Our New Perceptions Exhibit

Perceptions is an exhibit that showcases various ways of looking at the world around us. For some, it is through our culture, and for others, it is capturing the feeling of a moment, or just simply what is in front of them. Regardless of the direction, one perceives the theme, the malleability of your perception is ever evolving and unique to you. 

This exhibit displays 8 talented artists that have varying understandings of the world around them. Giuseppe Mandarino and Mark Viola both gravitate towards cultural influencers such as Elvis Presley, Bruce Springsteen, The Beatles etc. and consider these icons as people who have shaped who they are. While Emily Lightstone, Tina Nazarali and Patricia Nolan find beauty in soft details of everyday life. Their inspiration draws from what they feel around them, bodies of water, architecture, animals or the humans around them. They base their art on serene atmospheres which contrasts with our final three artists: Dinesh Subramanian, Rishi, and Kiyungi Fundikira. These three artists focus heavily on cityscapes and find charm in their hometown Toronto. While the subject remains the same, their technique and focus differs in each collection. Each artist has a unique style and their perception is heavily influenced by our very own concrete jungle. 

Giuseppe Mandarino

Giuseppe Mandarino’s work represents the zeitgeist of old Hollywood and the inspiration drawn from the 60s-70s.  Like many other Canadians, Mandarino grew up consuming American content. After being introduced to The Beatles and Elvis at a young age, music continues to shape who he is and still uses it as the backbone of his creativity (Mandarino, 2022). In his display, he showcases a series of Natalie Wood paintings and two paintings of Elvis Presely. With both surfacing fame in similar time frames, Mandarino thought it would be a good combination of artists to exhibit. Their marks left behind in the entertainment industry is especially fascinating to Manderino as success was achieved and taken away so quickly for them. “I think that because they died so young is why people are so enamoured by them still today.  I think people feel like they both had much longer careers ahead of them had they not died, but perhaps we wouldn't feel the same about them if they hadn't died.” (Mandarino, 2022) While he and the rest of the world piece together their tragic deaths, their creativity left behind continues to enhance Mandarino’s creative process (one of his favourite things about his art).  

Mark Viola

Similar to Giuseppe Mandarino, Mark Viola finds inspiration in music when discovering  his creative voice. He uses music as a tool to let go and tune into his mindset. The surrounding world around Viola is what shapes his art into what it is and what he allows on the canvas. Whatever is going on in his life, Mark reflects that in his work and claims his art “becomes my reaction to the world” (Viola, 2022). He hopes that his art is something people can find meaning behind and look beyond what is blatantly there.

Mark showcases 6 paintings in our Perceptions exhibit. While primarily focusing on the colours red, blue, white and black. Viola produces a particular style which includes text and contrasting elements. However, typography remains to be one of Viola's signature styles within his work as it allows him to build on the existing visual aspect and convey the mood more clearly. His fascination with the use of typography stems from the actual meaning behind the words as well as the style of text. In his Piece ‘Show a Little Faith’, Viola quotes Bruce Springteen, and paints “show a little faith, there's magic in the night”. There is clearly a connection between the two artists. Viola speaks about how he was not always a fan of Springsteen's work, and how his biography has since shifted his perspective on his storytelling ability. This particular line resonates with Mark due to the faith he has in himself because of his wife. “She has been my faith and magic” (Viola, 2022).

Emily Lightstone 

Our busy world around us sometimes allows for silent and still moments that can be captured by those who find beauty in it, Emily Lightstone does just that. Her exhibit focuses on how her surroundings (especially water) appear in the moment rather than how they always seem. She loves capturing nature due to its ever changing state. She utilizes her art as a way to focus on the new beauty the earth provides her and the small joys in everyday life. “I love that you could be having the worst day ever, and you can still look up at the sky and say ‘wow those clouds are beautiful” (Lightstone, 2022).

What truly allows Lightstone to observe water the way she does is her position as a stormwater engineer. This sets her apart from others that simply admire water, but allows her to think about the motion of water in a more indepth perspective. During her daily walks by Lake Ontario and the Credit River, Lightstone observes changes in the state of water and how it differs from the day before. This is her sole artistic inspiration and can be applied in a variety of ways. The message Lightstone sends to her audience is “to think about the places in their daily life that might fade into the background of their routine” (Lightstone, 2022). The very essence of her paintings is inspired by the calm joy you feel when looking at a sunset, Lightstone conveys this emotion very clearly through her pieces. 

Tina Nazarali 

Tina Nazarali draws inspiration from the places she has traveled to and the experiences she gathered throughout her life. She likes to think of the world as her home rather than one individual place. For her, the diversity that surrounds her improves her overall health and helps encourage her to work hard for the life she aspires to live. In her collection of art, Nazarali displays various examples of classic architecture and symmetry. The unique attributes of these specific landmarks represent intellect and boldness for her, something that is hard to come by in the modern world. In her painting ‘Magnificent Tuscany’ , the limestone and terracotta roof tiles stand out and give an ‘old world Europe feeling.’ says Nazarali. Through her travels she documents her surroundings through oil and acrylic. Using this medium allows her to convey the essence of her environment in a more controlled way, rather than using a camera. 

Patricia Nolan

Partricia Nolan’s wall includes two series of paintings. While both very similar in style, she captures our very own Kensington Market up close and personal and a series of ‘cottage style’ animals. Patricia captures her still images of Toronto en plein air. This special space is one where many come to relax, but in a slightly different manner than anywhere else in the city. People converse easily and spontaneously (Nolan, 2022). One of her treasured activities is people watching and this area is easily a favourite for her. As she sits there, she captures each small detail with the stroke of a brush, her devotion to detail is undoubtedly one of the most distinguishing features of her work. This remains constant even as she has evolved as an artist. Nolan currently focuses on wet-on-wet techniques before attending to the finer details, while she used to paint the details synchronously, she has since progressed into a different style.

In her Kensington Market series, Nolan captures life in the simplest form, exactly how it was in the moment. “Kensington Market is an ever-evolving place of course, but it is continuously under threat from developers who perhaps don’t best understand the spirit of the place, and it was important to me to capture the essence of this very special place in our city before it is irreversibly transformed” (Nolan, 2022). This small corner of Toronto is held near and dear to many Torontonians, and capturing the essence of it is a difficult task, however Nolan attempts and succeeds in such a creative way.

 Dinesh Subramanian 

Through Dinesh Subramanian’s realistic rendering of Toronto, we can clearly see the details and stillness of the city. While the city is filled with many buildings and lights, most of Subramanian’s work captures a hollow environment. His attention to detail is placed in contrast to the various elements often forgotten by city folk. The constant need to rush and get to the destination is an indoctrinated idea many inhabit. Subramanian likes to include as many details as he possibly can to make an accurate representation of the city. This allows his painting to fully exhibit what Toronto has to offer, even the forgotten details by many.

Half of Dinesh Subramanian’s display is inspired by rain and the cozy feeling he craves from it. All it takes is the smell of the first drop to change the atmosphere, the reflection of greys and reds appear more clearly, and lights become a new exciting subject. “reflections are also very interesting to me, like opening a portal to another world” (Subramanian, 2022). The calming emotions of the rain provoke a different story and experience of the world around you, claims Dinesh.

Since the pandemic, Subramanian’s experimental use of watercolour has become life changing. Prior to his use of this medium, it has always been a daunting method, one he did not intend to explore. After seeing one of his favourite artists utilize watercolour, it inspired Dinesh to practice with the runny texture. As he understood the medium more, the unpredictable quality of this paint became favoured. A medium in which helped him complete his paintings, one that completed his initial thought. His practice with watercolour persists, and enhances with every stroke.

Rishi 

As one of our artists who focus mainly on cityscapes, Rishi utilizes contrast in colour to allow his work to stand out. Each colour used is purposely done to convey a tone set by the bustling city of Toronto. For Rishi, pink is an indication of lust or comfort, as used in his work, ‘Pink CNset’ as a city he considers home, and also used in ‘Metro’ for the apartment windows. Colour is a significant communication tool for Rishi and the work he creates. One consistent contrast he uses is yellow against black, this is used as an indication for uncertainty and warning. This combination is repeated throughout his paintings as a common emotion that takes place in the city. The use of Yellow is used in ‘Metro’ most effectively, as it sheds light on social interactions and driving and the dangers that can come with it.

Two pieces that naturally stand out from the rest, is ‘Bora Bora’, and ‘Abbey Road’. While both under the theme Perceptions, they differ from the site Toronto. Rishi chose to capture ‘Bora Bora’ during the pandemic due to its picturesque essence. This was during a time where many were unable to travel and leave their homes. Social media was an escape for many, and became our only perception of the outside world. ‘Abbey Road’ is sentimental to him as it is a location which Rishi has traveled to and references his accuracy through the photos taken by himself. However, no matter what, Toronto stands as his favourite location due to the proximity to bodies of water and the endless amounts of things to do. 

Kiyungi Fundikira 

While Toronto can often look gray and concrete, Kiyungi Fundikira has never thought of it that way. His encapsulation of Toronto includes colour and life; this is why his favourite season is fall. Fundikira gravitates towards this season due to its texture, colour and variety. His artwork is based around the colour you find in the city, even at night. He plans on exploring black and white mediums such as: sketches with pens, Inks and pencils, later on in his art journey, however, for now he is quite content with searching for colour.

Toronto is a special place for Fundikira as it includes so many cultures, forms of architecture and settings. The endless opportunities you receive from living in a city like Toronto is astounding, the contemporary and vintage stores and ways of life truly make it the most cosmopolitan cities he has ever traveled to. 

Through each artist, a different perspective of life shines through. The contrast between positive and negative, what is worth capturing and not, or what is inspirational or unmoving differs between all eight artists. This drives sentiment, it drives passion, and it shapes who each person is. Perhaps there are some similarities and common points of interest, however the way each piece is portrayed has something no one else can add, more. The painting is exactly how it looks by the person who decided to make it look that way. One can have perspective and feelings based on the art. But no one can change the initial form. 

Wedding Planning Tips for Newly Engaged Couples

Planning a wedding is fun, but there are a lot of steps involved, and newly engaged couples need to work together so that the process does not become overwhelming.

If you want to enjoy the planning process, make sure you do the following:

Discuss The Bigger Topics Right Away

Things like budget, location and the number of people you want to invite are big conversations you need to discuss upfront. Discuss these aspects as soon as you get engaged because they will provide you with a solid foundation on which you can base the rest of your planning. Having these conversations early on will also ensure you and your partner are on the same page, so there will not be disagreements later on. You should never assume you know what the other person wants, and this is a special day for both you and your partner, so you need to plan your wedding together.

Don’t Worry About The Opinion Of Others

Once you get engaged, you will see that everyone has an opinion, and people will want to offer you advice everywhere you go. In some cases, this information can be useful, but it can be frustrating and very annoying in many cases, especially if it is unsolicited. In these situations, take a deep breath and simply smile and say thank you. You can then do whatever you want with this information, and if you find their tips to be helpful, you can implement them into your planning. If you don’t find their tips to be useful in any way, just let them roll off your back and remember that this is your day!

Decide Whether Or Not You Want To Hire A Wedding Planner

Wedding planners can be very helpful because they will help you plan every detail and will handle every step. They will also be present on the day of your wedding to ensure everything is in place, and you will not stress because their knowledge will help you plan your dream wedding. If you do decide to hire a wedding planner, involve them in your planning as soon as you get engaged.

Don’t Forget To Have Fun

Wedding planning can consume every minute of your day if you allow this to happen, so you have to take a step back so that you have fun along the way. Your engagement is a special time in your life, and it’s important to enjoy it because this only happens once, and you need to remember to soak up the excitement that comes with this phase. Planning is very important, but date nights don’t revolve around your wedding, so remember to celebrate your relationship and not make everything about the wedding.

When it comes to your wedding location, Twist Gallery Inc can help. Our venue is both beautiful and unique, so if you want your wedding day to be magical, contact us today!

Meet Natasha Dichpan!

Our third Colour Me Bold artist Natasha Dichpan is also a live painter and illustrator. She finds joy in colours and mediums that are diverse and distinctive. Painting for her is a meditation which she practices to calm, to heal and to tell stories. Born in Russia, she spent her early years in Israel and is currently based in Toronto. Her art reflects the transformations she underwent while being in entirely different parts of the world. Her art speaks not one, but several languages. In a short interview with us, Natasha talked to us about her inspiration, experience and her most beloved artwork pieces.

What inspires your art?

My artwork is informed through a combination of raw feeling and formal training.  I draw inspiration from my present as much as my past and childhood I spent in Russia and Israel. I hope for my work to echo my passion and to become a call to the vulnerable, optimistic and romantic inner-chords that many of us have in common.

 Is there a specific piece that stands out to you? Why?

The two pieces that stand out to me at the moment are “Spirit” and “The Nightingale & The Rose”. They are the two most honest and autobiographical works I’ve created so far. They are pretty much self-portraits.

“The Nightingale & The Rose” by Natasha Dichpan

$1500

“Spirit” by Natasha Dichpan

$1500

Do you use bold colours for a specific reason?

I use either intense colours or no colour at all. I know this about myself - I am very much “all or nothing” kind of person, especially when it comes to things that matter most to me. I enjoy using odd colours for natural subjects like portraits or animals, picking colours that are not easily found in nature. It gives my subjects a touch of surrealism, a touch of mystery that I enjoy weaving.

Meet Lisandra Pellegrini!

Born and raised in Toronto and an OCAD grad, her main focus as an artist is to make people feel like they want to touch the work.

What inspires your art?

Inspiration can be something hidden in anything for me. It could be a dream, or a moment. Driving behind a slow truck or going for a walk. It doesn’t discriminate when it will show up or go away. Mainly, it’s that moment when the light bulb goes on.

Jet Stream, 48” by 24”, $520

What medium and technique do you use?

The medium I use mostly is acrylic paints. I have mixed paints with oil, water, sand. Experimenting with different techniques is important for me. I don’t want to stay in a box and my style is constantly changing.

Eva’s Kaleidoscope, 48” by 24”, $520

Walk us through a process of creating your art? 

Usually it comes with an idea. A colour or colours I want to use. Starting off with a base of what colours to use, the piece usually evolves from there. Commission work used to feel daunting, but I enjoy getting the customers vision. I enjoy working off a commissions energy.

The Creation of Simone, 48” by 24”, $420

Is there a specific piece that stands out to you?

I love ‘The Creation of Simone.’ it’s colours, vibrancy, structure.

Appropriate Thoughts, 36” by 24”, $300

How did you start out as an artist?

Really young I decided I wanted to be really good at drawing. I wasn’t. So I practiced a lot to get better. My only goal for a long time being young was to be an artist. Be good at making people feel something from something I made. I moved through so many mediums before I found abstract art.

Florida Fish, 40” by 30”, $500

Do you use bold colours for a specific reason? 

Go big. Use big colours. Colours that will make the viewer feel something. A memory. A taste. It’s important for some work to even make people feel uncomfortable. It may not work in a bedroom or living space, but why not? Sometimes what’s in the background should be bigger than what’s in front of your face. Colour is magical.

Meet Gloria Blatt!

What inspires your art?

My inspirations come from nature and the natural beauty around us. I’ve always been able to view the world through a lens of colour, shapes, and dimensions, and have the ability to translate this into artistic expression.

“Wings” acrylic on birch (30” x 40”) $1,500

Can you talk about your process? What tools do you use to create?

I begin my creations by imagining abstract renditions of images in my mind that have been formed through my life experiences. At times I even surprise myself when the process seems to take on a life of its own. I take advantage of a variety sources of mediums and continually experiment with innovative techniques. Some of my work is done with conventional paint and brush, and at other times they can involve my fingers and other non-conventional tools.   

Source: www.gloriablatt.com

When did you first discover art? Are you self-taught or did you go to school for it?

For as long as I remember, I have been fascinated by artistic expression. I attended formal study both at York University in the Fine Arts program, and Ontario College of Art and Design. York University provided me with a deep appreciation of art history, while OCAD allowed me the freedom to express myself in an incredibly innovative, fearless manner.

What is your personal goal as an artist?

My goal as an artist is first and foremost to be proud of my creations and share my passion for the craft with as many people as possible. It gives me incredible satisfaction when others are able to derive pleasure from my creations and discover their own life-story in my work.  

“Freeze” acrylic, oil, ink, enamel on birch, wood float frame (30”x 30”) $1,300

How do you title your artworks? 

The process of naming my art is often a reflexive response to the creation. It is always spontaneous and natural as my art always conveys a strong personal message.

Do you have a particular piece that has a special connection to you?

Of all of my paintings, the one that is closest to my heart is one inspired by my children, my greatest creations.

“Dragon” acrylic, ink, oil on birch, wood float frame, (30”x 30”) $1,300

Who are some of your favourite artists?

Having studied art history and having visited many world-famous galleries, I am awe struck and overwhelmed by the works of Picasso, Monet, Modigliani, Chagall, and Miro (although my list could go on).  

What is it like to be an artist in today’s world?

Being an artist is both maddening and transformative, as I serve as my harshest critic.  At the same time, the creative process allows me to escape into a state of inner peace and tranquility.

“Dusty Rose” acrylic on stretched canvas, (42.5”x 51”) $2,500

What are you passionate about?

In today’s troubled world, being an artist affords me the ability to remain optimistic and inspired.

What does “Energy” mean to you?

Energy is the life force that I derive from my family and friends, and that ultimately manifests in my artistic expression in the form of colour and movement.

Energy at Twist

Don’t miss this one Toronto! Be sure to visit us at 1100 Queen Street West and check out our newest artists featured. Our doors are open every Tuesday to Saturday from 11am till 6pm.

You can call us at (416) 588 - 2222 or email your questions and inquiries to info@twistgallery.ca.

 And since you’re here, check out the Twist Artist Showcase? CLICK HERE.

 To see what’s Upcoming at Twist Gallery CLICK HERE.

 Follow us @Twistgalleryand @TwistGallery!

Meet Jessica Robbins!

What inspires your art?

In a word: colour. I know that sounds simplistic, but I thrive on bright and bold colours. I love colour and look for it everywhere! I take photos of anything that catches my eye, whether it's traveling or simply day-to-day life, and get a lot of ideas for colour palettes from life. My process can also be very collaborative. The majority of the pieces I have created have been special requests. While working with a patron may seem to allow for less freedom, it is so flattering to be asked (and trusted) to paint something so personal for someone. It pushes me out of my comfort zone and produced some of my best work.

“Magnificent Mile” acrylic on canvas (20”x 20”) $300

Can you talk about your process? What tools do you use to create?

I work with acrylics primarily because they allow for the bright, bold colour palettes with which I love to work. While mostly brush work, I like to experiment with different tools and techniques to add variety to my work. Especially when working on abstract pieces, I use palette knives to layer paint in different ways and then add washes of colour to help unify everything on the canvas. Almost no brushes are used in the making of the abstract pieces in the show!

“Jaxx” acrylic on canvas, courtesy off Jessica Robbins.

When did you first discover art? Are you self-taught or did you go to school for it?

I always loved art class in school. I had such a passion I knew I wanted to make it my life. I studied Fine Art (and Law) at the University of Guelph and was able to experiment with so many different mediums. In school I worked mostly in sculpture, wood working, metal works, plaster mold making, I love using my hands. Painting came a bit later, but it is where I found myself. Friends started asking for small pieces (my first few requests were dog portraits) and over the past six years I have been able to work at my own pace and really refine my style. I am also a high school art teacher and am so lucky to be able to share my passion with my students and be surrounded by something I love every day!

Jessica Robbins

What is your personal goal as an artist?

At the beginning of 2019, my goal was to work towards an exhibition in a public space. Getting the show at Twist was a huge accomplishment for me. Moving forward, I would love to continue to work towards more shows in the GTA and creating pieces for a solo exhibition. One of my pieces for "Energy" is a streetscape of Kensington Market and I would like to work towards a series of similar pieces inspired by different neighbourhoods around the city. Toronto has such a rich diversity of architecture which lends itself very generously to artwork.

“Kensington” acrylic on canvas (24”x 48”) $850

Do you have a particular piece that has a special connection to you?

I loved working on Kensington. The colours, the inherent culture, the vibrancy - everything about the neighbourhood shouts "Energy". I really wanted to showcase this in my painting and am happy with the result. My artistic collection of work varies from portraits to abstract pieces, but this was the painting that tied everything together. I used this piece as the focal point for my show as I am most proud of it.

Energy at Twist

Don’t miss out on this exhibition Queen West! Be sure to visit us at 1100 Queen Street West and check out our newest artists featured. Our doors are open every Tuesday to Saturday from 11am till 6pm.

You can call us at (416) 588 - 2222 or email your questions and inquiries to info@twistgallery.ca.

And since you’re here, why not browse the Twist Artist Showcase? CLICK HERE.

To see what’s Upcoming at Twist Gallery CLICK HERE.

Follow us @Twistgalleryand @TwistGallery!