no predetermined image or structure for her pieces.

“I allow the painting to unfold naturally through many layers of ink, with each mark feeling like an expression of something deeper,” said Stephen.

Her work embraces Carl Jungian’s ideals and explores the subconscious by using her spontaneous actions to reveal the inner truth of the piece. Blue frequently dominates Stephen’s palette, as it feels most aligned with her emotional state. Love, sadness, and the human spirit are all recurring themes in her work. These themes emerge organically, echoing her emotional landscape.

“Despite differing opinions of my use of glitter and diamond dust, I find them irresistible,” said Stephen. “They add a touch of seduction and allure to the depth of the work.”

While Stephen’s work often reflects her personal insights and emotions, she finds it difficult to openly explain the specific stories behind them. The process of painting allows her to express these feelings without the need for words, creating an emotional connection between the piece and the viewer. Attending art gallery openings is still an important part of Stephen’s practice, as it helps her stay connected to the broader art community and inspires new directions in her own work.

Growing up in her mother’s gallery was a formative experience that profoundly shaped Stephen’s relationship with art. From an early age, she was exposed to a wide variety of artistic techniques and styles, which fueled her curiosity and passion for painting. Being immersed in that environment nurtured her understanding of how artists express themselves and how art connects with people emotionally. This early exposure instilled in Stephen a sense of dedication and discipline towards the craft.

To fully immerse yourself into the exhibit, visit Twist Gallery in person at 1100 Queen Street West, Toronto. The exhibit will run from Oct. 3 to Dec. 16, 2024. All artwork sizing and pricing is available on Twist’s art for sale page.

Twist Gallery will be holding the free opening reception for the Form & Freedom exhibit on Oct. 24, 2024 from 6-9pm. This is where viewers can engage with the artists and fellow art lovers to further explore the stories behind the artwork.

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"PONDER" Get to Know the Artists!

As we open our doors to our new Ponder Exhibit, we are thrilled to introduce you to the creative minds behind the art that will be showcased. In this blog, you will get a deep dive into the artistic visions of the participants, bringing exclusive insight straight from the source.

Join us as we explore their unique perspectives and passion for their work. Each question and answer reveals not just their technique but also the core to their creativity.

Whether you are an art connoisseur or a curious reader, there's something here for everyone to appreciate and ponder.

SUSAN ROSS

You mention being inspired by the shapes and patterns found in nature. Can you elaborate on how you translate these natural abstractions into your artwork, particularly for this exhibition?

Working intuitively allows me to tap into the inherent abstraction of the natural world. I intensify and enhance those abstract elements. When painting more abstractly, I grapple with finding the right balance between recognizable forms and personal interpretation. Colour is a powerful tool in this process—I love creating bold contrasts. The shapes and patterns I draw from the landscape, reflections in water, and the interplay of light and colour become focal points in my work. Ultimately, this exhibition is all about connection. Through my art, I aspire to transport viewers to those meaningful places and evoke their own memories and experiences.

What drew you to focus on impressionistic landscapes, and how has your style evolved over the years?

I have always been drawn to the natural world, it has been a vital part of my life. Throughout my painting life, my work has weaved in and out of pure abstraction to impressionistic landscapes. I find the natural world to be inherently abstract.

I really loved the idea of combining the two. This body of work in particular came out of years of abstract painting.

You've received several awards for your work, including The Sun Times People’s Choice Award. How has this recognition influenced your artistic journey so far?

It really helps to sustain the work when you get recognition for it. Not that I would stop if I didn’t have it, but it helps. I think it's very important for the work to have a connection with the viewer. Painting is such a solo experience so to share it and have it appreciated is very rewarding.

Can you elaborate on what you feel is uniquely "Susan Ross" about your Canadian landscapes?

I think growing up in northern Ontario, with its rugged and intense terrain, has left an indelible mark on my artistic sensibilities. That raw beauty serves as a constant wellspring of inspiration for my paintings. My love for nature is deeply embedded in my work. The landscapes I create draw from personal experiences—whether it’s kayaking, hiking, or leisurely walks. When I capture reference photos, they freeze moments from these special locations. To me, it’s all about forging a dialogue with nature through my art.

How do you hope viewers will engage with and interpret your works in the "PONDER" exhibition?

I would hope there is a connection or an experience that can occur between the viewer and the painting. It’s incredibly rewarding when someone tells me that a particular painting evokes memories of a special place or a moment from their past, transporting them back to that time. If my painting can transform into a real place for the viewer—one where they’ve had a meaningful experience—that would be the ultimate achievement for me.

TREVOR CLARE

How do you balance traditional techniques like acrylic and gouache with digital art in your creative process?

I've been painting with traditional mediums since I was around 10 years old, grounding my artistic background in the physical nature of painting. In the past five years, I've started exploring digital art and discovering compelling ways to combine my knowledge of both worlds. My experience with traditional mediums has profoundly influenced my digital work, as many of the same principles seamlessly transfer to the digital realm. I continue to work with gouache and practice plein air painting whenever possible, as it's an excellent way to sharpen and refine my skills. Drawing inspiration directly from the real world adds immense value to my artistic journey.

Can you explain the concept of "neo-nostalgia" and how it manifests in your work?

I've always been drawn to nostalgia, naturally gravitating toward themes that evoke a sense of place and its significance. This deep connection to the past informs much of my work today. I’ve coined the term 'neo-nostalgia' to describe my approach—where the digital, contemporary medium of technology intersects with traditional, timeless subject matter.

How do you choose which urban landmarks to feature in your paintings?

Much of my work draws inspiration from the local landmarks and hidden gems within my own community. Some of these places are well-known, while others are more unexpected—small mom-and-pop shops, diners, bookstores, and convenience stores where I would spend time with friends or grab last-minute groceries. These seemingly ordinary places hold deep meaning for me, shaping my daily life in subtle yet significant ways. As I began sharing my art, I discovered that many others shared similar connections to these spaces. I strive to capture places and experiences that resonate with people in nostalgic and sometimes surprising ways. I also welcome requests and recommendations from the community, always keeping an open mind.

What advice would you give to aspiring artists who want to capture the spirit of their local communities in their work?

Over the years, I've learned the importance of keeping an open mind. It's essential to observe and pay attention to even the most mundane or unexpected places, as they often hold the most rewarding surprises. These seemingly ordinary spots can sometimes inspire the best work. My approach involves finding ways to tell a story and capture the essence of a place’s spirit. This often means using vibrant, neon color combinations, playing with light to evoke a mood, and incorporating subtle signs of life. Storytelling transforms a piece of art from something merely visually appealing into an immersive experience that invites viewers to connect on a deeper level.

CHRISTIE BAKER

As a self-taught artist with a diverse professional background, how have your past experiences in figure skating, advertising, and music management influenced your artistic voice in your artworks?

I have always been a creative person. I believe it is that sense of creativity that connects each phase of my life, and serves as the through-line on the long and winding path that led me to where I am today. As an ice dancer, I was drawn to the artistic side of figure-skating; advertising is innately creative; and my work in music management was highly focussed on the branding and PR side of the industry. My artistic voice comes from me being authentically me, and I wouldn’t be the person I am today if not for all of the things that came before.

How do you ensure the emotional depth of each piece is conveyed to the viewer?

Creating a sense of emotional depth is a moving target. What connects emotionally for one person will not necessarily connect for another. My litmus test when I am nearing the end of a piece, the question I ask myself that is the only guide I can rely on, is “Does it speak to me? Do I feel something when I look at it?”. If I can honestly answer, “Yes”, then I am satisfied.

How has your studio mentorship impacted the works you've created for "PONDER"?

The studio mentorship I completed was a few years ago, before my first art show. I was thrilled to be selected, having no experience in the art world at the time. My mentor was a well-known landscape artist from the west coast who had a beautiful way of capturing small moments with such simplicity, I couldn’t help but be inspired. I have tried to find my own way of doing that, of distilling moments and places and memories into simple gestural marks and brush strokes. When the mentorship began I was new to painting, still very insecure and feeling my way through mediums and techniques. I didn’t even know how oil paints work! I cried a lot during that mentorship, but I also celebrated some major triumphs. That was the beginning for me. It gave me the confidence to press forward and lead to the type of work I create today, including the pieces in PONDER.

What techniques help you maintain a consistent artistic voice?

Like many artists, I struggle to maintain a consistent artistic voice, while still allowing myself to explore and push beyond the work I am currently creating. When I really need to produce something consistent, I focus on three things: my mark-making, my colour palette and my subject matter. If I can keep at least two of these three things consistent, the work will be cohesive.

What inspired your latest series of pieces?

My landscape work is inspired by memories, and the pieces I am showing in PONDER are no exception. When I start a painting I have no vision in my mind. I don’t typically paint from images. However, as I lay down colours and move paint around, I begin to see shapes, shadow and light. By about half-way through a painting I know that I am painting something from my past, a distant memory of something meaningful, impactful, and important to me. It is like each painting lives somewhere in my subconscious, and then reveals itself to me in its own time. I don’t strive for realistic re-creation, but let the haziness of the past, as seen through the veil of emotions, take centre stage.

DAVID MOIR

Can you share how your experiences in the northern Ontario environment have shaped your artistic identity?

My experiences in the Northern Ontario environment has helped shape my artistic identity. The natural beauty of Lake Matinenda and the surrounding region inspired a deep appreciation for the rugged wilderness that defines Algoma. In addition to my experiences in Northern Ontario, my travels across Canada have exposed me to a diverse array of scenery. This connection to the North was further influenced by the work of the Group of Seven, whose ability to capture the essence of Canada’s landscapes has always inspired me. Their dedication to portraying the raw beauty of the North resonates with my own artistic vision.

What emotions do you aim to evoke in viewers through your depictions of northern landscapes?

Through my depictions of northern landscapes, I aim to evoke a love of nature in viewers. The beauty of the wild, mostly untouched wilderness is something that has always resonated with me, and I want to share that connection through my art. Through my art, I hope to share with others the sense of awe and reverence I experience in these natural environments.

By capturing a scene, I strive to inspire an admiration for nature, reinforcing the importance of preserving these landscapes for future generations. My hope is that, in experiencing my work, people will feel a connection to nature and an appreciation of the tranquillity and inspiration that the northern wilderness offers.

How has your artistic practice evolved as you continue to explore the landscapes of northern Ontario?

As I continue to explore the landscapes of Northern Ontario, each new experience in these remote places teaches me more about the subtleties of the natural world, allowing me to fine-tune my skills and deepen my understanding of the environment I seek to capture.

I've also developed recurring themes in my work, particularly my focus on painting lighthouses. These structures, often found in isolated and lonely places, have become a symbol of resilience and solitude in my art. They serve as a bridge between the human presence and the wilderness that often surrounds them. Additionally, my exploration of themes like isolation has extended to other elements, such as sunsets and secluded spots in the wilderness, where I aim to convey the beauty and tranquillity of these moments.

In essence, my artistic practice is continually shaped by the unique character and emotions of these extraordinary environments.

What do you hope audiences will reflect on when they view your paintings in the context of the "PONDER" exhibition?

In the context of the "PONDER" exhibition, I hope that audiences will reflect on the beauty of nature that my paintings seek to capture. I want them to feel a connection to the landscapes I depict, encouraging the importance of preserving these environments.

What advice would you give to emerging artists who are also inspired by their natural surroundings?

For emerging artists who are inspired by their natural surroundings, my advice is to make the effort to immerse yourself in nature as often as possible. There's no substitute for the firsthand experience of being in the environment you're trying to capture. Whether it’s sitting quietly by a lake, or hiking to a remote lookout, these experiences will influence your work and deepen your connection to the natural world.

DIVYANI CHANDORKAR

How do you balance the personal, introspective nature of your "wonder-filled thoughts" with the public presentation of your art in this exhibition?

Balancing the introspective nature of my "wonder-filled thoughts" with public presentation is about creating a bridge between my inner reflections and the viewer's experience. My pastel-themed landscapes—featuring dreamy skies, calm seas, flower fields, and a subtle sailing ship—capture my personal sense of tranquillity. By focusing on universal themes of nature and serenity, I invite viewers into a shared moment of peace and contemplation. The art remains deeply personal, yet it offers a space for others to find their own meaning and connection within the work.

What unexpected connections have you discovered between your cultural background and painting expressions?

The unexpected connections between my cultural background and painting expressions often reveal themselves in subtle ways. Growing up in India, I was surrounded by vibrant colors, intricate patterns, and a deep appreciation for nature and symbolism. These influences naturally seep into my work, even when I'm not consciously aware of them.

For example, the use of color in my pastel-themed landscapes often reflects the bright and warm hues found in traditional Indian art and textiles. There's a certain fluidity in how I approach composition, which I realize echoes the flowing, rhythmic patterns seen in Indian designs. Additionally, the themes of tranquillity and connection with nature in my paintings are deeply rooted in cultural values that emphasize harmony and balance.

These cultural influences enrich my art, adding layers of meaning that might not be immediately obvious but are felt on a deeper level. It’s a continuous journey of discovery, where I see how my heritage subtly shapes my creative expressions, blending the personal with the universal.

What aspect of your artistic voice do you feel is most prominently showcased in your artwork for this exhibition?

In this exhibition, my artistic voice is most prominently showcased through the serene and contemplative quality of my pastel-themed landscapes. The use of soft colors, dreamy skies, and tranquil scenes reflects my focus on evoking a sense of peace and introspection. This approach captures the essence of my inner world while inviting viewers to find their own moments of calm and reflection.

What role does color play in conveying emotion in your artwork for this show?

In this show, color plays a crucial role in conveying emotion by setting the mood and enhancing the overall atmosphere of my artwork. The soft, pastel hues create a calming and soothing effect, helping to evoke feelings of serenity and introspection. By carefully choosing and blending colors, I aim to guide viewers through a gentle emotional journey, allowing them to connect deeply with the tranquillity and subtle beauty of the scenes.

What has been the most profound personal revelation you've experienced while creating your abstract works for this exhibition?

The most profound personal revelation I’ve experienced while creating my abstract works for this exhibition is how deeply my emotions and inner thoughts can be translated into visual language. Working abstractly has shown me the power of non-representational forms to express complex feelings and states of mind. This process has been especially meaningful as immigrating to a new country and starting from scratch has adversely affected my mental health. However, starting to paint here in Canada has been like a ray of hope, allowing me to explore and understand my emotional landscape in new and meaningful ways.

What new artistic territories or techniques do you hope to explore in your future artworks?

In my future artworks, I hope to explore new artistic territories and techniques such as mixed media, incorporating textured materials, digital enhancements, and palette knife techniques. I’m also interested in experimenting with dynamic color palettes, unconventional compositions, and interactive or immersive art forms to expand my expressive range and engage viewers in new ways.

TAMARA THOMPSON

Can you describe your process of layering glazes to create a new reality from old images?

The process of layering glazes enhances and enables me to tell a story of my travels through local parks and beaches, as the layered patterns found in the image references emerge. Sometimes the old images are short video clips looped that illustrate the contrasting patterns of light and shadows emitted from the motion. The mix of flora and fauna within the images are deconstructed through observation and repetitive motions. The layering of paint glazes allows the process of observation to show through, and show myself navigating through the feeling the memory of the space evokes. From this process of layering, a new image emerges that is a closer representation of the intrigue and vibrancy of the landscape, that surpasses the exact likeness of the place but instead illustrates the emotional significance of it through small intersections of memory.

How has your residency at the Living Arts Centre influenced the pieces you've created so far?

The artist residency at the Living Arts Centre was a great opportunity to uncover new ways of working after completing my final year at OCAD University. The collaborative space allowed for conversations and peer reviewed critiques and enabled me to build a body of work. I was able to work at and explore my layering techniques of paint mediums, playing with different pigment strengths and paint opacities. I also had space to create larger and smaller works, to explore how the brushstrokes changed over time in conjunction with the various sizes and glaze strengths.

In what ways does your work reflect the interplay between anxiety and calm reflection?

My work reflects the interplay between anxiety and calm, as the completed image of the landscape emits a peaceful energy, but the physicality of the layering and capturing motion through a slow medium like paint, is an anxious act. The motion captured through the layering of glazes of color and light completes a final imaginative piece that allows the viewer to feel a sense of calm and positive exploration of each brushmark and section of the painting. The universal experience of memory of places being in fragments and not complete final pictures, is demonstrated through this interplay of anxiously trying to capture emotion and patterns from observation, and the calm reflection of the finalized work. Overall, the viewer may react to certain areas of abstraction more vividly than others, as they recall a memory of place through a previous experience.

How does the layering process enhance the emotional impact of your paintings?

The layering process enhances the emotional impact of my paintings, as each layer is a reflection of the remnants of texture, color and natural patterns of the landscape that was experienced. Sometimes it is multiple images of the landscape that I reference in motion, and the layering process allows me to build on each texture and pattern to form a new perspective of the landscape. By doing so, the elevated emotions from the memory of the place is evoked through the exploration of the visual layers.

What role does memory play in the creation of your abstract pieces?

Memory is a key ingredient in my creation process and practice, as it is an integral part of the emotions that are evoked in the final imagery of the piece. Memory is not linear, and often we think of places once travelled in small bite size pieces and fragments. Other times we remember how the places made us feel, or vividly remember details such as the contrast of shadows in the water, the sound of wind in the leaves or how hot the sun rays felt in the moment. Through the layered abstraction of my work, the viewer may find pieces they remember or relate to.

BARBARA CHAPMAN

What inspires you to explore the skies and atmosphere in your pieces

I grew up on the eastern edge of Canada where the sky has always told a story about what was to come and often the atmosphere near the ocean had a presence that could be felt before it was seen. My deepest memories are that of fog and mist and the smell and sound of the ocean.

Do you think you see the world differently than non-artists? If so, how?

I often wonder about this, and yes, I believe maybe, but perhaps it is not a seeing but a noticing and a feeling. I notice colours and shapes that sometimes others don’t and I often see light and shadow as a colour and a temperature.

Your statement mentions the "network of natural communication" in forests. How do you represent this interconnectedness in your paintings?

The connection of trees and their surrounding infrastructure is often represented through their root systems and the places where trees become joined with the earth and the underground. Roots are also indicative of the incredible network of fungi that live and support ecosystems and of course, parallel our human and familial connectedness.

Are there any particular environmental issues that you aim to highlight through your art?

I worry mostly about climate change and the deforestation that continues to take place in this country and beyond. Trees are one way that the planet stays cooler, our air cleaner and precious soil stays in place.

Can you describe your process for choosing colours to represent the mood and atmosphere of old growth forests?

I have studied colour theory in depth and prefer to work from a colour palette that reflects the natural world. Umbers, siennas and ochres are staples for me as well as the colours of the impressionists. Mostly modern colours do not find their way into my language of colour.

JESSICA. E. TURNER

You focus on vulnerable feminine subjects. What draws you to these themes, and what do you hope people feel when they see your work?

My focus on feminine subjects arises from a profound interest in exploring the complexities of my own femininity—how societal expectations, cultural narratives, and personal experiences shape my identity. We are all intricate beings, and our subconscious often remains hidden due to fear, leading us to protect ourselves.

Femininity can be suppressed out of fear of the vulnerability associated with it. In my paintings, however, there is no fear of vulnerability; instead, it is portrayed as a form of protection and a divine experience. While these moments may be fleeting in real life, they find permanence in my art. My paintings serve as a personal reminder of the deeper parts of myself that yearn to be expressed.

I hope that when people view my work, they connect with their own inner depths and recognize the beauty in vulnerability, longing, and yearning. My art aims to gently inspire viewers to explore and express their subconscious selves in a healthy and meaningful way.

Do you have any funny or interesting stories from your time in art school?

My first year in undergraduate school at OCAD University, it was mandatory to take a drawing class. We had an unexpected life drawing of a nude male model, and after we were all finished, we had to walk around the classroom to look at everyone’s drawing. When people got to my drawing, they burst out laughing. That one stayed with me because although funny to look back at, I was actually horrified in that moment.

Have you ever had a "happy accident" while painting that turned out great?

Yes, "happy accidents" can be a delightful part of the creative process! Sometimes, an unexpected brushstroke or colour blending in an unplanned way can lead to a surprising and beautiful result. These moments often add a unique character to the piece, making it more dynamic and layered. It’s like the artwork takes on a life of its own, guiding the process in a direction you hadn’t anticipated but that enhances the overall composition.

You mentioned that painting helps you find peace. Can you share a time when creating art helped you through a tough moment?

When I returned to Belleville from Toronto at the beginning of the pandemic in 2020, I faced a challenging adjustment period. The pressure of completing my final year of school online, coupled with the difficulty of leaving behind a supportive community, left me feeling isolated. The experience was so overwhelming that I needed significant help from doctors to cope. Being an artist can be inherently isolating, so having a network of peers is essential. Finding a new art community in Belleville was a turning point—it encouraged me to continue creating and sharing my work. This connection not only supported my artistic practice but also helped me work through the residual emotions from the pandemic.

What advice would you give to someone who wants to start making art but feels unsure about it?

Don’t overthink it—just start. I learned about a technique called “automatic writing” during a writing class at OCAD. The idea is to let go of your thoughts and just write without judgement. I believe this approach applies to all art forms as well. Dive in, think about it later, and keep practising. Over time, you’ll see improvement. Sometimes, thinking too much can hinder your progress in learning something new. Remember, courage is often underestimated. And it takes courage to do anything new.

As we’ve gotten a deeper understanding into the artistic vision, we hope you have gained an appreciation for the stories and inspirations behind our talented artists. Their answers have given a glimpse into their artistic world.

Thank you for joining us and we hope you enjoyed getting to know our artists.To truly immerse yourself in their incredible work, we invite you to visit Twist Gallery in person at 1100 Queen Street West, Toronto.

See the art up close, feel the creative energy, and be inspired by the stories behind each piece. Don't miss out—plan your visit today and experience the magic of our gallery firsthand!

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TOP WEDDING VENDORS WE RECOMMEND FOR YOUR DREAM WEDDING

Planning a wedding can be both exciting and overwhelming. At Twist Gallery, we understand the importance of finding the right vendors to make your special day unforgettable. To help you navigate this exciting journey, we’ve compiled a list of our top wedding vendors who consistently deliver exceptional services. Whether you’re looking for photographers, florists, or caterers, these professionals will ensure your wedding is as perfect as you’ve dreamed.

Discover the top wedding vendors recommended by Twist Gallery for a dream wedding. From planners to entertainers, ensure an unforgettable celebration with our expert picks.

Top Wedding Vendors We Recommend For Your Big Day

WEDDING PLANNERS

A Great Wedding Planner is your guide to seamless celebrations. They handle all the details, manage the timeline and coordinate with vendors, ensuring your vision comes to life without a hitch. Our favourites include:

Poppin Petals
info@poppinpetals.ca
www.poppinpetals.ca
@poppin_petals

Vivid & Vogue
vividandvogueevents@gmail.com
www.vividandvogue.com
@vividandvogue

Florists

Flowers play a big role in your wedding by enhancing the beauty of your day. Here are our top picks for florists who can bring your floral dreams to life.

Bloomberry & Co.

(416) 282-FLWR

hello@bloomberryandco.com
www.bloomberryandco.com
@bloomberry.and.co

Make Lemonade

hello@makelemonade.ca
www.makelemonade.ca
@makelemonadeco

OFFICIANT

The officiant plays a pivotal role in your ceremony. Hire someone who resonates with your values and can customize the service to reflect your unique love story. Our recommendations are;

Ceremonies with Choices
martin@ceremonieswithchoice.ca
www.ceremonieswithchoice.ca

The marrying Lady
https://www.sheisthemarryinglady.com/
tade@sheisthemarryinglady.com
@themarryinglady

PHOTOGRAPHERs

Capturing the magic of your wedding day is essential, and a talented photographer can do just that! Some of our Favourites are

GAETZ Photography
www.gaetzphotography.com
@gaetzphoto

Mango Studios
www.mangostudios.com
@mangostudios

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destination_wedding_photographer_france-0033-899x600 MANGO.jpg

ENTERTAINMENT

Great entertainment keeps your guests engaged and the energy high. Whether you opt for a live band, DJ, or any Live painter artist, ensure it aligns with the vibe you want for your celebration. The best people to add to your event are;

DJ Floh Back
www.flohback.com
@djflohback

The Maximum Music Team
www.maximumdj.com
rod@maximumdj.com

Natasha Dichpan Art
www.natashadee.net
@natashaliveart

PhotoboothTO
https://photoboothto.com/
@photoboothto

HAIR, MAKEUP & Wedding attire

Professional hair and makeup artists help you look your best on your big day. Make sure you book the best ones.

All Dolled Up Makeup & Hair- Danielle West
www.alldolledupstudio.ca

Artistry by Jas- Jasmine Kaur
www.artistrybyjas.com

Finding the perfect attire is key to feeling your best on your wedding day. Here are our top recommendations for bridal and groom attire:

Becker’s Bridal & Formal Inc.
www.beckersbridaltoronto.com

Camellia Wedding Gowns
www.camelliaweddinggown.com

wedding cake

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A wedding cake is not only a centerpiece but also a sweet delight for your guests. Here are our top picks for wedding cake vendors:

Crumb & Berry
@crumbandberry
Bobbette & Belle
@bobbetteandbelle

Choosing the right vendors is crucial for a successful wedding and we hope our recommendations help you in your planning process. At Twist Gallery, we are here to assist you every step of the way, ensuring your wedding day is magical.

Twist Gallery offers a unique and artistic setting perfect for couples looking for a sophisticated and rustic modern space. Contact us today to discuss your dream wedding venue in Toronto!

For more information or consultation at Twist Gallery, visit www.twistgallery.ca or call us at (416) 588-2222
We look forward to helping you create an unforgettable wedding experience!

FAQs

What should I consider when choosing a wedding planner?
Look for a planner with experience, a portfolio that matches your style, and positive reviews. They should be organized, communicative, and able to handle any issues that arise.

How do I choose the perfect venue?
Consider your guest list size, budget, and wedding theme. Visit venues to get a feel for the space, and ensure it offers the amenities you need.

Why is having both a videographer and a photographer important?
A photographer captures still moments, while a videographer records motion and sound. Together, they provide a complete record of your wedding day.

How can I ensure my wedding stationery stands out?
Work with a designer to create personalized, cohesive stationery that matches your wedding theme. High-quality materials and unique designs make a lasting impression.

What should I look for in a wedding caterer?
Choose a caterer who offers a diverse menu, accommodates dietary restrictions, and provides excellent service. Tasting sessions can help you make your decision.

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"ABYSS" Get to Know the Artists!

“The resilience and creativity we use to find balance and meaning in turbulent times.”

“The resilience and creativity we use to find balance and meaning in turbulent times.”

Q1: What inspired you to explore the theme “Inner Worlds: Chaotic Realities”? Is there a specific event or experience that led you to this concept?

The inspiration for “Inner Worlds: Chaotic Realities” came from observing how people cope with increasing chaos and unpredictability. The global pandemic, in particular, highlighted this theme. During this time, many—including myself—retreated into vibrant inner worlds to manage the external turmoil.

This contrast between hopeful facades and hidden chaos intrigued me. My paintings reflect this dual existence, capturing the fragmented nature of our mental and emotional experiences. Through this collection, I aim to show the resilience and creativity we use to find balance and meaning in turbulent times.

Q2: How do you hope viewers will engage with and interpret the duality and interplay in your work?

I hope viewers will feel a connection to the duality in my work, recognizing their own experiences in the contrast between vibrant dreams and hidden chaos. I want them to see how we all balance hope and turmoil, and to find comfort in the shared journey of navigating our internal and external worlds.

Q3: How do you decide on the textures you use in your pieces, and what role do they play in conveying the energetic and ever-changing nature of the mind and environment?

I choose textures that match the emotions and energy of each piece. The varied textures create depth and movement, reflecting the constant changes in our minds and environment. They help bring the chaos and vibrancy to life, making the experience more dynamic for viewers.

Q4: Do you plan to explore other themes or concepts related to human psychology and external realities in future collections?

Honestly, I’m not entirely sure what my future collections will bring, as they are often inspired by how I feel at the time. My work is very intuitive and responsive to my current experiences and emotions. It could be something entirely different, reflecting new insights or challenges I encounter.

Q5: You use a familiar colour palette throughout your work. Is there something that intrigues you about how these colours correlate to your thought process?

Bright, bold colours captivate me because they stand out and command attention. They represent the vibrancy and complexity of our inner worlds. Using these colours helps me highlight the contrast between hope and chaos. The darker colours, on the other hand, represent the hidden turmoil and complexities that lie beneath the surface. This interplay of bright and dark hues allows me to convey the full spectrum of emotional depth in my work, making it more impactful and engaging for viewers.

Q1: You mention Picasso’s quote about painting like a child. How do you balance the spontaneity of child-like creation with the technical skills you’ve developed over the years?

I remember a famous quote about that, but unfortunately, not who said it. The thought was that in order to break the rules, you have to first know the rules. So I don’t find the idea of painting in a very primal way to be at odds with having learned more sophisticated techniques as well. If anything, I think they’re complimentary.

Q2: As a primarily self-taught artist, what challenges have you faced, and how have you overcome them?

Well, I have taken a few foundational courses, so I have a strong background in the fundamentals of painting. The basics, shall we say. And because I’ve been able to paint full-time since 2020, I’ve been able to maximize my time in front of the easel. And when I get stuck or want to add something that I don’t know how to do, I turn to YouTube. I think anything and everything you could ever want to know can be found there. And then it’s up to me to practice what I’ve learned.

Q3: How does it feel to have your work collected internationally, and has this influenced your artistic direction or goals?

Anytime someone spends their own money to purchase a piece of your art, it’s the highest compliment an artist can receive, so it makes me feel very proud and very happy. But as far as influencing my direction or my goals, I’ve worked very hard to not let them influence my approach one bit. I have my ideas, and what I want to express and I try to stay focused on that.

Q4: What do you hope viewers take away from experiencing your paintings?

My greatest hope is that my paintings somehow make viewers feel like they’re seeing something new - something that connects with them in a new way. It’s that connection; one unknown person creating something that speaks to another unknown person. When that happens, it’s magical!

Q1: You describe yourself as a quiet person but a very loud painter. How does this contrast between your personality and painting style influence your work?

I find that people really like this description of me and they understand what it means immediately. It has been a great conversation starter in my booths.

I was a shy, quiet person when I was young, and I had a perfectionist mother, so my work tended to be tight and quite traditional. I worried about mistakes and not getting things quite right. I tell my visitors that I had a teacher early on who helped me move past this and see the possibilities when taking risks, rather than playing it safe. She also gave reassurance that you wouldn’t be criticized for doing it. So, I think, underneath the shy person, is a passionate, idealist who likes to be heard, but not necessarily by going to the front of a room to make a statement. But, instead, by using my art to speak for me.

When I make my art I try to let my real self out, to let go of preconceptions and to follow my intuition and emotions. Then I try not to edit the work too much, otherwise it begins to be less fluid and becomes conformist. I am always “fighting” with myself to stay loose and open, but at the same time to follow some of the “rules” of painting, by paying attention to values, keeping my shapes and marks different, not too repetitive and choosing colours that are complementary or congruent on the colour wheel.

Although showing my art is a vulnerable thing to do, and I do feel on display, it is less risky for me, than making a speech. And, there is some detachment for me by the time it is displayed. Then, I really hope to connect with others and to hear from them how my work makes them feel.

I try to take this learning from my art-making back into the way I now live my life. I think it is what they call being authentic. I’m learning to let my real self out more often.

Q2: How did your experience at Central Tech’s Art Program and learning from individual teachers shape your artistic journey?

Being at Central Tech showed me how much I enjoyed being around creative people, to both absorb some of their excitement and to enjoy when my work was appreciated by others. I think being part of a community that provides support is very important to developing your craft.

Although I do work alone now, I do enjoy learning from others in classes, listening to art podcasts and being a member of artist groups that provide education and support.

At Central Tech I was also pushed out of my comfort zone and learned skills in printmaking and ceramics, both things I wasn’t really interested in. I learned about enjoying the process and came to value those experiences. I learned that some art forms take time - such as making a wood block by carving into wood to make a print. You have to slow down and just make one mark at a time. Once you make the block, you can make many prints quickly, but the actual carving was quite meditative. Your mind can wander while you do your craft, but your heart rate slows down. On the other hand throwing a pot on a wheel required absolute focus and physical control. Life drawing required a focus of looking while also feeling the movement and putting that down on the paper. Silk screen work taught me about simplifying shapes. I have continued to enjoy printmaking, but in a looser way, making random marks on parchment paper and pressing them onto the painting as a way of keeping my marks more spontaneous. I think these experiences taught me to value all forms of artmaking, to stay curious and not to try to rush the process. Like most crafts, good work takes time to percolate and develop.

I wanted to concentrate on painting though, so instead of staying with the Central Tech Program that exposed me to a variety of media, I took classes with Steve Rose and Suzanne Metz. Both teachers exposed me to new artists to learn from and taught me how to stand back and look at my work and assess it. Suzanne’s approach was to provide starting points that would push you to be creative. Her teaching was all about the process and not the outcome and about taking risks - being willing to face the unknown or to keep going rather than accept a good enough safe painting. Each class started with an exercise. I often stayed with the exercise for the whole class, just having fun and exploring a tool or technique or idea. I found out that I was more creative that way, than if I “tried to make a good painting”. She was also the teacher who taught me about intuitive painting, so that I could start trusting my own judgments and not worry about following all the rules. If I felt a painting was done, I could now be confident in stopping.

Q3: Besides your internal dialogue and feelings, what are some key sources of inspiration for your work?

I drew much of my original inspiration from artists whose work I admired, beginning with Picasso.

My main influences were the abstract expressionist painters like Joan Mitchell, de Kooning, Franz Kline, Cy Twombly and Helen Frankenthaler. The group Painters 11 in Canada, particularly William Ronald, Tom Hodgson and Alexandra Luke, were also models for me.

Nowadays I admire abstract artists on instagram such as Miriam Traher, Claire Kirkup, Bibby Gignault, Drew Steinbrecher, and Daniela Schweinsberg. The internet has shrunk the world and made it possible to study with and learn from people all over the world.

My work has been inspired by colours from nature. I spend a lot of time walking in the forest and my local ravine, I love adding native plants to my gardens and I’m a volunteer nature steward. I also live and spend summers by lakes and have spent summers and COVID confinement periods at my cottage. Those times alone have given me a lot of time just to look. I notice details, I notice the bright greens of spring and the combinations of purple and gold that occur in the fall. I’ve also spent time observing the colours in winter for a painting course. I am constantly inspired by small nuggets that I notice in nature. But, I’ve also included intense pinks, turquoise, and purples based on a study of my great niece’s wardrobe and the painted house colours in Mexico on a friend’s instagram post. All of these are fodder for the artist.

I sometimes respond to the music or a podcast I am listening to. I do tend to listen to upbeat music from my era (60’s and 70s) or the occasional soul or jazz music from the past. I like to gain some energy from what I am listening to. I have many responsibilities at home and my son needs my support as he copes with mental challenges, so I turn to lively music to shift my mood.

Alternatively, sometimes I will zone out to a book on tape or a podcast focussed on buddhist beliefs or how to combat perfectionism. Online artists like Louise Fletcher and Nicholas Wilton offer coaching and support, when my confidence ebbs. These are the background voices in my head while I am painting, urging me to keep going because this is my gift and through it I can bring some joy to the world.

Q4: You aim to create space for the viewer in your work. How do you hope viewers engage with and interpret your paintings?

What I mean by space is that they are not complete. Abstract paintings invite the viewer to complete the story or make up the story, or just to react in an emotional way. My biggest thrill is to notice the reactions of viewers to my work at the outdoor shows. I am able to see their reactions and then to also speak to them about them. In a recent show, my very large, simple painting entitled ” Vroom!” resulted in the most engagement. People were drawn to it because it had simple colour blocks and a car shape. It was fun. It reminded them of their childhood. It was painted purely and simply. I was afraid it was a risky painting to show, but it got a very positive reaction.

I want to be able to create freely and hope that others will find a way to relate emotionally to what is there. The fun colours, the chunky brushstrokes, or the weird shapes. I want people to notice, stop and think for a minute, and to want to share their feelings. I think by taking these risks and not creating serene or predictable paintings, I am allowing people to also take risks in how they decorate their home and how they connect to me, the artist. I hope they will open up to me about how this piece makes them feel, like I have shown my vulnerabilities to them by not being afraid to try something different.

Q5: Your work has been exhibited at venues like the Federation Gallery in Vancouver and the Artist Project in Toronto. How have these experiences impacted your career and visibility as an artist?

I have exhibited in Vancouver at the Federation Gallery as a member of the Federation of Canadian Artists. It is an active and well respected group of artists that provides education, mentorship and juried shows. Being selected by their judges has given me more confidence as an artist. Also, their gallery is at Granville Island, a tourist destination in the heart of Vancouver, so it offered me the chance to exhibit in a popular, creative and urban location. I am also a member of the Toronto chapter of this group. Being part of a group of artists has helped me to meet more artists. These connections are important as artists tend to support one another and learn from one another.

The Artist Project was a huge milestone for me this year. I learned a lot about participating in an indoor art show, I made many new connections with artists and gained confidence from the positive reception I received. This year, I am continuing to build on that experience by approaching galleries and taking advantage of every opportunity that comes my way to show my work. Later this summer I will be showing at Paula White Diamond Gallery in Waterloo and in MELT Studio and Gallery in Picton. I hope to continue to be offered new opportunities to share my work in galleries as well as through my own studios in Toronto and Muskoka.

Q1: What drew you to the ancient art form of Encaustic painting, and how do you work with beeswax and damar resin in your pieces?

To be honest, I had never heard of this medium until five years ago. I saw an encaustic artist on Instagram, and just by watching her process I began to feel excited about painting again. I love the translucency of encaustic and how I am able to create depth. This medium can be unpredictable and it is quite nuanced and keeps me on my toes. At the same time, it allows me to let go of control and enjoy the process. By melting beeswax and damar resin (tree resin) together, it becomes encaustic medium. Beeswax on its own will melt at 62C-65C, but with the addition of damar resin, the melting temperature is elevated to 200C. Encaustic medium is created by combining two materials together. It is strong and impervious to moisture. Encaustic must be applied to a rigid substrate and heat is used to fuse the layers together.

Q2: What are some specific textures, patterns, or flows in nature that have particularly inspired your paintings?

I am inspired by nature all the time: the way trees move or the waves of the ocean, texture of tree bark or the hypnotizing rings on a cut tree trunk, the veining on stone, the translucency and colours of crystals, and of course all the creatures in our ecosystem. I love how it can create that perfect symmetry and when we zoom in or dissect, there is a world within a world and it is this perfectly organized chaos. I find that so spectacular, Mother Nature is truly the most incredible artist! One of the specific visual textures that I love imitating is the veining found in natural stone. It reminds me of a bucket of rocks in souvenir shops, and that tactile experience of putting my hand into that pile and feeling the shapes and surfaces of those rocks and examining them up close. With the translucency of encaustic medium, I can create that world within a world in my paintings. With each layer there are details and textures that look like they were created with age/time, heat and pressure.

Q3: Is there a specific painting that was deeply influenced by a particular piece of music? Can you share the story behind it?

“Lilac Wine” was inspired and named after the song by Nina Simone and later also performed by Jeff Buckley, two of my absolute favourite artists.

This song is about intoxication and how that clouded state can make you see things, understand them and give you bravery to face them. I’ve always found Nina’s voice itself intoxicating and she is able to reach deep into my heart with every song that she sings.

For me, the scent of lilacs is lovely when I smell them out in nature, but when brought inside, it takes over and makes me feel dizzy as if I am intoxicated. For this painting I wanted to capture those delicate pinks and lilacs of the flowers and I intended the viewer’s eye to move in a circling direction, like wine being swirled in the glass to release its aroma.

Q4: What do you hope viewers take away from this exhibit, and how do you want them to connect with the themes presented?

The meaning of the word ABYSS is an unfathomably deep or boundless place. Friedrich Nietzsche used The ABYSS as a metaphor to describe the infinite depth of psychological human complexity.

This word “abyss” can be used to describe what we see and what we can experience and feel on a solitary level or as a collective. It is a word that can have a fear connotation to it, but here we see artists creating beauty and levity. Such a beautiful contrast.

Married to each of my paintings is a song or a piece of music which can make me feel boundless joy, love, loss, grief and sometimes even overwhelm. That’s my own experience, but my hope is that the viewer looks deep into my paintings and discovers their own unique inspiration.

Q1: Can you elaborate on your intuitive painting process? How do you let your instincts guide your work?

My painting style can be described as a layered process that begins with a bold statement through large script marks. The marks serve as the foundational element to build from, setting the tone for the piece. I transition into creating lighter marks that add depth and intricacy to the composition. As the painting evolves I introduce colour into shapes as the composition takes over. My methodical approach creates a visually engaging and captivating artwork that invites viewers to appreciate the complexity and detail within each layer of the painting. By incorporating colour into select shapes, my instinct takes over to form a sense of balance and cohesion to the piece, guiding the viewer's gaze across the painting.

Q2: How have participating in group shows and art clubs in Toronto helped in your development as an artist?

Overall, participating in art shows, not only, helps in showcasing my artwork to a broader audience but also offers valuable opportunities for growth, learning, and professional advancement in the art world. Art clubs are great for constructive criticism and praise to grow as well as networking for future opportunities. Art Shows through the Art Clubs have given me validation and motivation to continue to pursue my passion.

Q3: As a self-taught artist, what have been the key challenges and milestones in your artistic journey?

As a self-taught artist, without formal training, I have attended many workshops and classes over the years after learning the basics in a watercolour class at OCA early in my art career. This foundation was beneficial to fuel my ongoing creative curiosity and motivation and has taken me to other countries to attend workshops in many different mediums. Every class and workshop I have experienced has led to being a part of my unique style. I have attended classes at Toronto School of Art, Ontario College of Art, Fleming College, Loyalist College, Belles Artes and the Instituto de Allende. I have participated in many successful shows and I have had significant sales. I have been a member of many art groups in Toronto; Bayview Art Tour, North Toronto Group of Artists, Don Valley, Forest Hill and currently the West Toronto Artists.

Q4: Who or what are your biggest inspirations and influences in the art world, and how have they shaped your work?

My biggest inspiration and influences in the art world have been very diverse and eclectic, shaping my artistic style and vision. My artistic challenge is to balance space, colour, value, and harmonious shapes that connect across the canvas to create balance and a focus. My inner reflections from life experiences play a role in shaping my artistic expression and come through in my paintings.

Q1: How has personal loss and grief influenced your work, and how has art helped you process these emotions?

Grief is complicated and I could feel myself spiraling and feeling consumed, unable to move forward. I wanted to try something creative and totally different, leading me to take art classes. I was instantly drawn to fluid art; it was extremely calming to watch the movement and fluidity of paint flow and interact with each other forming these intricate details and beautiful colours. And so, for a few years, I mostly watched and learned until I finally decided to experiment on my own.

Creativity has been a powerful way to process these complex emotions where words were not enough - my whole process is very much meditative and what I have experienced is the joy and beauty that exists even during times of darkness. I try to create a balance and harmony of this duality through colour and movement allowing layers of vibrant colours with iridescence to cascade gracefully across negative space. There is something invigorating yet serene and calming about my pieces, and that is what I hope my work conveys to the audience.

Q2: Can you discuss some of the collaborations with brands you’ve enjoyed? How do these collaborations influence your artistic practice?

I have been lucky enough to collaborate with brands that I really stand by and love to use in my own practice. I work with high-gloss epoxy resin as a top coat for my pieces and the brand I use is ArtResin. There are a lot of brands of resin out there and I have tried many. But ArtResin is my favourite – it is non-toxic with dual light stabilizers to protect against UV light and so very easy to use. Plus, the people behind the brand are artists themselves, they offer a ton of support and are wonderful to work with!

Q3: Who are some of the artists or mentors who have influenced your work, and in what ways?

Oh wow, I don’t just have one! I feel so fortunate and grateful for all the artists who I have met during my art journey so far. I really mean that. The artist community has been so supportive and as a self-taught artist I am learning so much from them. Getting to meet and chat with artists who I have admired from a far and seeing how generous and encouraging they are means so much to me. I am mindful to always do the same and pass that knowledge along to other artists who approach me.

Q4: What kind of impact do you hope your art has on viewers? Are there specific reactions or feedback you’ve received that have been particularly meaningful to you?

I hope to captivate the viewer not just on the aesthetics but on a deeper emotional level. To encourage introspection and perhaps ignite a spark of joy or peaceful moment for personal connection. It’s always exciting to hear everyone’s initial reaction and feedback! I see visitors from children to adults initially attracted to all the vibrancy of my pieces and as they get closer they are always intrigued by the glossy glass like finish and amazed by the shimmery shifts and depth in colour. But some of the thoughtful comments have also been on how the movements in my paintings make them feel a sense of calm and tranquility as they take in the beautiful colours.

Q2: How has your time in Florence, Italy, influenced your artistic style and approach?

Florence was truly transformative for me. I continually draw upon the art history and architecture I encountered there. Studying the rich history firsthand in Venice, Milan, Siena, Rome, and beyond was surreal and profoundly educational. Traveling alone fostered my independence and led to friendships around the world. To this day I am inspired by the sounds, food, people, and the breathtaking scenery—it felt like living in a fairy tale. That year remains incredibly nostalgic, and my heart became deeply attached to Italy, its way of life, and its culture. Overall, Florence not only nurtured my artistic growth and passion but also had a profound positive impact on my personal development.

Q2: Can you describe a particularly memorable collaboration with a client and the resulting artwork?

Two years ago, I received an unusual request to create a series of pop art for a client. Although it wasn't typically my style, I agreed to the challenge and found it to be incredibly enjoyable. Both the client and I were delighted with how the pieces turned out, and they remain some of my favourite works to this day. As an artist, it's important to me that I feel proud of the work I deliver to clients. Pushing myself outside of my comfort zone allowed me to produce something unique that I wouldn’t typically have done. It was a fun and different experience I would welcome again if the opportunity presented itself.

Q3: By sharing your vulnerability through this collection, what kind of dialogue or understanding are you hoping to foster among your audience?

The purpose of speaking out about this topic was not only to aid in my own healing and utilize my art as a form of therapeutic expression, but also to initiate a dialogue about it. By sharing my story and encouraging others to do the same, I hope to reduce the stigma and shame associated with fertility struggles. Initially hesitant and embarrassed to speak out, I've discovered that many others have faced similar challenges. Since sharing my story, I've connected with individuals who have shared their own journeys. While we're encouraged to seek support for sadness, depression, and loneliness, there's a notable absence of support for those struggling with fertility. I've been inspired by online figures, particularly those in Australia, to take this step. However, I've noticed a lack of community support for fertility issues in Canada. I hope that sharing my experience will serve as a starting point for positive change.

Q4: What are some of your upcoming projects or goals for your brand? Are there any new themes or techniques you are excited to explore?

My next goal would be to showcase my work at the Artist Project TO, that’s always been a long term goal of mine. Currently, I intend to continue creating art focused on themes of motherhood and fertility, as I believe there is still much to explore in these areas. However I also look forward to drawing inspiration from our travels to Asia during our honeymoon. There is so much rich culture there I'd love to translate through my practice. There’s definitely lots more to come.

Q5: How do you balance your artistic career with your personal life, especially when dealing with such profound and personal themes?

For this collection it was difficult, I would say I fully immersed myself in my artistic practice because that’s what I needed to do to heal. For the past three years I was working in sales and marketing, and working full time made it challenging to pursue my art. After experiencing my third miscarriage, I faced a difficult decision. It became clear that continuing in my job while needing frequent time off for my health wasn't sustainable—I had to prioritize my well-being. We mutually agreed to part ways, and once I regained strength both mentally and physically, I decided I would dive into my art as a form of self healing, something I never had the courage to do.

Twist Gallery 6/6/24 Twist Gallery 6/6/24

"VIEWPOINT" Meet the Artists!

“This series of Landscape and Scenic Paintings give me the opportunity to capture my emotional reaction to a particular environment, it may be within a season, a weather event or during a specific time of day”

What techniques do you use to effectively convey a message through your art pieces?

I primarily work in Acrylic paint as I find it is much easier to maintain vivid colours, and I can use it to achieve an impasto effect very much like with oil paint or I can thin the acrylic with gloss medium to create a watercolour like illusion.

I choose subject matter that is of Canadian content. Sometimes from Photographs I have taken, or photographs of a particular area by different sources. I like to take many different views or angles and fuse them together. Usually it is one particular thing, example:,a branch or a crocus, or the way the sun creates a reflection on the water that is the jumping off point for the beginning of each work.

In your Canadian Landscape paintings what province or town do you pull most inspiration from?

I pull a lot of my inspirations for the Canadian Shield, I have travelled a lot through the area, and it is where many pictures have started from. My latest works have been about that time at sunset, just before the sun goes down below the horizon and the land is captured in dark shadows.The vividness of the colours and the reflection on the colours off water have a mirror effect.

Does art help you in other areas in your life?

Art is sometimes an outlet for me. I am an Early Childhood Teacher currently and I have very chaotic and busy days. I love engaging with the children and watching them learn new things. They show an interest in things that I may overlook as an adult. The weird shape of a pebble, or the ants crawling on the birch bark. The children have influenced my art in that with each work or Painting I choose one thing to focus on.

What place do you want to visit next that could help inspire more of your creative process?

I would love to visit the West Coast, especially the area of the Indigenous Haida people. I have always loved their vivid use of lines and simplification of colours that create such dramatic pieces that tell a belief or myth. I am drawn to places on the water, there's something about the water and where the sky meets, that I have been drawn to since I was a small child. There is a rhythmic sound and feeling to these areas.

Are there any new techniques or themes that you would like to explore in the future?

With the medium I use I get to discover new techniques every time I paint. Controlling the paint is a challenge and each solution I come up with breeds a new method of doing it. I continuously choose different colour schemes, subject matter and perspectives when I paint in order to grow and push my boundaries as a painter. I’m also playing with some traditional painting methods while I'm doing my finishing touches to give myself more control of the final piece, but not take away from the overall poured method.

You mentioned that you became more expressive with your art amidst the pandemic, what creative part did you experience?

During the pandemic I was reconnected with my passion for creating as a means to take my mind off of news around me. It seemed everything had to stop completely in order for me to reconnect with my creativity and love of painting.

I discovered acrylic pouring in 2020 and focused all of my energy during lockdowns into mastering this medium and explore a new way of creating. This new method of painting gave me creative freedom that had no boundaries, timelines or goals. I merely painted for myself and discovered how happy that made me.

What is your biggest challenge when it comes to acrylic pouring?

The medium is very unpredictable and difficult to control. I have learned that less is more and to layer my paints in small painting sessions. Patience, I discovered, is essential when using my loose watery paints. A landscape can take more than 8 layers; I've had to learn when to stop and let the layer dry before I continue noodling. It will take 2-3 days for a layer to dry, and I have to keep my canvases flat so space in my studio for storage can be a bit of an issue. Especially when I love to paint on large canvases.

Another big challenge is that I have no mentors or sources that I can lean on for advice. I have never seen acrylic pouring used this way before and it’s been a difficult journey to master something with little assistance.

You mentioned that you do your own woodwork and create your own canvas. What made you want to start doing that?

My Dad actually! He came from artistic roots and loves woodworking. He made sure I knew how to use his woodshop and has always been there to help me solve my creative problems.

In high school I was taught to stretch canvases, so coupling the two knowledge bases together I started making them myself! Once I started, I found I could make them any size and dimensions, and it added to the handmade vibe I was going for. It ended up being easier for me in the long run and more creative to do this all myself.

Every frame is created to order, and I’ll stain it a colour that extends the painting itself. Doing things this way gave me full control of the paintings I'm making and allowed my clients more ability to customize their desired piece.

Is there a specific setting or material that is integral to your work?

Yes, I paint with oils, using a layering technique.

When I am working en plein air (in the outdoors), the preferred substrate is archival claybord or archival panel. Claybord and panel are less likely to be damaged when carting them around in the bush or alongside a riverbed, especially on a windy day.

Small to mid sized, the works created on location later inform my compositions on larger canvases in the studio.

Canada is an expansive setting, there is no lack of subject matter. So I often take long haul road trips that will last four to six weeks on average. Each trip is a grand adventure with no set destination though I gravitate to waterways, waterfalls, lakes and oceans. Somehow drawn to water! I've learned how to pack sensibly and that includes my personal and safety gear and, my painting materials and storage for wet paintings. Other times I will choose a destination/region and work for a week to ten days.

In every case, the paintings which I've begun on the road are completed in the studio setting; the oil is too wet to accomplish all the layers in a short time on location.

What have critics and collectors said about your work and what is your biggest accomplishment as an artist?

There is no single 'biggest accomplishment' I can highlight so I'll put it this way.....

Growth, learning, creating, improving, and recognizing the value of this

Juried acceptance to the Art Renewal Center, which leads the revival of Realism

having people say my work makes them think of W.J. Turner

being a signature member of Artists for Conservation and giving back to conservation causes through my artwork
knowing there is an audience who identifies with and chooses my work

Critics and collectors and peers:

I copy here for you a testimonial written by my Mentor Xiangming Zeng. I am honoured by his words as he expressed exactly how I feel and what painting means to me. There are other testimonials on my website, link can be found here.

What is the best piece of advice you have received as an artist?

Stay true to your creative identity and style.

How do you know when a piece is finished?

Sometimes I don't know if it is finished, or what is needed to make a piece complete. So it will be set aside in my home based studio where I can reflect on it over time. There was one particular painting which waited ten years for its final brushstrokes.

And after such a long time, my process has evolved so it becomes a very different expression of the original idea.

But typically I just know it is finished. Sure, there are always more things to tell about the complicated process of painting and creating.

So if you need more details, here are a couple sources.....

Source 1 | Source 2

Where did you find inspiration in using texture and monochromatic colours in your pieces?

The inspiration for the monochromatic colour palette came from my own interior decor. I've always loved the calmness and harmony a limited colour palette provides and I wanted my artwork to convey that same sense of peacefulness and calm. With the limited colour palette, the texture helps provide depth and movement and visual interest.

How do you stay motivated and inspired during creative blocks?

If I'm feeling really stuck, I'll sometimes grab an old canvas and just play with colour combinations and textures. I usually come out of that with some new ideas to try.

How would you say your personality is reflected in your work?

My artwork is definitely a reflection of myself and my personality. I tend to be a fairly calm, reserved person and really enjoy lots of quiet time and I think this comes across in my work.

What processes do you look forward to experimenting with?

I've been experimenting a lot with texture over the years and am looking forward to leveraging the thick impasto texture and the monochromatic colour palette in a more abstract way in the future.

Your mosaics display a great deal of texture, tell us more about your background and how you first became interested in making art through mosaics.

I've always felt the need to express my thoughts and feelings through art. Initially that was through writing. Then, totally by accident, at the end of the 90s, I came across an old book about making mosaics. The book immediately captivated me. I decided to give it a try and quickly fell in love with the technique. In the beginning, I made small pieces and decorative mirrors. Over time, I started experimenting with texture, light, colors, shapes, allowing my creativity to flourish.

Can you walk us through your typical setup and the tools you use?

Typically, I start by sketching my ideas on paper. Then I transfer the sketch onto a mosaic substrate (object, wooden or wedi board, etc.), at which point I am ready to finalize a decision about colors. For cutting tools I usually use one of my wheeled nippers, and sometimes mosaic hammer and hardie. I also use various dental picks, spatulas and other tools to help me move and place little pieces of tile. As for material, my favorites are smalti, marble and stained glass, which are great for playing with shades and colors.

How do you stay motivated and inspired during creative blocks?

I always have more ideas than time. More often than not, new ideas come to me while I am still working on a specific mosaic. These ideas can originate from nature, an image I see, events, or emotions that surface as important. When this happens, I usually just note them in my notebook and gradually build on them. By the time I finish the mosaic in progress, I am ready and excited to start on one of the new ideas.

Can you describe a rewarding or memorable experience you’ve had as an artist?

Although creating each piece is always rewarding, I vividly remember working on my Indigenous series because of the timing. During that period, I was in the midst of discovering more truths about their horrific experience in residential schools. By working on that series, I felt like I was part of the whole healing process, as if those mosaics were my humble expression of appreciation and apology.

You use a familiar colour palette throughout your work for your display for Viewpoint, is there something that intrigues you about how these colours correlate to landscape work?

My colour palette is usually not planned when I start a painting, but I definitely have my favourites: blues, yellows and oranges. These are the colours that bring me joy, and I hope this is transparent in my work. I often paint yellow skies, and yellow reflections, which are not true to reality but recur in my paintings all the same. These colours are found in nature, just not necessarily in the way that I use them, but that is what makes art so fun.

What art trends inspire your current work?

I am currently leaning into abstract impressionism. I love bold marks, unblended colours, and objects in paintings that are indicated without being overly developed.

What message or feeling do you hope to convey through your landscapes?

My paintings come from a place of nostalgia. I don't know what I am painting when I start a piece, but somewhere in the process I know that I am painting memories of being in a certain place, with certain people, at a certain point in time. People often ask, "Is this a specific place?", when viewing my work. I usually answer, "It is a place that has meaning to me, but I hope that it brings to mind a place that has meaning for you".

Has your style changed overtime?

My style has evolved recently, particularly as I incorporate different subject matter, such as florals, into my practice. My work has also become looser and more intuitive. I am a relatively new, self-taught artist, and as I gain confidence in my work and explore new techniques, I feel that I can trust myself to leave things a little less 'perfect', and a little more undone, and I'm usually happier with the result.

What role does nature play in your art, and how do you capture its essence?

Nature is the main inspiration for my art, providing the general compositions and overall feeling of the piece. I try to amplify the key features like flowing rivers, rock formations, and any trees and flora that are present to be the prime focus.

You tend to use vibrant colours in your pieces, what feeling do you want to portray when using such colours in landscape pieces?

The vibrancy and saturation of my colour palette is meant to be dynamic and entirely optimistic! Nature gives me so much positive energy and I want the viewer to feel that too!

I don't even choose colours anymore; it's completely intuitive.

Who would you say are your artistic influences?

I have always loved abstract expressionism, and while my paintings aren't only abstract pattern and colour, they play in my subconscious while I am painting. David Hockney and Matisse are also forever favourites.

In your years of work do you find it hard to part with your artwork?

There are definitely some pieces that are hard to part with, but I also get a huge sense of joy and satisfaction when a collector falls in love with a piece and wants to live with it forever! That keeps me going!

What materials do you use to make it seem like stained glass? What challenges do you face when using those materials?

I use alcohol ink on synthetic paper for most of my paintings and recently started using alcohol ink on canvas that has been primed to make a more non-porous and slick surface. Alcohol-based pigments can be applied to smooth, non-porous surfaces such as glass, metal, and ceramic. When the medium mixed with alcohol touches the paper, it spreads out, and I contain it by using brushes to create walled pools of colour. I also manipulate the direction and drying of the ink with my breath through a paper straw. The translucence of the ink allows light to pass through and create a sense of depth and radiance.

You mentioned you switched your style of art recently and have used a different artist approach, what motivated you to do that?

I have always been comfortable painting small originals, at most 16 x 20. I love to delve into the smallest details and textures in the rocks and trees, and I was hesitant to paint larger pieces until an artist friend suggested it was time to try.

(He has since passed away, and I've dedicated my first large painting to him, called ‘Spring Run’. The artist is Christopher Polari, and his work is romantic fantasy. Early on, he encouraged me, and coming from him, I was inspired to work hard at my art. The dedication reads: Dedicated to the artist Christoper Polari. Thanks for the encouragement, my friend; you made a difference in my life, and I will pass it on. He was that kind of beautiful human, a true artist, leaving a legacy of incredible art and kindness behind.)

I love my painting process and crave the opportunity to paint for hours on end. Painting large will loosen my style, and I've been adapting my ideas and level of detail, moving more while I paint and taking necessary steps back to view my work, and I feel good about it.

What are some of the biggest challenges you face as an artist?

Finding balance and time for family, home, a full-time job, and art is challenging. I want everything to be perfect, and it takes time and energy for that to happen. I feel that my family and friends miss me in the process. I am grateful for my husband, who takes every step in stride.

When I speak one-on-one with people, I enjoy the interaction, but finding the time to attend events and promote myself is the most difficult for me. I'm grateful for friends and family who patiently help me along; they step in when I need them most.

Does art help you in other areas in your life?

It is a joy to paint, and I am inspired by the people I have met along the way. I have struggled at times to express myself and communicate, and art has made it possible to move past self-doubt and make connections. Now, I want to expand my experience and knowledge, and I make it a rule to say yes to every opportunity.

Twist Gallery 5/22/24 Twist Gallery 5/22/24

Beyond the walls of the hall: To the streets of downtown

Located in downtown Toronto's vibrant Queen Street West district, Twist Gallery serves as a cultural anchor in the Toronto's active art scene. Surrounding the city of creativity, you'll discover an array of captivating artworks waiting to be explored in all kinds of places.

Located in downtown Toronto's vibrant Queen Street West district, Twist Gallery serves as a cultural anchor in the Toronto's active art scene. Surrounding the city of creativity, you'll discover an array of captivating artworks waiting to be explored in all kinds of places.

Profound Art Around Twist Gallery [Queen Street]

Located in the heart of Queen Street West, Twist Gallery is a premier destination for art enthusiasts seeking to immerse themselves in the vibrant local art scene. Showcasing by talented local artists, great murals can be seen at every turn of the street.

Downtown Toronto

In the corner of Goose Island Beer Co., you can find Banksy's street art. Banksy is the elusive artist who made this appearance in Toronto, Ontario. The beer spot, Goose Island, has taken it upon themselves to properly preserve the artwork by putting a frame over the anonymous artist's work. Banksy has also made street art appearances in Ramallah, London, New York, and many more cities around the world. As we share a street, grab a beer come and visit us at the gallery while your here ~

The Half Decent is a renowned tattoo and mural artist in downtown Toronto. The artist himself can be found in Downtown Toronto. "Hubert" is the title of the Raccoon mammal wearing a cute little top hat. Hubert is a nervous animal but pay him a visit! You can find him at Queen and Augusta St. You can also find some of The Half Decent’s work hidden in other locations of Toronto.

The Half Decent. “Hubert”. *Street Art Utopia*. 2024.

Located in downtown Toronto at 200 Front Street West, Simcoe Park, stands the remarkable "Mountain" sculpture by Sir Anish Kapoor. This impressive artwork draws inspiration from the Canadian Rockies, showcasing Kapoor's talent and creativity. "Mountain" invites viewers to ponder nature's beauty within the bustling urban environment of downtown Toronto. Surrounded by the city's iconic skyline and situated in Simcoe Park, it offers a moment of reflection and appreciation for art in the heart of the city. As a significant landmark, "Mountain" enriches Toronto's cultural landscape and highlights Kapoor's mastery as a sculptor.

Kapoor, Anish. “Mountain”. *Anishkapoor.* 1995.

By local Canadian fan artist VANADE, renowned for their captivating Assassin's Creed based artwork. You can find their game inspired wall art in downtown Toronto. VANADE's dedication and skill exemplify the vibrant creativity within the Assassin's Creed community. You can find VANADE’s artwork at 7 Markham Street.

Corners of Queen Street

In every small corner of Queen Street, hidden treasures await discovery. While they may require some effort to find, they're worth the search! Don't overlook the captivating artwork tucked away in the most unexpected places. Queen Street West boasts a vibrant cultural scene filled with delightful surprises at every turn.

Come down and see what hidden gems you can find!

Twist Gallery 5/10/24 Twist Gallery 5/10/24

"SPRING PLAYLIST" OPENING RECEPTION:

What a wonderful night filled with great company admiring Stephen Lecker’s first solo exhibit “Spring Playlist”!. Most of Stephen’s paintings are named after songs or lyrics, which he showcases in the titles of his artwork. Stephens artwork is filled with beautiful bright colours, and created using different brush techniques making each art piece unique in its own way.

Opening reception was a huge success!

Stephen Lecker Posing beside “All Canadian Surf Club” art work.

Special guest performance by “Rose Pedal”

Special thanks to “Rose Pedal” for their phenomenal performance, where they perfectly encapsulated Stephen Lecker’s solo exhibit “Spring playlist”. The night was filled with great energy and lots of art lovers!

Special guest “Rose Pedal” performing at Twist Gallery

Stephen’s Inspiration

The Cosmic Autumn Rebellion 24x20 $425 (1).jpg

Stephen Pulls inspiration from his music into his artwork, creating beautifully bold abstract pieces. These pieces are filled with bright electric colours, creating an intriguing experience. “Stephen has always had an interest in art, although he did not start creating until well into his 40’s”. Stephen has been involved in quite a few showings, although this is his first solo experience.

Check out our upcoming events so that you’re always up-to-date!

Twist Gallery 4/20/24 Twist Gallery 4/20/24

Celebrating Women: Evolve Showrooms’ 3rd annual Fashion Show Event

Twist Gallery was thrilled to host Evolve Showroom for their 3rd annual fashion show!

Twist Gallery was thrilled to host Evolve Showroom for their 3rd annual fashion show! Evolve Showroom is a Toronto-based wholesale fashion agency that curates premium international women’s clothing. This event took place on April 11, 2024, at 6:00 pm, where the runway show was produced by Mode Elle, and hosted by TV personality Katrina Turnbull.

A Night of Glamour

A spectacular night with special guest speakers Fatima Hughes, Marissa Freed, Sheri Koffman, Stylush Concierge, and Amanda Aerin. This unforgettable fashion show was the perfect event to attend, where goodie bags were provided to guests! Who doesn't love free stuff?

Celebrity Guest Model

A lifelong entrepreneur, and model, Hanya Kizemchuk was in attendance, effortlessly promoting Evolve Showroom and modeling some of the eccentric pieces that Evolve has to offer. This is the perfect opportunity to get to meet with other fashion models and experts to possibly collaborate in future events.

Culinary Delights

Delectable delights were provided by Olive and Fig, where charcuterie boards made a great addition to the event. Olive and Fig provide charcuterie cups, Boards, and sandwich boards, perfect for hosting your next event! Olive and Fig are located at 65 Skyway Avenue, Toronto, Canada. Delivery is provided as well if needed. Olive and Fig catering is a great way to enjoy some snacks, and meet with others in the industry, all while experiencing the show.

Entertainment and Experiences

Evolve Showroom featured various vendors including complimentary live illustrations by Yaelly; complimentary tarot card readings by Insight with Jaci; and exclusive access to handmade bags from Greece by Mati Company. Yaelly’s live illustrations were the perfect addition to the event, where guests had the opportunity to get customized illustrations that they could take home, making it the perfect souvenir. It was a pleasure having these vendors showcase their work and services, for a memorable evening here at Twist Gallery!

Shop The Runway

Experience shopping the runway, where you can elevate your style by bringing the latest trends to your wardrobe! A perfect opportunity to enhance your current style by checking out unique outfits curated by Evolve Showroom. These pieces featured at the event are perfect for any occasion you might be looking forward to attending.

Networking Opportunity

Perfect networking opportunity with entrepreneurs, influencers, and fashion insiders. Get involved with industry experts while getting to experience brands featured from around the world including Australia, Canada, and the US, exclusively provided by Evolve Showroom which was featured at the event. This event was the perfect opportunity to get involved with the fashion community and get to see the featured clothing pieces up close in person.

Evolve Showroom’s Social Media

If you are thinking about elevating your wardrobe, check out Evolve Showrooms' social media and website to get up-to-date knowledge on the latest fashion pieces, and the next events they will be hosting. Exquisite pieces that you can incorporate into your wardrobe for a day-to-day look, or for your next special occasion, Evolve has the perfect looks for you! Get wardrobe inspiration by checking out their Instagram page, which is constantly being updated with the newest trends and fashion inspo. You can stay up-to-date at Evolveshowrooms on Instagram, and Evolveshowrooms.com on their website.

DLDA Dance

DLDA is a dance academy located in Pickering, ON, where they had an amazing opportunity to perform for Evolve Showroom’s event. There were two unique performances showcased, where they brought their energy! Their performance was a highlight of the night, creating a high-energy atmosphere.

Are you looking to book your next event? Check us out at Twist Gallery for an unforgettable experience!

Twist Gallery 4/17/24 Twist Gallery 4/17/24

Tying The Knot: Your Journey to Forever

The most memorable day of your life is coming up and you're ready to get planning. So are we, and that's why we’ve curated the ultimate wedding guide featuring floral combinations, cake inspiration and our favourite first dance songs.

Enchanting Floral Decorations:

Next step, all things florals: colour schemes, arrangements, flower types, there are endless options. Integrate your favourite flowers in your wedding decorations or table centrepieces, using colours that evoke emotions and represent your love story! Whether you're going for timeless, modern, groovy or bright, your florals will be a staple in the wedding decor. Include custom-made arrangements tailored to you and your significant other to bring your imagination to life!

Sweet Selections For Your Special Day:

Picking out different cake flavours and styles with your partner is one of the sweetest tasks on your to-do list. Cake tasting with your partner leading up to your special day can help you get a better understanding of the flavour combinations - considering they’ll all be so delicious, you’ll need some time to think about it!

The most common flavors include; Vanilla Buttercream, Red Velvet, Lemon, and Marble. Once you have your flavours, styling is up to you! Add personalized touches to your cake, like this couple, who included their pets as a cake topper! Using fresh flowers and different piping techniques can elevate the appearance of your cake and make it even more special.

Top First Dance Songs:

Your first dance and walking down the aisle are both the most important and personal moments for you and your spouse as it marks the beginning of your new life together! This means finding the perfect songs that you will remember for a lifetime. Many couples decide to use a song that represents their relationship, or one that reflects a special memory in their journey together. We have created a list of popular first dance songs that couples have used on their wedding day.

“Ladies and gentlemen, will you please stand…” If you’re a Taylor Swift fan, “Lover” is a trendy and romantic song to walk down the aisle to and meet your lover at the altar. Alternatively, follow in the footsteps of one of last year's most iconic brides Sophia Richie Grainge and walk down the aisle to Stephen Sanchez “Until I Found You”. For your first dance, “Say Yes to Heaven” is a beautiful choice to dance to after you have said yes to your bride/groom.

Here comes the bride! If your style is more traditional, you cannot get more classic than entering the ceremony to the “Bridal Chorus”. Other classic and stunning options include “Pachelbel Canon in D” or “Clair De Lune”. If you are going for a regal vibe, you can opt for a song used by royalty such as “Eternal Source of Light Divine” by Handle which was played at Prince Harry and Meghan, Duchess of Sussex’s Wedding.

For a little more unexpected options, “Video Games” by Lana Del Ray instrumental is a unique choice for brides looking to do something different. Alternatively, “Bridgerton” soundtrack has plenty of instrumental versions of your favorite modern day tracks.

For more ideas, see Twist Gallery’s full list of suggestions below:

WALKING DOWN THE AISLE

New/Trendy:

Lover - Taylor Swift

Until I Found You - Stephen Sanchez

My Love Mine All Mine - Mitski

Sweet Nothing - Taylor Swift

Home Edith Whiskers

Classic:

Pachelbel canon in d

Clair De Lune

The Bridal Chorus

“Eternal Source of Light Divine” by Handle

Beethoven’s 5 Secrets

Unexpected:

Video Games Instrumental by Lana Del Ray

A Bridgerton Instrumental of your favourite song

Wash - Bon Iver

Turning Page - Sleeping at Last

Je te laisserai des mots

FIRST DANCE SONG

New/Trendy:

Say Yes to Heaven - Lana Del Ray

Best Part - Daniel Ceasar

Daylight - Taylor Swift

All Your’n - Tyler Childers

Love of my Life - Harry Styles

Classic:

At Last - Etta James

Moon River - Audrey Heburn

Can’t Help Falling in Love with You Elvis Presley

La Vie en Rose Édith Piaf

Unexpected:

Crazy Love - Van Morrison

The Old Fashioned Way - Charles Aznavour

Hung The Moon - Drew Holcomb and the Neighbors

Apocalypse - Cigarettes After Sex

Iris - The GoGo Dolls

Whether you decide to use these or go with other options, we know your ceremony entrance and first dance will be the most special moment for you and your partner to experience together!

If there's anything that this wedding guide has shown you, it's that the options are endless. Most importantly, remember that wedding planning should be a fun experience to enjoy with your partner and whatever you choose, will be best for you!

Still need some inspo? Here's our wedding-filled pinterest page

Twist Gallery 4/6/24 Twist Gallery 4/6/24

Collide with Colour

Meet the Collide’s artists! Our April show is one until the 26th! Read up on what our artists have to say about their work and their process!

TAKE ME TO WONDERLAND:

Q: Since you consider your taste in art tools to be “unconventional”, can you elaborate on why you prefer to use those specific tools instead?

A: My use of paintbrushes is reserved for absolute necessity (small spaces, tight lines) as it can often make me feel disconnected from the canvas. My preferences are tools that lessen the gap between myself and the canvas - my hands, cloths, and sponges. I like to feel the texture of the piece as I'm creating, and my process lends itself to the use of pressure and tension more often than the delicacy that comes with brushwork.

Q: Many of your art pieces include eye-catching vibrant colours, is there a message or feeling that you hope to convey?

I think colour is incredibly emotional. Music is also incredibly emotional. Emotional attachment to music and colour can be personal or universal, and everyone can find something within both that moves them. Since most of my work is inspired by music, my use of vibrant colours is in the pursuit of representing the same emotional experience that exists in music, but visually for the viewer.

Q: What was your motivation or inspiration to start your art journey? Is there anything that you would change about it?

A: I was always a crafty kid. I grew up surrounded by artists but as I got older I felt the pressure to choose between visual and performing arts. When I decided to pursue the performing arts, my crafty inner child took the back seat and the kid that grew up making things with her hands day in and out felt unfulfilled as an adult where all my artistic pursuits hinged on how I was able to perform and not what I was able to create. It wasn't until a medical scare in 2015 that put a whole lot into perspective for me as a human, but also as an artist and I decided that I didn't have to choose one over the other, that I could do both. I finally began my journey back into the visual world that brought me so much joy as a child. I don't think I'd change a single thing about this detour - art came back into my life in full force at a time when I was truly able to appreciate it.

Q: You mentioned that your current art pieces for the Collide exhibit are a “visual mixed tape of song inspirations”, would you say that music influences all your art pieces in some way?

A: I think I make a conscious effort for it too. Every now and then I enjoy approaching a blank canvas with zero idea of where it will take me and following each individual impulse to an unknown end point. However, I much prefer an art practice that comes from a place of intention. As someone who is a visual AND performing artist - being able to represent both mediums in a single practice (the storytelling found in music, film, literature and the beauty of fine art) is incredibly special to me. Using a unique song as the inspiration and story for a piece or a series gives me the road map for my process, at every turn the song tells me what I need to know to get to the finish line. I like my work to tell a story, and almost always music is the best tool I can use to let it speak.

NATALIA ACKERS

Q: What was your motivation or inspiration to start your art journey? Is there anything that you would change about it?

A: After years of focusing on my legal career, I was starting to feel frustrated and burnt out and was looking for an outlet to help deal with the negative headspace. I picked up a canvas and some acrylic paints as part of a friendly painting challenge in 2016 and rediscovered the fun of making art that I hadn’t experienced since high school. I found that, in addition to long walks with my dogs, painting really helped me get out of a mental funk. Plus, being focused on colours, and textures, and just getting lost in the process, brings me joy and also inspires me to keep creating!

Q: You mentioned that you “strive to create a piece that evokes a positive interplay of emotions”, how do emotions play a role in your pieces?

A: Be it the colours, patterns, or just the overall feeling that the piece generates in viewers, I want them to feel calm, energized or just happy. My collectors generally gravitate to pieces that bring a positive vibe to their spaces.

Q: Do you think your own journey had a role in how you perceive art in the current moment? Would it have been different if you started your journey earlier?

A: Definitely. During my post-secondary studies, I was so focused on academics but now that I have gotten back into creating art myself, I have a greater appreciation for all types of art and see inspiration everywhere. I used to dismiss abstract art as something anyone could do, but after spending hours working on my own pieces, I have come to learn that was a very naïve assumption. I think the primary thing that would have changed if I started my journey earlier is the number of my own paintings I have hanging in my residence!

Q: How does your background in the legal field influence your work?

A: Painting provides an outlet for creativity that is not always present in my day-to-day work. While I am sure that there may be some impact that being a lawyer has on my art, I actually find that abstract painting is quite liberating whereas my work is a lawyer can be adversarial and regimented, and it is important for me to leave work at work. In other words, painting is my escape from the legal world

COLLEN TODD

Q: What was your motivation or inspiration to start your art journey? Is there anything that you would change about it?

A: I have always loved being creative, when I had my daughters it was a great excuse to have countless “art days”. However, at the beginning of 2022, I felt like something was missing in my life. I needed to do something just for me, to feel challenged, creative and inspired. As many of us did during the pandemic I found myself going down negative self-destructive “rabbit homes” on the internet. I needed an escape and to break away from this bad habit. While talking with a fellow artist friend I told her I would love to paint like you, she said “What’s stopping you?” That’s exactly when my painting journey started. It has given me so much enjoyment, escape, purpose, fulfillment, challenge and knowledge.

Q: You mentioned that you’ve been involved in some form of creative pursuit, do you have any other creative hobbies that you enjoy?

A: I’m always open to trying different creative activities. I enjoy gardening and have always had a love for photography. Interior design is a big passion for me too and at one point it almost became a career. Recently, I tried a hand knitting class and really enjoyed it.

Q: Since you specified that you continue to experiment with your painting styles, is there a specific style that aligns with you the most?

A: I’m most drawn to abstract expressionism where I can be spontaneous in my brush strokes and mark-making. Many of my paintings are textured and layered which comes naturally while painting but I also love working on transparent, flowy pieces that have an ethereal feel.

Q: In your artist statement you said that each of your paintings end up being a journey, is there a specific painting that you feel is your favorite to describe, or one that has a meaning behind it?

A: It is quite hard for me to pick a favourite and describe my paintings. Every painting ends up being a journey and I never know how I’ll get there or even when. What I love most about painting is there is no explanation. (I often don’t even have the right words to describe it) My paintings come from somewhere deep inside me, a creative force that needs to be let out. What I love about each one is that they are a part of me that I’ve been able to communicate without any words at all.

ANJUM MOTIWALA

Q: What was your motivation or inspiration to start your art journey? Is there anything that you would change about it?

A: I was initially creating art for myself and no one else. I simply loved to watch and respond as an idea for some object emerged in my imagination and evolved on canvas and other media. I am still inspired by what I experience around me, everyday, the colors, the textures & the visuals that escape a casual eye.

Q: In your artist statement you say that you work with layers of paint and that the meaning and mood of the artwork emerges organically, what would you say is the most challenging aspect of this process?

A: The hardest part of using layers of paint and letting the meaning and mood of the artwork develop naturally is finding the right balance between planning and letting things happen as they come. It’s like trying to control a wild dance while also letting it flow freely.

Q: As an internationally recognized artist, do you feel that these diverse experiences play a role in inspiring your work?

A: Absolutely, my travels & diverse experiences play a significant role in inspiring my work. Each experience brings unique perspectives that enrich my creative process and help me to create more nuanced and meaningful artwork.

Q: You mentioned that you have participated in over 100 international art fairs and exhibitions, if you had to pick one valuable piece of advice, would it be?

A: If I had to distill it down to one after my years participating in over 100 international art fairs and exhibitions, it would be to stay true to your artistic vision and authenticity. Maintaining your unique voice and perspective will not only set you apart but also resonate deeply with audiences who connect with your genuine expression.

ALINA SUKACH

Q: What was your motivation or inspiration to start your art journey? Is there anything that you would change about it?

A: I felt like I was always missing something, I had a need that I could not fully understand. I also had a lot of changes in my life, for better or worse, my perspective was changing and I felt the need to document it. After a long solo trip where I spent a lot of time by myself, I realized with my on and off efforts in art, I never did what I truly wanted - full expression with colours, not constricted by any rules. I’m just thankful I cracked that code for myself and I think everything happened at the right time, I would not change a thing.

Q: What is something specific that you learned through different properties of colour and methods that you can elaborate on?

A: I find a lot of parallels between music and colors. I find it amazing how you can create whole harmony of colours and bring a certain mood with their relations.

Sometimes when the elements on the painting seem too predictable, I find myself thinking “It needs some jazz”.

Q: You mentioned that your inspiration sometimes comes from falling into daydreams. Tell us more about this inspiration and how it reflects in your work?

A: I always seek new experiences and new information daily, whether it’s something major or something rather small, like going into the area of a city I have not been to before, or having a deep conversation with someone I have not known well before, experiencing new tastes or smells or researching for hours for a new topic of interest.

For a while I keep thinking over the experience, and sometimes I want to leave a memory of it, like a journal entry. I believe that there is a mood, a character and a type of a dynamic for each experience, sometimes it’s easier when the experience is visual - then you get a whole palette too!

Q: Since there is a lot of emotion and thought within your pieces, is there anything specific that you do before you start so that you can get in the right mindset?

A: I try to organize my space to make sure what is needed for my painting is within my reach. It helps me to fully concentrate on the process. I usually try to paint when rested and with a clear mind, this way every decision I make during the session is well thought through. It helps with transcription of my impressions and memories into shapes and colours.

CAROLINE CHORAZY

Q: What was your motivation or inspiration to start your art journey? Is there anything that you would change about it?

A: I love to create. I’ve always loved to create. But I was always hesitant to share my creations with others. I didn’t think others would like my artistic expression. It wasn’t until covid forced everyone into isolation that I started posting my art publicly to Instagram. So to answer this question, I was inspired to start my art journey more vigorously during a difficult time in my life, but it really started long before that and if I could change one thing it would be my initial hesitation.

Q: We love the colours in your work! What elements inspire this color palette?

A: My biggest inspiration is nature. More specifically fragments or elements you might find in the natural world. A ripple or reflection in the water, a sandbar, mineral deposits, different types of vegetation and flora. As such my colour palette reflects these compositions and contrasting ideas found in the world around us. Calming ocean blues or warm earthy tones highlighted with subtle gold hints to add dimension and movement.

Q: In your artist statement you said that observing details that might go unnoticed helps influence your pieces, what are some observations that you’ve made in the past?

A: Similar to my colour palette, I like to narrow in on tiny fragments of a much bigger idea. I love to play with textures and contrast. As such, I might focus in on a particular detail of the greater landscape. Perhaps the smooth and rough surfaces of an outcrop or the meeting of the ocean with the sandy shoreline and the turbulence that might cause. I imagine magnifying my camera lens until my inspiration is broken down into its individual elements. Often times this process evokes certain emotions and I find myself painting to a particular song on repeat which helps in the making and naming of my pieces afterward.

Q: You said that “Nature has the ability to destroy, transform, restore, and rebuild”, how do you think this mindset shapes your creative process and mindset?

A: I find that my creative process is very intuitive. I often focus on a feeling or emotion. I am very much about overcoming adversity and growing from the knowledge and wisdom you gain as a result. A lot of what we find around us has endured for millions of years, and to do so has adapted in inspiring ways. I try to work that into my creations. Whether it’s the physical changes that occur as a result of hardship or roadblocks, or the emotional transformation and growth we gain from our experiences. This is reflected in things all around us like a river finding its path around a boulder, or a tree sprouting roots in harsh terrain. Intuitively I try and capture these moments in time, whether that’s the initial frustration or fear of a new experience or the resolution that comes with more time and understanding.

KRISTEN STEPHEN

Q: What was your motivation or inspiration to start your art journey? Is there anything that you would change about it?

A: My motivation and inspiration to embark on my art journey stem from a deeply ingrained passion for creativity and self-expression. Since childhood, I have been captivated by the power of art to communicate emotions. Whether it was doodling in the margins of notebooks or experimenting with various mediums, art has always been a constant source of joy and fulfillment in my life. I am continually inspired by the world around me – the beauty of nature and the complexity of human emotions.

Reflecting on my journey thus far, there is little I would change about it. Every experience, whether it be successes or challenges, has contributed to my growth and evolution as an artist. Each brushstroke and each experiment with colour has shaped my artistic voice and perspective.

Overall, my art journey is a testament to my unwavering dedication to self-discovery, growth, and the pursuit of beauty and meaning through creativity. I am grateful for the opportunity to channel my passion into my art and to share it with others, and I look forward to the continued evolution of my artistic practice in the years to come.

Q: What was your creative process when creating your artwork?

A: My creative process is a deeply intuitive journey that begins long before I touch brush to canvas. It often starts with a spark of inspiration—an image, a feeling, or a fleeting moment of connection with the world around me. This initial spark serves as the catalyst for my creative exploration, igniting a cascade of ideas and emotions that I seek to capture and distill into my artwork.

The process of dyeing my canvas with India Inks marks the first tangible step in bringing my vision to life. This act of dyeing is not merely about applying color to a surface; it is a deliberate and intentional act of imbuing the canvas with energy and atmosphere. Each brushstroke becomes a vessel for emotion, as I allow the ink to flow and meld with the fabric, creating organic patterns and textures that serve as the foundation for my painting.

Once the canvas is dyed and stretched onto the stretcher, I enter into a state of deep immersion and flow as I begin to paint.

Q: In your biography you pointed out that your interest in the arts comes from working in your mother’s gallery. Can you elaborate on this and list a few things that you learned during that time?

A: Working in my mother's gallery was a formative experience that deeply influenced my appreciation for the arts and laid the foundation for my artistic journey. From a young age (14!), I was immersed in a vibrant and dynamic environment where creativity flourished and artistic expression was celebrated. One of the most significant lessons I learned during my time in the gallery was the importance of art as a cultural cornerstone. My experience in the gallery exposed me to a diverse array of artistic mediums and techniques. From traditional oil painting to experimental mixed media, I had the opportunity to explore and appreciate the endless possibilities inherent in artistic expression. This exposure not only broadened my artistic horizons but also instilled in me a sense of curiosity and experimentation that continues to shape my creative practice to this day.Overall, my time in my mother's gallery was a transformative period of growth and discovery. It cultivated within me a deep-seated passion for the arts and equipped me with the knowledge and skills necessary to pursue a career in the arts with confidence and conviction.

Q: What colors are you drawn to the most?

A: Blues. I love all of the blues, especially galactic and prussian.

SOPHIA YEH-CHAU

Q: What was your motivation or inspiration to start your art journey? Is there anything that you would change about it?

A: My art journey started the summer I turned ten. My friend had a watercolour set and with that, my small world changed. I quickly discovered that I had a whole new way of travelling and discovering at my hands, a new dimension of which I could pour every ounce of my presence onto.

I parked my creative journey for a decade while raising my family, in hindsight I think I should have carved out time and space for myself to continue the practice.

Q: In your artist statement you say, “I depicted landscapes within Ontario where the natural elements drastically changed”, what elements do you connect with the most?

A: Weather for sure, the sudden change in weather brings an element of vulnerability that I find so intriguing. It’s a humble feeling of insignificance while surrounded by a grand scale of a system.

Q: Do you feel that your schooling and time in Sweden has helped your perspective on art?

A: My schooling in Sweden was very liberal. Where individualism is highly nurtured, my formal training in fine arts and sculpture was very much a push to discover through form and colour. It has without a doubt shaped me as the artist I am today.

Q: While exploring elements and senses such as sounds, smells, and visuals, what sense do you think helps you the most during this process?

A: The visuals help me locate the scene while the sounds and sometimes the smell will bring that memory to life, this is often reflected in the colours and brushstrokes of the piece.

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Toronto’s Unconventional Wedding Venues

There are lots of unique wedding venues in Toronto, and if you are interested in planning an unconventional wedding, this guide can help you select a truly unique event space. The city of Toronto is blessed with several cool venues, and if you want your wedding to stand out, you can consider any of the following:

Twist Gallery

This is a unique event space located in downtown Toronto, and this wedding venue features skylights, French Arch windows overlooking Toronto’s streets and long wooden beams that accentuate the high ceilings.

This modern art gallery is unique, beautiful and unconventional and is the perfect space in which couples can celebrate their wedding. You can invite 250 guests if you want a standing reception or 140 guests if you want your guests to be seated.

The Burroughes

Located on Queen Street West, this newly renovated building (that used to be a department store in 1907) is home to galleries, exhibitions and social events. Couples will enjoy great lighting, exposed bricks, great textures and vintage elevators, along with an incredible view from the rooftop terrace.

The Gladstone Hotel

If you are planning a small and intimate wedding, this hotel is a great choice. Its wooden floors and exposed-brick appearance make for an urban theme, and the building has two floors of restored space you can use for your wedding. Their in-house catering is delicious, and you can choose to stay at the hotel after your wedding.

The Tower Room is especially beautiful and is the perfect place for bridal portraits.

The Market Kitchen

If you want a truly unique and unconventional event space, the Market Kitchen, located in the landmark St. Lawrence Market is the perfect venue. This is a very cool space for foodies because there is a full professional kitchen that can be used to prepare your wedding dinner.

This space is ideal for small weddings as it can accommodate up to 70 guests.

Palais Royale

This unique venue offers history, Art Deco elegance, originality and a beautiful view of Lake Ontario. This building once served as a jazz and dance club and has recently undergone extensive renovations and now serves as a wedding venue. If you get married during the summer, you can use the patio to perform your wedding ceremony and host your cocktail hour.

Couples will also enjoy stunning photography results and delicious in-house catering.

Hart House

This beautiful venue is located on the historic grounds of the University of Toronto and St. George campus. You will enjoy a combination of stunning architecture, gorgeous photo locations and a modern culinary experience. Food is presented beautifully, and the Great Hall can accommodate up to 250 sitting guests.

The Oakham House

Located in the heart of Toronto within Ryerson University grounds, this venue is available for rental only from June to August and is considered a hidden gem. This is an intimate and well-maintained venue that was recently renovated and is a beautiful space for smaller weddings. Couples will enjoy wooden beams, exposed bricks, interesting lighting and a warm and relaxed ambiance.

The Granite Brewery

This family-owned and operated brewery features a warm atmosphere and the characteristic appearance of a traditional pub. This event space can accommodate up to 120 guests and offers delicious food and beer that is brewed on-site.

Black Creek Pioneer Village

If this name sounds familiar, it’s likely because you attended a school trip to this location when you were a student. This space consists of a collection of old pioneer buildings located on beautiful grounds just north of Toronto and is an unconventional wedding venue you and your guests will really enjoy because it is an immersive experience and will work well as a backdrop for any rustic wedding.

You can choose from four different reception venues and ceremony locations, and the Town Hall is considered a favourite, as is the Grand Pavilion, which offers an outdoor sheltered space for up to 180 guests.

The Berkeley Field House

Tall ceilings, beautiful character and wall-to-wall French doors are just some of the features you will enjoy. Couples and guests will enjoy the airy feeling of this venue and lots of natural light. There’s also a very cool bridal suite made into a tree house, and hip couples who want a small and unique venue will love this space.

Campbell House

This heritage building is located at the corner of Queen and University, right across from Osgoode Hall. This space is great for smaller weddings as it can accommodate up to 80 people with catering service.

Sunnyside Pavilion

This is a spectacular space for summer weddings because it offers an outdoor vibe and a great view of Lake Ontario. There is some protection from weather elements and a small courtyard with access to the beach and landmark architecture all around.

St. Lawrence Hall

This wedding venue features grand architecture and historic style. There are two main rooms and a series of lounges which are perfect for cocktail hour, and a main great hall. You can choose to bring your own catering and even stock your own bar, and because this venue is owned by the City of Toronto, rental fees are very reasonable.

The Algonquin Island Association Clubhouse

Are you interested in a rustic, backyard wedding with the beautiful skyline of Toronto as a backdrop for your outdoor wedding ceremony? This venue is perfect and is located on Toronto Ward Island. You can experience a magical day with a relaxing cottage vibe right here in the city. Planning a wedding here can be a little challenging, but it is worth it if you want the ultimate unconventional option. Your wedding will be remembered by everyone, and you can even choose to spend a few days relaxing after the wedding because of the many Airbnb options available on the island.

The Royal Canadian Yacht Club

This option is also located on Toronto Island and is a very elegant and sophisticated space with stunning grounds and a beautiful view from the clubhouse.

The Eglinton Grand

This is considered one of the most elegant and unique wedding venues in Toronto and is a big space that can accommodate up to 450 guests for a sit-down dinner. You will get to display your names on the theatre marquee, and the cocktails will be served on the mezzanine floor, where your guests will be treated to a grand reveal of the wedding couple’s first dance, who will be dancing below on the main floor.

The Salon – Toronto Reference Library

If you’re a bookworm, this venue will be a dream come true. This is an original and contemporary event space located on the second floor of the Toronto Reference Library and you are able to roam free and take pictures anywhere in the library.

Steam Whistle Brewing

If you want a wedding venue located inside a real craft brewery, this is the perfect venue. You and your guests will enjoy their tasty lager along with 30-ft floor-to-ceiling windows, a great audio system, lots of textures and an amazing setting right in the very heart of Toronto.

Let Us Make Your Big Day Perfect!

If you are searching for a unique wedding venue in Toronto, look no further and contact our team here at Twist Gallery Inc. Our event space will ensure you get the wedding of your dreams, and we will help bring your vision to life. We make the rental process easy and listen to our clients to help make their big day extra special. We want your wedding reception to be memorable and fun, and our wedding venue will provide you with everything you need.

Couples in Toronto can rely on our space to host the perfect event, and we are always available to answer questions and help plan your big day. We know that more and more couples are looking for a unique space with character and beauty, and Twist Gallery can be a great fit for your next event. Traditional wedding venues may not be able to provide you with everything you need, but our venue will allow you to customize the space to your liking, and you can add your own personal touches to make your wedding day extra special.

Searching for the perfect venue is time-consuming and challenging, but this does not have to be the case because Twist Gallery Inc. will allow you to throw the party you’ve always wanted. We are one of the best venues in Toronto and will help you celebrate love with your family and friends.

The perfect venue will set the tone for your big day, and our unique setting will make for an unforgettable celebration.

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Most Unique Wedding Venues Toronto

This guide has everything you need in regard to the best event spaces in this city, and if you want your wedding to be beautiful, memorable and unique, you can consider any of the following venues:

Couple holding hands in unique wedding venue

Toronto is a beautiful city, and couples will have a lot of options when getting married. There are tons of wonderful venues you can consider, and finding the perfect event space for your special day will not be a problem because of the many options that are available. You will find a venue that speaks to you and your vision, and if you are ready to start planning your wedding reception, you will need a list of the most unique wedding venues in Toronto.

This guide has everything you need in regard to the best event spaces in this city, and if you want your wedding to be beautiful, memorable and unique, you can consider any of the following venues:

1. Twist Gallery

This is a truly unique event space located in downtown Toronto and features skylights, French arch windows overlooking the city streets and beautiful wooden beams that accentuate the high ceilings. This modern art gallery setting is the perfect place to celebrate a wedding and can accommodate up to 140 seated guests.

2. One King West Hotel

Located in downtown Toronto, this unique hotel offers the best of everything, including top-quality food. You will get to choose where in the hotel you’d like to host your wedding reception and can select a huge banquet hall if you will be hosting a lot of guests, or, you can choose from one of the smaller rooms if you prefer a more intimate wedding.

One thing is for sure; couples and guests will love the many beautiful photography backdrops and will enjoy stunning results. This former Dominion Bank building contains many rooms, including the Grand Banking Hall, which can accommodate up to 500 guests. It boasts 45 ft. ceilings and the longest bar in Canada with a 100 ft. counter.

The Vault is another unique room you can consider and this is one of the most famous photography locations in the city. It is a smaller room ideal for intimate weddings with 80 guests or less. You can consider the Austin Gallery which is a 2000 sq. foot two-story room. Your friends and family can watch you walk down the aisle from the large balcony or sit in the main space that can accommodate up to 100 seated guests.

3. Liberty Grand

If you are looking for luxury, this venue is ideal because you will enjoy gorgeous banquet halls and a beautiful courtyard. This Beaux-Arts building will ensure your wedding is a memorable one, and you can choose any of the three luxurious banquet halls for your event:

Governor’s Room. This is the largest hall and boasts high ceilings, French doors and a massive oak staircase. This ballroom can accommodate up to 1500 people and is perfect if you want a big wedding with lots of guests.
Centennial Room and Renaissance Room. These two banquet halls are the mirror image of each other and can accommodate up to 300 people in a banquet style setting. You will enjoy massive, arched windows that provide couples and guests with a view of Lake Ontario. Each of these rooms has its own foyer in which you can host your cocktail hour.
The Artifacts Room. This room will provide you with unmatched sound and lighting and offers lots of open space, which means you can design the room to your liking.
The Courtyard. If you want to have an outdoor wedding ceremony, this triangular courtyard is the perfect setting and can accommodate up to 400 people.

4. Berkeley Church

This former church has been converted into an exceptional event space and features a grand ballroom adorned with fireplaces, a Victorian-inspired bar, a wine cellar and a private courtyard. The Grand Ballroom can accommodate 330 seated guests, and the string lights hanging over the ballroom create a warm and inviting atmosphere. The two fireplaces and beautiful Victorian-inspired bar make for a lavish wedding ceremony.

The Mezzanine is located on the second floor and offers couples and guests trendy elegance. It is perfect for more intimate weddings and for hosting your cocktail hour. Its 17-foot stained glass windows create a perfect backdrop for both your ceremony and photography.

Finally, you can take advantage of the intimate courtyard, which offers 1200 square feet of garden space. You can use this for your pictures or for your cocktail hour.

5. Evergreen Brick Works

This is one of the most popular and unique wedding venues in all of Toronto and can be the perfect setting for your special day. This venue will provide you with everything you need including greenery, a pond, brick kilns, heritage buildings, winding pathways and even graffiti walls. You will be able to take unique pictures, and your guests will be very impressed with this remarkable venue located near downtown Toronto.

Couples who are eco-conscious and dedicated to sustainability will love this green venue.

6. Storys Building

Sophisticated brides and grooms will love this multi-floor building. This venue is full of character and delicious food, and you and your guests will receive excellent service. Located in the heart of Toronto, this unique venue features exposed ductwork, wooden beams and brick walls. The string lights and chandeliers will set the mood for both your ceremony and reception, and because the space is divided into multiple floors, you can easily host different parts of your day.

Most couples tie the knot on the second floor, and the third floor is reserved for the cocktail hour. Guests will enjoy hors d’oeuvres and drinks on the third floor while the staff prepares the second floor for dinner. Once everyone is done with their dinner, your guests will head up to the third floor to dance the night away.

This event space is one of the most unique wedding venues in Toronto and books up fast. If you are interested in this super trendy historical building, it is recommended that you secure your date early!

7. King Edward Hotel

In addition to spectacular backdrops for your wedding photos, you will also enjoy beautiful rooms, excellent food and exceptional service. This hotel exudes luxury, and couples will feel like royalty when they get married in this venue.

The Crystal Ballroom is considered a dream venue by many because of its floor-to-ceiling windows that allow guests to admire the downtown area from the 17th floor of this building. This space can accommodate up to 280 guests, and its massive chandeliers adorned with crystals will wow your guests. You can also consider the Vanity Fair Ballroom located on the second level and this space can also accommodate up to 280 guests. It features an arched dome and two large crystal chandeliers, along with a large dancefloor.

If you want a smaller wedding, you can choose The Sovereign Ballroom, which can accommodate up to 190 guests. Couples and guests will fall in love with this room’s Edwardian architecture and bright and dreamy appearance, thanks to its high ceilings and massive floor-to-ceiling windows.

8. Chateau Le Parc

Located north of Toronto, this venue is both new and modern and is ideal for couples who want a unique experience. It features two halls, a courtyard and beautiful lighting fixtures along with two futuristic lighting fixtures.

The two halls boast state-of-the-art sound and lighting systems along with screens that project live video from your wedding, mist equipment and even dry ice. Both halls can accommodate between 250 and 300 guests.

If you’ve always wanted an outdoor wedding, the covered courtyard is a gorgeous space that can accommodate 200 guests. Its canopy will allow you and your guests to have a great time and will protect you from the weather.

One of the most appreciated features of this venue is the ample parking space that is available. Both indoor and outdoor parking is available, and guests will not struggle in this regard.

9. Casa Loma

This is considered one of the most desirable wedding photography locations in all of Toronto because of its beautiful garden, hidden tunnels and stunning architecture. If you’ve always wanted to get married in a castle, this is the perfect venue.

10. Kortright Centre for Conservation

Does getting married in a forest sound enticing? This unique venue will provide you with a rustic feel, and you will be able to have a dreamy outdoor ceremony after which you can dance under the stars. Your guests can walk along beautiful forest pathways and possibly even go horseback riding.

11. Toronto Botanical Garden

This breathtaking location offers 17 award-winning gardens. You can plan a very romantic wedding and will enjoy a large parking lot along with other features you and your guests will enjoy.

Let Us Host Your Big Day!

Are you searching through different wedding venues in Toronto? Twist Gallery Inc is the perfect event space, and we can discuss your vision in regards to your wedding reception. We are one of the best wedding venues in Toronto, and you can contact us at any time to learn more about our space and our services!

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Event Rentals You Should Use For Your Wedding

Have you started planning your wedding yet but are still looking for the perfect event space rental in Toronto? Whether you want an indoor or outdoor venue, there are some essential event rentals you should consider to make your big day truly memorable. You would want a venue that not only reflects your vision but also allows you to create memories with your loved ones that are to last forever. Here are a few top options to help you narrow down your search. Twist Gallery consistently maintains its standards in ensuring that aspect for your wedding party and guests. This unique art gallery doubles as a breathtaking event venue, boasting 12,000 square feet of open-concept space perfect for weddings and other celebrations.

The industrial design incorporates exposed brick, steel beams, and concrete floors for a hip, industrial aesthetic. Tall windows fill the space with natural light during the day. By night, matrix lighting illuminates the loft to create a moody ambiance. Contemporary art installations adorn the walls, giving your wedding a one-of-a-kind artistic flair.

With the option to host your ceremony and reception all under one roof, Twist Gallery provides everything you need for a seamless wedding day experience. Their catering partners can provide gourmet meals for up to 300 guests. An on-site events team handles setup, breakdown, and coordination to take the stress out of planning.

As one of Toronto's premier event space rentals, Twist Gallery books up quickly. Be sure to check availability early if interested. Their prime downtown location also provides easy transportation and convenient accommodation options. Twist Gallery is a top choice for discerning brides and grooms looking to host their dream wedding in a creative space.

Outdoor Event Space Rentals

Do you want the romantic feel of an outdoor wedding but a covered backup plan? Consider renting both indoor and outdoor space. Several event venues in Toronto offer beautiful outdoor areas that can be rented separately from their ballrooms or event halls.

Just north of the city, Cliffside Gardens boasts 13 acres of breathtaking gardens, patios, and grassy lawns overlooking Lake Ontario. The on-site glass conservatory is ideal for your ceremony before moving outside. Further west, Black Creek Pioneer Village provides a picturesque backdrop of historic buildings and rolling meadows. Closer to downtown, Harbourfront Centre features scenic waterfront lawns and event tents along the shores of Lake Ontario.

These combined indoor/outdoor rentals allow you to host your entire wedding under one venue contract. Should inclement weather threaten to move preparations inside, your plan B is already covered. The scenic outdoor areas also make for stunning photo backdrops. Combined packages are often competitively priced compared to separate space rentals as well.

Unique Event Space Rentals

Consider alternative venues like functioning restaurants, breweries, or art galleries for couples seeking truly one-of-a-kind event rentals in Toronto. Distillery historic district hotspot Paintbox Bistro offers their 10,000 sqft industrial loft space to accommodate weddings and parties after usual dinner hours. Queen West art gallery Artscape Youngplace can host weddings in their 24,000 sqft converted factory building.

Over in the Beaches neighbourhood, Halliburton Brewing Company provides their event space, outdoor patios and taproom as a unique brewery wedding package. Across town, farmers market event venue Evergreen Brick Works offers covered pergolas, gardens and heritage buildings nestled in a scenic ravine setting. These non-traditional venues give you instant visual interest and the cool factor of holding your celebration somewhere unexpected.

Event Rentals for Smaller Weddings

For couples wanting a more intimate affair, consider smaller event rentals in Toronto that are perfectly sized for 50 guests or less. Distillery gem Drake Devonshire Inn extends its elegant boutique hotel space, gardens and outdoor patios for elopements and micro weddings. Downtown cafe and creative space Holy Oak offers a cozy private event room above their cafe, ideal for more intimate gatherings.

North of the city in the York Region, quaint winery event spaces like Ravine Vineyard Estate and Westway Greenhedge Estate Winery are perfect for smaller wine country weddings and weekday elopements. With exclusive use of their on-site facilities and accommodation packages, these petite event rentals offer all the wedding bells and whistles with fewer guests. Costs per person are often lower for a more affordable celebration.

An Artful Oasis Awaits - Book Twist Gallery for Your Upcoming Wedding

Planning the perfect wedding is a challenging task to take on by yourself, as there are countless decisions to make that will shape your special day. From choosing a venue to selecting vendors, it's easy to get overwhelmed by all the options. However, focusing your search on versatile event spaces like Twist Gallery can help streamline your planning process.

As a one-stop-shop event space rental in downtown Toronto, Twist Gallery takes much of the stress out of wedding coordination. Their all-inclusive services and onsite event staff ensure your vision comes to life seamlessly from start to finish. Whether you imagine an artistic indoor gallery reception or freestanding outdoor tents adding ambiance, Twist Gallery's flexible spaces support a variety of wedding styles. Rather than juggling multiple vendors at different locations, working directly with Twist Gallery's experienced planners allows effortless execution of even the most intricate wedding plans. From their curated catering partnerships to setup/breakdown inclusions, minimal additional logistics are required on your end. This leaves more time to focus on cherished moments with your loved ones. The gallery's prime central location near plentiful hotel options further streamlines the guest experience. Out-of-towners can easily navigate the venue without transportation worries, which commuters also have quick access to.

Ultimately, venues like Twist Gallery offer a peace of mind to the bride and groom as they ensure that your vision is reflected on the wedding day. Their talented teams massively minimize planning legwork so you can relax and enjoy the reward of your meticulous preparations. For couples seeking stellar service and stress-free success, Twist Gallery sets the bar as Toronto's premier all-in-one event space rental destination.

Contact Twist Gallery today for all your wedding inquiries.

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Benefits of Booking for Your Event in Advance

One of the most important decisions when planning any type of event in Toronto is securing the right venue. Whether you are organizing a corporate function, wedding reception, birthday party or any other gathering, finding the perfect event space is critical. However, one aspect many event planners overlook is booking their venue too close to their event date. Leaving the venue search and booking until the last minute can result in missed opportunities and added stress. Here are some of the top benefits of booking your event space in Toronto well in advance.

More excellent Venue Selection and Options

Toronto is a vibrant and famous city that hosts all types of events. As a result, desirable event venues often book up quickly, especially during peak seasons like summer and holidays. The farther in advance you book, the more options you will have available to choose from. Popular event spaces like unique wedding venues, art galleries in Toronto, and other coveted sites may already be unavailable if you wait too long. Booking 9-12 months before your event date is standard for wedding receptions and larger gatherings to ensure you secure one of your preferred venue options.

Better Pricing and Package Deals

Venues understandably charge higher rates for bookings closer to the event date. This is to account for less planning time as well as higher demand during busy seasons. However, when you book far in advance, venues often offer better pricing, package deals and incentives to secure your business early on. You may get discounts on food and beverage minimums, waived facility fees or complimentary extras like upgraded amenities. This can result in significant overall cost savings versus booking at the last minute when rates will be highest.

Guarantee Key Request Can Be Met

By planning well ahead, you give your venue time to work with your event requirements and requests. Things like special accommodations, catering preferences, A/V equipment, decor needs and more have a greater chance of being fulfilled. Venues booked far out also tend to be more flexible if slight changes are needed later on as the date approaches. However, last-minute bookings often mean your "wish list" items may not be possible due to a lack of preparation time. Essential things like unique wedding venue Toronto characteristics may not be replicable elsewhere.

Avoid Disappointment and Stress

The farther you book, the lower the risks of something potentially going wrong. Unexpected venue issues, changes of dates and last-minute cancellations are less of a concern when you provide ample advance notice. You also avoid the stress and disappointment of your top venue choices being fully booked when you begin searching. Pre-booking further ahead ensures you have plenty of time for proper venue preparations and can relax as your event date approaches. Last-minute booking scrambles are never fun and can negatively impact your planning process.

Maximize Marketing Potential

Maximizing promotion is essential if you host an event for business purposes like a gala, launch party or conference. By securing your venue far in advance, you'll have more lead time to announce event details, including location, to guests, suppliers, sponsors and other stakeholders. This improves potential attendance rates as invited parties have ample notice to save the date. Last-minute bookings provide little opportunity for effective marketing outreach. Leverage early booking by announcing your secured event space to promote attendance.

Smooth Site Visits and Floor Plans

Taking full advantage of site visits and discussing floor plans with your venue coordinator is vital for event planning. A long booking window provides opportunities to familiarize yourself with the facility, discuss layouts and work through logistical details. This allows tweaks and changes to be made well before the event date to ensure a seamless execution. Site visits are difficult to schedule at the last minute. Early booking provides the critical time needed to get to know your venue, lay the groundwork, and prepare floor plans.

Book Your Event Today at Twist Gallery

At Twist Gallery, we understand the importance of booking your event venue far in advance. As a premier event venue located in the heart of Toronto, we offer a unique space perfect for weddings, corporate functions, and other special occasions. Our gallery space can accommodate groups of up to 150 guests. With ample advance notice, our experienced event coordinators work closely with clients to customize floor plans, catering menus, and other details to ensure each event is beautifully executed. For those looking to host their next big event in Toronto without any stress, booking early with Twist Gallery guarantees you'll get the best available date while enjoying our dedicated planning services. Make sure not to leave your venue search to the last minute.

Contact Twist Gallery today to secure your preferred date and start enjoying the effortless event planning process.

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Twist gallery’s 2024 Open House

Twist Gallery and Event Space hosted our second annual Open House with Gusto 54 and EventSource on February 24th. The event was an astounding success with 400 registered attendees of bride and grooms to be. Couples were able to tour our inviting venue, adorned with unique art from local Toronto artists and enjoy the offering from our vendors. Each vendor added to the ambiance of this event, and helped inspire our guests for their future nuptials.

Twist gallery’s 2024 Open House

Any Twist event would not be complete without a food selection from our exclusive caterers, Gusto 54. Gusto54 provided guests with a stunning and delicious “Harvest Station” made up of charcuterie, artisanal cheeses and fresh vegetables. The Harvest Station could be paired with a mimosa from the mimosa station with Strawberry watermelon and orange juice flavors, which guests enjoyed while exploring the vendors. For dessert, a selection of handmade chocolates by Aline Nasseh that were almost too beautiful to eat.

The ambience was set in the Gallery by the music. Ellen Daly, the Violinist and DJ Floh Back cultivated a pleasant atmosphere with their music that all could enjoy. Ellen has been a professional violinist for over fifteen years, having performed at numerous weddings, high-end events, and special occasions.

Bloomberry & Co helped future brides and grooms envision what their ceremony could look like with their breathtaking floral arrangements. The peach toned florals cultivated a romantic vibe in the gallery and turned the loft space into an oasis in the middle of the city.

An essential part of any wedding or event is a skilled photographer to capture the moment so that you may hold onto those memories forever. Diego Moura did a superb job of photographing our Open House.

Especially in an Art Gallery space, we value artistic expression. What better way to create keepsakes and memories than having a caricature artist? Art Smart Caricature Designs was a fun experience for all guests.

Everyone loves a Photo Booth. PhotoBooth TO’s photo station and guest audiobook was the perfect addition to the open house, and would be sure to be a hit at upcoming weddings.

Also in attendance was Martin Firth, a licensed secular wedding officiant, Ceremonies with Choice is a wonderful option for guests who want to customize their ceremony to reflect their relationship and have a memorable experience.

Vivid and Vogue collaborated with Make Lemonade Flowers to create three gorgeous tablescapes with bright and vibrant colours to showcase to our engaged couples some inspiration that fits their vision of their wedding. You cannot go wrong with any of these beautiful options.

If you are looking for a stellar wedding planner to make your dream wedding day come to life with ease, look no further than Devoted to You. Whether your wedding is at Twist or internationally, Carmen will make your vision a reality. Read her blog for further insight into our Open House Event.

A special thank you to all of our vendors, this remarkable event would not be possible without all of you. Reach out to our vendors for your upcoming wedding and make the wedding of your dreams come true. We loved hosting this event and bringing our community together to celebrate love.

Twist Gallery 3/7/24 Twist Gallery 3/7/24

Empowering Women Through Art: Celebrating Female Artists on International Women's Day

This International Women's Day, let’s take the time to reflect and celebrate some of these inspiring female artists around the world!

Sara Purves

Photo Credit: https://sarapurves.com/pages/about-sara

Sara re-started her painting journey at the age of 47 and within three years she had turned into a full-time artist, showing everyone that women can achieve anything, regardless of when they start! From a graphic designer to a painter, Sara Purves, a Toronto based artist has created quite a few masterpieces describing her love for art. Sara’s art gives us a glimpse into her art journey, exhibiting her youthful and contemporary abstract paintings. One of Sara’s main inspirations and goals is to have her colourful art uplift individuals, while making an everlasting impact within the society. As she describes herself: “I need the beautiful colours, the textures and the satisfaction of creating something out of nothing”. With warmth and happiness beaming from her artwork, people often find that Sara’s work makes them feel good, and we agree!

Wanda Koop

Photo Credit: https://www.wandakoop.com/about || https://www.wandakoop.com/work || https://www.cbc.ca/news/canada/manitoba/wanda-koop-on-how-art-changed-her-life-1.2820267

Known as one of Canada’s most accomplished painters, Wanda Koop has presented over 60 solo exhibitions through various countries including Canada, Brazil, Japan, and many more. Wanda has received several awards including being appointed as the highest civilian honor given to canadians. She says that, “Visual art is a language. It's the way I can communicate what my observations of the world are, to everybody else”. This incredible ability to communicate her observations has allowed her to be recognized for her community work and social activism. Wanda Koop has illustrated that women can express themselves in many different ways! Her creativity shines through her large-scale paintings and mixed-media events.

Laura Gulshani

Credit : https://thekit.ca/living/laura-gulshani-painter/ || https://www.lauragulshani.com/about

Laura Gulshani was raised in Mississauga, Ontario and for someone who never thought she would be a professional artist, she made her dreams come true and eventually relocated to Paris! Her artwork is seen through a combination of acrylic and oil paintings. It all started when Marie-Claire UK handed Laura with what was described as the opportunity of a lifetime, an assignment to cover fashion month in paintings! After moving to Paris, Laura described art as having “A different meaning in people’s lives here. It’s considered essential to a good lifestyle balance to enjoy art, to immerse yourself in art, to collect art”. One of the biggest factors that Laura finds really fulfilling is when her artwork reaches the right audience and gains happiness out of it. Laura’s story is an epitome to all women that whether you're still looking for your passion or already following it, it's worth going after!

Helen Frankenthaler

Credit: https://news.artnet.com/art-world/helen-frankenthaler-nemerov-excerpt-1957010 || https://www.frankenthalerfoundation.org/helen/biography || https://gagosian.com/artists/helen-frankenthaler/

Helen Frankenthaler has been named one of the great American artists of the twentieth century. Her professional abstract art journey began in 1950, where she tested various art techniques on canvas and paper. Helen received quite a few awards and honorary doctorates, including the National Medal of Arts in 2001. Through the artwork that Helen created, its direct impact was seen on contemporary art as profound and continuously growing. Helen believes, “There are no rules… that is how art is born, that is how breakthroughs happen. Go against the rules or ignore the rules, that is what invention is about”. Helen is an inspiration to all women who want to be boundless.

Wangechi Mutu

Credit: https://www.zenartsupplies.co/blogs/inspiration/7-famous-female-artists-in-contemporary-art-to-date#Wangechi-Mutu || https://www.artnet.com/artists/wangechi-mutu/biography

Kenyan artist, Wangechi Mutu, is a contemporary artist who is an inspiring reminder that art can be used as a means to make a statement on art history, race, and personal identity. Mutu’s art has provided an alternative course of history for people of African descent as her imagery is known to have, “An almost science fiction-like nature”. Mutu has been featured all around the world including the Nasher Museum of Art in North Carolina in 2013. Wangechi’s work ranges from videos, performances, and sculptures which highlight the level of influence that America holds on contemporary African culture.

Along with these amazing artists, we also want to shout out our gallery owner, Nadia Kakridonis!

Twist is honored to be a female-owned business that supports all women who want to make their dream come to life. That being said, we would also like to thank all of the female artists that have displayed work with us and continue to show us support along the way! Happy Women’s Day, cheers to supporting female artists!

Twist Gallery 3/5/24 Twist Gallery 3/5/24

An Event at Twist: Build Your Own Charcuterie Board!

Twist Gallery hosted its very first Valentine’s Day inspired Charcuterie Board Night! Come take a look at what the night consisted of:

Twist Gallery, a space where art enthusiasts can experience creativity through various art exhibits, a venue to host your big day, or simply a place to transform ideas into action and organize events like our Valentine’s Day Charcuterie Night.

With several different events hosted in the past, Twist Gallery strives to be the perfect place for you to take your imagination and ideas to the next level! Whether you are looking to host a corporate event, birthday party, holiday gathering, or you have other visions, Twist Gallery is the place for you. Allowing you to design your event in a way that describes you or putting together a day for others to enjoy, Twist is here to guide you along the way.

Twist Gallery hosted its very first Valentine’s Day inspired Charcuterie Board Night! Come take a look at what the night consisted of:

Couples were welcomed with a glass of prosecco upon entry with one bottle during their charcuterie making experience. Each couple was able to create their own personalized take-home charcuterie board for them to enjoy in the comfort of their own home!

Charcuterie boards are a trendy food item for a date night, a dinner party or even just to enjoy on your own. While everyone loves to taste a charcuterie board, assembling one is not as easy as it looks. Taking a class such as this one, is a way to learn the skills to achieve the most tasty and aesthetically pleasing charcuterie board, time and time again.

An interactive experience with our Gusto 54 Chef demonstrating how to curate the most aesthetically pleasing charcuterie board, the couples had guidance along each step of the process.

If you were unable to attend our Valentine Charcuterie Event, Twist Gallery will be hosting another Charcuterie Board Night on April 19th from 6:00 - 9:00 pm and we would love to see you there!

Also Read: Event Space Toronto, wedding venue Toronto, Wedding Reception Toronto

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